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Various Artists: The Columbia Jazz Piano Moods Sessions
by C. Andrew Hovan
In so many ways, the piano trio is really one of the most perfect combinations in jazz. In the right hands, the impression of a much larger group is possible and various combinations of each instrument allow for freshness and variety. Knowing a good thing when they heard one, the magic of the piano trio was ...
Dena DeRose: I Can See Clearly Now
by C. Andrew Hovan
Without any doubt, pianist/vocalist Dena DeRose has come up with another winner and possibly her finest album yet to date. That’s saying a lot too because her previous two sessions for Sharp Nine, Introducing Dena DeRose and Another World, have been critically lauded while also setting a new standard among the female jazzer cum hip vocalist ...
David Hazeltine: Blues Quarters Vol. 1
by C. Andrew Hovan
Things have been hopping lately for pianist extraordinaire David Hazeltine. Aside from numerous gigs as a sideman (check him out with Louis Hayes, if you can) and time spent with the sextet One For All, Hazeltine has picked up the pace of his own efforts as a leader. Currently, he has available a tribute to Horace ...
George Colligan/Jesper Bodilsen: Twins
by C. Andrew Hovan
As a composer and pianist of considerable merit, George Colligan has been written about here before, as he has developed quite a catalog of releases for both the Spanish Fresh Sound and Danish SteepleChase labels. Able to remake himself in subsequent works, his efforts for SteepleChase range from savvy trios ( Activism with Dwayne Burno and ...
Pat Metheny: Trio > Live
by C. Andrew Hovan
About this time last year the word came through that guitarist Pat Metheny, in typical chameleonic character, had joined forces with bassist Larry Grenadier and drummer Bill Stewart for a studio album and some touring in Europe and limited parts of the United States. Both Grenadier and Stewart are several years Metheny's senior, but have been ...
Harold Danko: This Isn't Maybe...
by C. Andrew Hovan
It's a dilemma that has been common to jazz for decades now. It involves those players who might accurately be called “the middle children." You know how it works, players who can't get the same attention from the major labels like the young lions are able to nor are old enough to be referred to as ...
The Onus: Reoccurring Dream
by C. Andrew Hovan
First glances suggested this was going to be another quirky avant-garde project (taking in account the name of the band and the album cover), yet things proved to be quite different and in the end Reoccurring Dream blossomed into a mainstream set of substantial strength. Now just because we’re talking about working “within the tradition,” doesn’t ...
Johnny Hodges: The Complete Verve Johnny Hodges Small Group Sessions 1956-1961
by C. Andrew Hovan
You know, things just ain’t what they used to be. There was a time when the average blue-collar worker could stay with a job 30 or 40 years without so much as a care. The same held true for many musicians who happened to be caught in the orbit of Duke Ellington’s mercurial jazz institution. For ...
The Onus: Reoccurring Dream
by C. Andrew Hovan
First glances suggested this was going to be another quirky avant-garde project (taking in account the name of the band and the album cover), yet things proved to be quite different and in the end Reoccurring Dream blossomed into a mainstream set of substantial strength. Now just because we’re talking about working “within the tradition,” doesn’t ...
John Stein: Portraits and Landscapes
by C. Andrew Hovan
Once in a while an artist comes along who simply takes you by surprise and that in turn is what keeps jazz the evolving and appealing art form that it is. Such is the case with guitarist John Stein, a mainstay on the Boston jazz scene and an established artist who certainly is deserving of wider ...
