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Kate Lindsey, Evan Rogister, Ensemble LPR, Paul Muldoon: Mohammed Fairouz: Follow, Poet
by C. Michael Bailey
The sacred German record label, Deutsche Grammophon, is thinking outside the box. Deep in the traditional classical fare, DG is certainly a discographic force to reckon with. But one can only do so much with Bach, Beethoven and Brahms. Universal Music Classics president and CEO Elizabeth Sobal conceived the idea of a marriage between words and ...
Clarence Penn & Penn Station: Monk: The Lost Files
by C. Michael Bailey
A well-established creative paradigm exists to justify Clarence Penn & Penn Station's recording Monk: The Lost Files. “Classical" music is often considered that music, composed long ago, that has stood the test of time, remaining viable to the public in recordings and live performance. These composers of this music tend to be Europeans from the last ...
Ashley Daneman: Beauty Indestructible
by C. Michael Bailey
The most important thing that singers/educators Kate McGarry and Theo Bleckmann impart to their students is the direction to define his or her own vocal trajectory. The lesson was readily honored by Nicky Schrire on her Space and Time (Magenta Label Group, 2013). Vocalist Ashley Daneman also took that message to heart after her study with ...
The Best Gig in Town: Jazz Artist at the White House 1969-1974
by C. Michael Bailey
The Best Gig in Town: Jazz Artist at the White House 1969 -1974 Edward Allan Faine 229 Pages ISBN: #9780985795245 IM Press 2014 There is something puzzling and curious about a book documenting jazz performances at the White House specifically during the Nixon Administration. A thoroughly divisive historical figure, ...
The Hollywood Blues Destroyers: Singles Drinking Doubles
by C. Michael Bailey
Avoid the intended seduction of the sexy and dangerous collective called The Hollywood Blues Destroyers for the Oz behind the curtain with his merry band of friends is one Fred Steven “Skip" Heller. AllMusic's Jana Pendragon calls Heller, “America's most confusing country singer." Whatever Heller might be, he is a defender of American Music...all of it. ...
Miles Davis: Olympia – Mar 20, 1960
by C. Michael Bailey
A Totally Subjective History of Jazz, 1945--1968 I am going to over-simplify the history of small-ensemble jazz between the heyday of bebop and the vestibule of fusion using a single catalyst--Miles Davis. Davis was instrumental in or the genesis of five major movements (not including fusion) in jazz where the hinges of these ...
Lisa Thorson: Lisa Thorson Quartet - Live
by C. Michael Bailey
Lisa Thorson is a Boston-based vocalist and educator (she is a professor of voice at Berklee College of Music). She has release three recordings: From This Moment On (Brownstone, 1994), Resonance (GM Recordings, 1999) and Out to Sea (Self Produced, 2002). Even a dedicated teacher must spread her creative wings from time to time, and Thorson ...
Notable and Nearly Missed 2014
by C. Michael Bailey
As I have grown older, I have come to the startling and disheartening realization that I will not be able to read all the books there are, and, more importantly, listen to all the music there is (much less write about it). I otherwise appreciate a finite lifespan, but not when it comes to books and ...
All of You: The Last Tour 1960
by C. Michael Bailey
The problem with Miles Davis' 1960 European Tours has been one of programming. First to know is that Davis toured Europe twice in 1960: the first time with John Coltrane, March 21st to April 109th, and then with Sonny Stitt from September 27th to October 13th. The second thing to know is not every performance of ...
Colin Trusedell: Quartet of Jazz Death
by C. Michael Bailey
Bassist Colin Trusedell made his recording debut with the very fine Some of My Best Friends Are... Divas. This recording, by relative unknowns, late of Armed Forces service, put together a cogent and well-focused jazz vocal recording that intelligently surveyed the American Songbook. Scoring such a success, what does Trusedell do for a follow-up? He goes ...
