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Results for "Cannonball Adderley"
Take Five With Dan Barnett
by AAJ Staff
Meet Dan Barnett:Dan has worked and recorded with some of the greats in Australian and world music such as James Morrison, Will Calhoun, Tom Burlinson, Barbara Morrison, Mark Murphy, Bob Barnard, Dan Barrett, Tom Baker, Bob Montgomery, George Washingmachine, Emma Pask, Judy Carmichael, Janet Seidel, Don Burrows, George Golla, Evan Christopher, David Paquette, Judy ...
Claudio Roditi: A Brazilian in Iowa
by Victor Verney
Watching trumpeter Claudio Roditi lead some unfamiliar sidemen through an afternoon rehearsal prior to an evening performance provided a good look at something not readily apparent at concerts. While the audience at that night's show in Ottumwa, Iowa saw Roditi's talents as a player and improviser (and even singer) displayed, most concertgoers could only have a ...
Take Five With Enoch Smith, Jr.
by AAJ Staff
Meet Enoch Smith Jr.: I'm a music lover first. My musical ability is just an extension of my love. Jazz, gospel, music for film/television, you name it and I can tell you a story about how I fell in love with it." At the late age of 14 he began playing piano by ...
Jon Irabagon: The Observer
by Troy Collins
Best known as the volatile saxophonist in bassist Moppa Elliott's self proclaimed terrorist be-bop band Mostly Other People Do the Killing, Jon Irabagon has only just begun his career as a solo artist. His bristling duet with drummer Mike Pride, I Don't Hear Nothin' But The Blues (Loyal Label, 2009) was preceded by Outright! (Innova, 2008), ...
The Story Of Jazz Saxophone
by AAJ Staff
For some, the saxophone is the sound of jazz. The unique fusion of brass and woodwind that is the sax found an electrifying vibrato in the hands of jazzmen that truly changed the world. The pale pure" tone of the instrument, as first used in classical compositions, vanished in a musical blast of slurs ( Coleman ...
Patrick Langham: Grown Up Listening
by Hrayr Attarian
Artists' early works generally channels the various influences and styles they have been exposed to during their development. What makes a debut unique is the way the different influences fuse and what the musicians can add to the mix themselves. Alto saxophonist Patrick Langham's Grown Up Listening is a perfect example. Langham is ...
Stefon Harris: Authenticity and Audacity
by R.J. DeLuke
Authenticity is a special word for vibraphone wizard Stefon Harris when it comes to his art, which springs from the tradition of jazz music, but is approached through a modern lens that takes into account the sounds and perspective of 2009. He has enough audacity--also a special word for Harris--to say it clearly, to ...
Take Five With Benny Reid
by AAJ Staff
Instrument(s):Alto saxophone.Teachers and/or influences?Starting with my alto sax teacher in high school, Andy Fusco of Buddy Rich Band fame, and throughout college at Indiana University I studied with Tom Walsh, who is a great jazz and classical player that really knows how to bring out the individualism in each student. ...
Take Five With Peter Cobb
by AAJ Staff
Meet Peter Cobb:Saxophonist Peter Cobb hails from Boston, and grew up studying with the likes of Joe Viola and Jerry Bergonzi, and later went to Berklee on a saxophone scholarship. After taking a brief detour to attend UPenn Law School and practicing as an attorney in Philadelphia for a few years, Peter moved to ...
Gary Smulyan: Low Man Aims High
by Edward Bride
A baritone saxophonist who plays like Bird? And harvests more than a half-dozen Grammy awards in the process? That seeming contradiction characterizes the great successes of Gary Smulyan, one of today's most in-demand jazz performers, educators, and recording artists. To be fair, Smulyan has his own voice, but he cites Charlie Parker ...


