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Buddy Collette: Four Classic Albums
Label: Avid Records UK
Released: 2016
Track listing: Calm, Cool, and Collette: Winston Walks; If She Had Stayed; They Can’t
Take that Away From Me; Undecided; Flute in “D”; The Continental; Three and
One; Night in Tunisia; Johnny Walks; Perfidia; Morning Jazz. Marx Makes
Broadway: Joey Joey; Why Can’t You Behave; All of You; Cool; Too Close
For
Comfort; If I Were A Bell; Baubles, Bangles, and Beads; A Sleepin’ Bee; Guys
And
Dolls; Just In Time. Nice Day With Collette: A Nice Day; There Will
Never
Be Another You; Minor Deviation; Over the Rainbow; Change It; Moten Swing;
I’ll
Remember April; Blue For Howard; Fall Winds; Buddy Boo. The Polyhedric Buddy
Collette: Orfeo Negro; Blues For Nicola; Mounya Labeli Matatoo; Paddi; A Taste
Of
Fresh Air; Pickford Street; Skater for Mater; Blues.
Charles Lloyd: A Wild, Blatant Truth
by Ian Patterson
Charles Lloyd: A Wild, Blatant Truth Josef Woodard 229 Pages ISBN: 978-1-935247-13-5 Silman-James Press 2016 A book on Charles Lloyd--one of the most celebrated and enigmatic jazz musicians of the past fifty years--has been a long time coming. It's been a while in the making too, for author ...
Buddy Collette: Four Classic Albums
by David Rickert
Like many of his fellow West Coast musicians, Buddy Collette was proficient on multiple instruments. He could play alto and tenor sax, but tended toward the clarinet and the flute for most of his recording career. His solo records were as light and effortless as most jam form the West Coast tended to be at the ...
Joe Rosenberg Ensemble: Rituals and Legends
by Alberto Bazzurro
Il bostoniano Joe Rosenberg, sessant'anni compiuti da poco, è uno dei tutto sommato non numerosi specialisti (monogami) del sax soprano. Ha studiato (strumento e composizione) con Joe Viola, Buddy Collette e John Carter, per mettersi in proprio con convinzione a partire dai primi anni Novanta, incidendo fra l'altro con l'avvento del nuovo millennio alcuni apprezzati album ...
Why the World Should Remember Wardell Gray
by Victor L. Schermer
Part 1 | Part 2 | Part 3 [This article is a commentary to accompany All About Jazz interviews about Wardell Gray with filmmaker Abraham Ravett and biographer Richard Carter, all of which are intended to bring readers' attention to this outstanding but under-recognized tenor saxophonist whose brief career spanned the transition from swing ...
The Swinging Shepherds
In the final installment of my three-part series on off-the-radar jazz supergroups of the 1950s, I'm turning today to Buddy Collette and His Swinging Shepherds—a West Coast quartet of superb flutists that regrettably recorded only two albums for Mercury. Both albums were arranged by Pete Rugolo, who pulled out all the stops in terms of writing ...
Ricordiamo Gerald Wilson
by Angelo Leonardi
Era rimasto l'unico grande bandleader della Swing Era, Gerald Wilson, e la sua recente scomparsa (l'8 settembre scorso, a 96 anni) è stata ricordata dai principali media statunitensi con ampi necrologi. Purtroppo in Italia è rimasta quasi inosservata. Superato il picco di popolarità dei primi anni sessanta, con un orchestra che vinse prestigiosi referendum, Wilson ebbe ...
Charles Lloyd: Arrows Into Infinity
by John Kelman
Charles Lloyd Arrows Into Infinity ECM Records 2014 It's rare to have an opportunity to see a music film in both the theatre and the comfort of your own home, but a serendipitous invite to the 2013 Jazztopad Festival in Wrocław, Poland not only provided the chance to hear saxophonist ...
Jazz on the Screen: A Jazz and Blues Filmography
by AAJ Staff
This article appears courtesy of David Meeker and the Library of Congress. Learn more about Jazz on Screen. Overview of Jazz on the Screen By David Meeker The cultural, sociological and technical histories of jazz and motion pictures have run in parallel, sometimes intersecting, lines ever since both forms emerged ...
Horace Silver: Blue Note Records and His Lady Music
by Ed Hamilton
The Q&A portion of this article first appeared on KPFK 90.7 FM (Los Angeles) in 1974. 75 years ago Blue Note Records was started by two German immigrants who loved jazz and believed that the music should be heard and preserved. Alfred Lion and Francis Wolff collaborated and built the Blue Note vault ...


