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112

Article: Live Review

Joyce at Night Town

Read "Joyce at Night Town 
" reviewed by C. Andrew Hovan


Night Town Cleveland, Ohio Once the word had spread among her American friends via the internet, folks from San Francisco to New York began to wonder how Cleveland had scored such a coup in booking Brazilian sensation Joyce for what would amount to be her only U.S. date so far this year. ...

115

Article: Live Review

The Greg Osby Four

Read "The Greg Osby Four 
" reviewed by C. Andrew Hovan


A La Jazz Rendezvous 2001 The Cleveland Play House Cleveland, Ohio Since 1984, when he hooked up with Steve Coleman to form the M-BASE Collective, Greg Osby has been at the forefront of some of the more exploratory movements of the modern jazz era. He has released eleven albums as ...

94

Article: Live Review

Lonnie Plaxico Quintet

Read "Lonnie Plaxico Quintet 
" reviewed by C. Andrew Hovan


I should have known to expect something out of the ordinary when I recently walked into one of Cleveland's classier jazz joints on a Monday evening to find that the band was set up on the left side, an area usually reserved for smaller groups. Furthermore, tables were not jammed clear up to the front of ...

13

Article: Profile

Blue Mitchell

Read "Blue Mitchell" reviewed by Robert Spencer


All About Jazz contributing writer C. Andrew Hovan said it best: “Those of you that are longtime jazz fans, take a few minutes and see how many jazz trumpeters you can name in the next minute. All done? I'm sure many of you remember Miles Davis, Lee Morgan, Louis Armstrong, and Buck Clayton, just to name ...

337

Article: Album Review

Joey DeFrancesco: Plays Sinatra His Way

Read "Plays Sinatra His Way" reviewed by C. Andrew Hovan


Although he’s been on the Concord label for several years now, it seems that the well spring of material that Joey DeFrancesco cut for Joe Fields’ HighNote imprimatur continues to be harvested with the latest offering being this 1998 session recorded in 24-bit digital splendor by the legendary Rudy Van Gelder. Don’t look for the title ...

328

Article: Album Review

Don Braden: The New Hang

Read "The New Hang" reviewed by C. Andrew Hovan


On the verge of what might be a definite breakthrough, tenor saxophonist Don Braden has been at the top of the list among better informed jazz followers, but he has just skirted below the radar of the average consumer. A superb trio of Criss Cross sides in the mid '90s led to a contract with RCA ...

112

Article: Multiple Reviews

CDs We Almost Missed In 2003

Read "CDs We Almost Missed In 2003" reviewed by C. Andrew Hovan


Although jazz accounts for a very small percentage of sales in terms of total product sold each and every year, it seems that there's no shortage of new material hitting the stores at any given time. And now with technology allowing almost anyone to cut a CD in their garage, there's an even longer list of ...

271

Article: Live Review

A Large Bite From the Big Apple: Reflections on IAJE 2004

Read "A Large Bite From the Big Apple: Reflections on IAJE 2004" reviewed by C. Andrew Hovan


Even on an average week, New York City boasts an abundance of jazz concert opportunities that few cities could even hope to rival. Then you add to the mix the festivities related to the annual conference of the International Association for Jazz Education and the preponderance of musical activities is such that even the seasoned veteran ...

437

Article: Jazz From The Vinyl Junkyard

Sam Rivers: Contrasts

Read "Sam Rivers: Contrasts" reviewed by C. Andrew Hovan


As an icon of creative endeavors, the ECM label is world renown for its releases by such heavyweights as Dave Holland, Jan Garbarek, Keith Jarrett, and Jack DeJohnette, to name just a few. Probably much less acknowledged however are those little trinkets of musical pleasure that have fallen through the cracks over the years, several of ...

383

Article: Jazz From The Vinyl Junkyard

Best Reissues of 2003

Read "Best Reissues of 2003" reviewed by C. Andrew Hovan


It seems to this reviewer that 2003 marked a turning point not only for new music but also for jazz reissues. Of course, most labels have maintained a very active back catalog program for several years now and so a great deal of product has made it to the marketplace. So at this point, holes are ...


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