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Buster Williams

Buster Williams is a prodigious artist whose playing knows no limits. He has played, recorded and collaborated with jazz giants such as Art Blakey, Betty Carter, Carmen McRae, Chet Baker, Chick Corea, Dexter Gordon, Jimmy Heath, Branford Marsalis, Wynton Marsalis, Gene Ammons, Sonny Stitt, Herbie Hancock, Larry Coryell, Lee Konitz, McCoy Tyner, Illinois Jacquet, Nancy Wilson, Elvin Jones, Miles Davis, the Jazz Crusaders, Ron Carter, Woody Shaw, Sarah Vaughan, Benny Golson, Mary Lou Williams, Hank Jones, Lee Morgan, Jimmy Rowles, Hampton Hawes, Cedar Walton, Bobby Hutcherson, Billy Taylor, Sonny Rollins, Count Basie, Errol Garner, Kenny Barron, Charlie Rouse, Dakota Staton, Kenny Dorham, Freddie Hubbard, etc

Live at Mezzrow

Label: Sunnyside Records
Released: 2020
Track listing: The Man I Love; Echo of a Kiss; I Mean You; The Star-Crossed Lovers; 10 Bar Tune; Dancing In The Dark; Isfahan; Intimacy of The Blues; Paraphernalia.

Connect

Label: Gearbox Records
Released: 2020
Track listing: Blue Soul; Emperor March; Copasetic; Suspicion.

ARTICLE: INTERVIEW

Meet Kenny Barron

Read "Meet Kenny Barron" reviewed by Craig Jolley

From the 1995-2003 archive: This article first appeared at All About Jazz in March 2001. Jazz Education I recently retired from Rutgers University. Right now I teach piano one day a week at Manhattan School of Music. In September I'll be teaching at the new jazz program at Julliard. I've taught David Sanchez and ...

CTI Records: Ten Tasty Albums With No Added Sugar (Almost)

Read "CTI Records: Ten Tasty Albums  With No Added Sugar (Almost)" reviewed by Chris May

Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...

Muse Records: Ten Smoking Hot Albums

Read "Muse Records: Ten Smoking Hot Albums" reviewed by Chris May

Alone among the other great jazz labels of the 1960s and 1970s—Blue Note, Prestige, Riverside, Impulse!, Strata-East and Atlantic—Joe Fields' Muse is rarely anthologised, written about or otherwise celebrated. Yet like its peers, Muse was prolific, releasing over 200 premium-grade albums during the 1970s, its most active decade, alone. This relative obscurity is ...

NEWS: RECORDING

Charles Tolliver's 'Connect' Featuring Buster Williams, Lenny White And More! First Release In 13 Years!

Charles Tolliver's 'Connect' Featuring Buster Williams, Lenny White And More!  First Release In 13 Years!

New York-based trumpeter, composer and educator Charles Tolliver presents Connect, his first studio album in 13 years. There's no title track on the new album from Charles Tolliver, but the name—Connect—isn't some ethereal abstraction: it's an invitation. Release date: July 31st. “I wanted the music to connect in these times," explains the trumpeter-composer, a 50-plus-year music ...

ARTICLE: ALBUM REVIEW

Denny Zeitlin: Live at Mezzrow

Read "Live at Mezzrow" reviewed by Dan McClenaghan

Pianist Denny Zeitlin appeared on his first recording in 1963, flautist Jeremy Steigs' Flute Fever (Columbia Records). He was in his third year at Johns Hopkins Medical School at the time, on a path to dual careers in psychiatry and eventually the teaching of that profession—vocations he continues with to this day. Add a ...

ARTICLE: ALBUM REVIEW

Denny Zeitlin: Live at Mezzrow

Read "Live at Mezzrow" reviewed by Dan Bilawsky

Coming up on two decades of creative engagement and evolution, pianist Denny Zeitlin's group with bassist Buster Williams and drummer Matt Wilson remains one of the most bracing, sophisticated and creatively satisfying trios on the scene. In the best of times, a set like this, recorded live at Spike Wilner's New York piano room Mezzrow, can ...

ARTICLE: ALBUM REVIEW

Charles Tolliver: Connect

Read "Connect" reviewed by Chris May

Put out more flags. Connect, the first release from trumpeter Charles Tolliver in over a decade, is a monster. From the Saturday-night goodtime opener “Blue Soul" through to the intense, Spanish tinged, serpentine closer “Suspicion," the album finds Tolliver still at the top of his game in a recording career which began in the mid 1960s. ...


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