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Tony Monaco: The Definition of Insanity
by C. Andrew Hovan
It is often said that adversity can make or break a person. In the case of Tony Monaco, his varied life struggles have always been the catalyst in helping to bear the fruits of his many musical successes. Perhaps a fairly recent recovery from a major blockage of his widowmaker artery is the most radical example ...
Jimmy Greene: Gifts and Givers
by C. Andrew Hovan
The two-tenor battle is not a new idea, with iconic pairings from the jazz pantheon running the gamut from Dexter Gordon and Wardell Gray to Eddie “Lockjaw" Davis and Johnny Griffin. In more recent times, Eric Alexander and Grant Stewart have fueled the fire with their own incendiary adventures as heard on the current albums Wailin' ...
Mike DiRubbo: Human Spirit
by C. Andrew Hovan
In an era that seems to more fully embrace the idea of the 'tough young tenor,' alto saxophonist Mike DiRubbo puts forth a singular voice that stands apart from the crowd. With exceptions such as Kenny Garrett, Steve Wilson, and Vincent Herring, DiRubbo is one of the few musicians of this generation to choose the alto ...
Steve Davis: Systems Blue
by C. Andrew Hovan
From Kid Ory to Roswell Rudd, the role of the trombone has changed dramatically over the brief span of jazz history, as we know it. Whether it be keeping a beat via the style of “tailgating," exploring a multitude of textural possibilities through the challenges of the avant-garde, or working somewhere in that middle ground that ...
Peter Beets: New York Trio Page Two
by C. Andrew Hovan
In its relatively short history, American jazz music has established a language that while having some ties to the European tradition is more fully rooted in the rhythms and folk melodies of the African slaves. What is even more significant is the profound impact that the music and musicians have had in breaking social boundaries such ...
George Colligan: Ultimatum
by C. Andrew Hovan
Unlike classical music, where so much of the performance is based on an authentic interpretation of the material, jazz has always been more about inventiveness and the musician's quest to find an original voice. Additionally, some of the most innovative artists in the genre have been known not only for their instrumental prowess, but also for ...
Seamus Blake: Bellwether
by C. Andrew Hovan
The music speaks for itself. This timeworn axiom has often served as a suggestion that there's an intangible aspect to music's universal language that is somehow beyond mere words. In some cases this may be true, but on the other hand, this outlook has occasionally in the past served as a viable excuse for justifying music ...
Grant Stewart: Rise and Shine
by C. Andrew Hovan
Over the past twenty-five years, the jazz world has seen its share of stylistic ups and downs. Often changing with chameleon-like character, the music's popularity has come and gone based on the trends of the time and the success of musicians capable of connecting with broader audiences beyond the established cognoscenti. In looking back at the ...
Adam Shulman Septet: West Meets East
by C. Andrew Hovan
Quiet as it's kept, too many of today's finest jazz artists are given short shrift by an industry that seems to value product of a fleeting nature over true craft and a reverence for the jazz legacy. This makes it particularly challenging for a talent like Adam Shulman to break through to a wider audience. A ...
Ron Carter: Finding The Right Notes
by C. Andrew Hovan
Going back to the fall of 2016 and Ron Carter's appearance at the Detroit Jazz Festival as artist-in-residence, the buzz was that a biographical film on the man named the most recorded bassist in history was in the pipeline. During that festival, a film crew was seen regularly following Carter around Hart Plaza and the bassist ...
