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Slim Harpo: Blues King Bee of Baton Rouge
by C. Michael Bailey
Slim Harpo: Blues King Bee of Baton Rouge Martin Hawkins 416 Pages ISBN: # 978-0807164532 LSU Press 2016 James Moore, AKA, Slim Harpo, was a musician that existed at ground level. In his heyday, one was as likely to see him exiting the Excello Records in Nashville, TN one ...
Mads Tolling and the Mads Men: Playing the 60s
by C. Michael Bailey
From the first arco tones, something sounds very familiar, yet hard to identify. The tone in question is big and full, dry, but not too much so. Were this tone a libation, it would be an Old Fashion. Sleek and commanding, yes, this makes me think of Svend Asmussen. This should be no surprise both wunderkind ...
Art Pepper: Presents “West Coast Sessions” Volumes 1 & 2
by C. Michael Bailey
Alto saxophonist Art Pepper's comeback began the release of Living Legend (Contemporary, 1975). His previous 20 years had been fully devoted to heroin and prison, and their inevitable aftermath. Following the release of Living Legend, Pepper toured Japan in April 1977 and March 1978. Pepper found his most dedicated and enthusiastic crowd in Japan, recording a ...
Three Sounds: Groovin’ Hard - Live at the Penthouse 1964 - 1968
by C. Michael Bailey
Pianist Gene Harris was a durable jazz force from the beginning of his career as leader of the soul-jazz trio, The Three Sounds in the mid-1950s until his death in 2000. He described himself as “a blues pianist with chops" and that is as good a description as can be had. He had a piano style ...
Dorian Devins Hits a Double in the Bleak Midwinter
by C. Michael Bailey
New York centered jazz singer and lyricist Dorian Devins first rocked my sensitive Southern Consciousness in 2013 with the release of The Procrastinator (Rain1 Jazz). Devins marked a return to that jazz step-child, vocalese: the application of lyrics to well-known wordless jazz compositions. The recording was a cornerstone of that year. Devins played a very large ...
Landon Spradlin, Jack Mack, Tom Craig, In Layman Terms, Bobby Rush, and the 2016 International Blues Challenge
by C. Michael Bailey
For two music genres often thought dead or near death, the blues and jazz continue to be two densities attracting talent for interpretation. The blues has been due a resurgence since the death of Stevie Ray Vaughan, and is likely to take off in the wake of the Rolling Stone's Blue and Lonesome (Polydor, 2016). Here ...
Dennis Coffey: Hot Coffey in the D – Burnin at Morey Baker’s Showplace Lounge
by C. Michael Bailey
Who is Dennis Coffey? In this period of Adderall attention spans, Dennis Coffey is this: The Temptations' “Ball of Confusion" (Gordy, 1970); Edwin Starr's “War" (Gordy, 1970); Diana Ross and the Supremes' “Someday We'll be Together" (Motown, 1969). Does that ring a bell? I know everyone talks about the West Coast's “Wrecking Crew," but, Detroit had ...
Notable and Nearly Missed 2016
by C. Michael Bailey
It is impossible, even for John Kelman, Mark Corroto, and Dan Bilawsky, to cover all the music worthy of discussion in a given year. At least that is my line and I am sticking to it as I pen my “Notable and Nearly Missed 2016" column. Rick Gallagher--Christmas Tidings: A Collection of Jazz Christmas ...
C. Michael Bailey’s Best Releases of 2016
by C. Michael Bailey
Shifting priorities in 2016 prevented me from either listening to or reviewing as much music as I have in the past. Thus, I did not take a swing at many fine recordings that by all accounts should be on this list like: John Scofield's Country for Old Men (Impulse!); Keith Jarrett's A Multitude of Angels (ECM); ...
The NOLA Players: Christmastime in New Orleans
by C. Michael Bailey
As valuable as the Marsalis family is to the New Orleans jazz community, their creative presence is so dense that most music made in NOLA will be drawn into their sonic orbit. This is not a bad thing, but neither is a little heterogeneity. This is what makes The NOLA Players' Christmastime in New Orleans such ...
