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Coleman Hawkins: The High and Mighty Hawk
by Samuel Chell
Recorded in England in 1958, this little-known session, originally released on the obscure Felsted label, is an inarguable gem. Perhaps even the word “masterpiece" is not too much of a stretch. It's doubtful that the putative “father of the tenor saxophone," Coleman Hawkins, made a better recording in the age of long-playing records, and it's just ...
Daniel Smith: Blue Bassoon
by Dan Bilawsky
When many people hear discussions about the bassoon, they are far more likely to think of “Peter And The Wolf" than Charlie Parker and Wayne Shorter tunes. While jazz is open to any-and-all-comers in every instrument family, the technical demands of the bassoon--an unwieldy double reed instrument that rarely leaves the confines of classical music--and its ...
Matt Marantz: Offering
by Mark F. Turner
Saxophonist Matt Marantz's Offering is a splendid debut; echoing, in part, the lyricism and verve of three of his influences--Charlie Parker, Cannonball Adderley, and Phil Woods. It's interesting to note that the young New Orleans based saxophonist is a tenorist--whose intrepid lines and phrasings are honed from practice and performance--with an alto-like tonality that is less ...
David S. Ware: Gravitation
by Martin Longley
It wasn't the kidney transplant that brought saxophonist David S. Ware very close to wheelchair confinement. Last September (2009), there were early signs of organ rejection, so he was placed on a course of steroids. These came with side effects that were more debilitating than last year's operation itself. Since then, Ware has been in a ...
Tia Fuller: Stepping Forward Decisively
by R.J. DeLuke
For saxophonist Tia Fuller, becoming a musician, and concentrating on jazz, seems almost preordained. After all, she came from a musical family who loved and performed jazz. She started playing piano at the age of 3. Music has always been in her life. Then there's that family video where, at age 9, asked what ...
Jazz Goes Green: Musical Explorations On A Secondary Color Of Note
by Dan Bilawsky
With spring taking hold and summer on the way, it's hard to avoid encounters with the color green. The drab gray and white of winter is now no more and a vibrant green color scheme has taken over. A drive along the Long Island Expressway--which leads to Manhattan and some of the greatest jazz clubs in ...
Take Five With Ryan Kauffman
by AAJ Staff
Meet Ryan Kauffman: “What is not to like about a throaty tenor saxophone with a big aggressive sound, a full voiced soprano saxophone or a hauntingly velvety flute?" --Craig W. Hurst Ryan Kauffman is a saxophonist and private teacher in central and eastern Pennsylvania. He currently leads his own jazz trio and ...
Remembering Hank Jones
Hank Jones Biography Henry “Hank" Jones (born July 31, 1918; died May 16, 2010) was an American jazz pianist, bandleader, and composer. Critics and musicians have described Jones as eloquent, lyrical, and impeccable. In 1989, The National Endowment for the Arts honored Hank Jones with its highest honor in jazz, the NEA Jazz Masters Award. He ...
Take Five With Antoinette Montague
by AAJ Staff
Meet Antoinette Montague:Antoinette Montague likes to say she simply sings “people music." Make no mistake about it, she is a jazz singer through and through, but one who pushes the genre's boundaries. On her new recording, Behind the Smile, Montague sings classic jazz standards (new and old), resurrects lovely-but-obscure melodies, blends in blues and ...
Keeping Up With The Joneses: The Jones Name In Jazz
by Dan Bilawsky
"What's in a name?"This question, written by Shakespeare and spoken from the mouth of his Juliet, really touches on an important line of thought. Juliet continued and said, “That which we call a rose by any other name would smell as sweet." While she was dealing with the Montague/Capulet issue, she sought to downplay ...
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