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Take Five with AXIOM
by AAJ Staff
Meet Axiom Founded and brought together by brothers Pete and Phil Templer, guitarist/composer and drummer/percussionist/composer respectively, the goal was to establish a creative and engaging environment to present a dynamic musical experience to audiences of all types. Pete and Phil both hail from the Midwest where they began their musical journey studying and playing ...
Subtle Is as Subtle Does
by Patrick Burnette
Ya want big bands? We got big bands. Sometimes we got one in each speaker. In this exploration of the more extroverted side of jazz, the boys check out works by a blazing trumpet player (and world-class womanizer), a so-so clarinetist with a heart of gold, two piano-playing band leaders who both worship Duke Ellington, and ...
Jazz Musicians Up Against A Virus
by Rob Rosenblum
In the last year or so Good Times became the first jazz club in years to operate in Savannah, Forte Jazz Lounge sprouted up in Charleston and Middle C arrived in Charlotte. The Charleston Jazz Orchestra became a hub renamed to Charleston Jazz, providing both big band and small group concerts with unprecedented success. And, of ...
Chuck Granata: On Sinatra, The Beach Boys, and Johnny Mandel
by Nicholas F. Mondello
Chuck Granata is a record and radio producer, author, music historian and archivist. He has written four books on music and sound recording: Sessions with Sinatra: Frank Sinatra and the Art of Recording (Chicago Review Press, A Capella Books, 1999), Wouldn't it be Nice: Brian Wilson and the Making of the Beach Boys' Pet Sounds (Chicago ...
Give the Drummer (More Than) Some! Part 2
by Ludovico Granvassu
Second part of this drummer-special [for the first part click here], focusing on power drummers and showing the continuity that connects Buddy Rich and Gene Krupa to Joey Baron and Jim Black, and a special focus on the live performative energy of Kresten Osgood and Makaya McCraven as well as the spiritual jazz of Tommaso Cappellato's ...
Bobby Shew / Bill Mays: Telepathy
by Nicholas F. Mondello
Trumpet and piano duo albums are relatively rare. Louis Armstrong and Earl “Fatha" Hines' “Weather Bird" (1928) was a groundbreaker, although a single. Oscar Peterson and Dizzy Gillespie (Pablo, 1974) and Clark Terry's One on One (Chesky Records, 1999), where CT played with fourteen different jazz pianists, come to mind. Telepathy, a horn-piano collaboration featuring trumpeter ...
Jimmy Haslip: Amperes Beyond the BASSics, Part 2
by Jim Worsley
In case you missed it, Part One of my conversation with Jimmy Haslip covered a lot of ground and had a few good laughs along the way. Although we talked about the Yellowjackets, we delved more deeply into why and how he parted ways with the band some eight years ago. Haslip has been producing records ...
Results for pages tagged "Buddy Rich"...
Buddy Rich
Born:
Arguably the greatest jazz drummer of all time, the legendary Buddy Rich exhibited his love for music through the dedication of his life to the art. His was a career that spanned seven decades, beginning when Rich was 18 months old and continuing until his death in 1987. Immensely gifted, Rich could play with remarkable speed and dexterity despite the fact that he never received a formal lesson and refused to practice outside of his performances. Born Bernard Rich to vaudevillians Robert and Bess Rich on September 30, 1917, the famed drummer was introduced to audiences at a very young age. By 1921, he was a seasoned solo performer with his vaudeville act, "Traps the Drum Wonder." With his natural sense of rhythm, Rich performed regularly on Broadway at the age of four
Just In Time: The Final Recording
By Buddy Rich
Label: Gearbox Records
Released: 2019
Track listing: Wind Machine; Night Blood; Ready Mix; The Trolley Song; Winding Way; Harco Shuffle; Just In Time; Loose; Love For Sale; Shawnee; Up Jumped Spring; Why Bother; Porgy And Bess; Twisted.
Buddy Rich: Final Recording
In 1983, I saw Buddy Rich and his big band at a long-gone New York club called Wednesday's on East 86th Street. I recall a mid-week gig and that the place was a disco on the weekends. The only table available was the one directly in front of Rich's bass drum. We took it. People had ...
