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303

Article: Album Review

Brian Patneaude Quartet: As We Know It

Read "As We Know It" reviewed by Budd Kopman


As We Know It, tenor saxophonist Brian Patneaude's third album following Variations (WEPA, 2003) and Distance (WEPA, 2005), is a wonderful album filled with memorable tunes that stick in the mind, played with a joy that is infectious. By this time, Patneaude and his quartet is a brand in the best sense of ...

262

Article: Album Review

Satoko Fujii Min-Yoh Ensemble: Fujin Raijin

Read "Fujin Raijin" reviewed by Budd Kopman


If there is one thing certain in this world, it is that pianist Satoko Fujii will never stop expanding her musical horizons, nor stop amazing the listener. Fujin Raijin is a stupendous, almost terrifying record that shatters any and all expectations during its six tracks. Min-Yoh is Japanese folk music or folk songs ...

158

Article: Album Review

Marshall Allen / Lou Grassi: Live At The Guelph Festival

Read "Live At The Guelph Festival" reviewed by Budd Kopman


Marshall Allen and Lou Grassi make quite a duo. On Live At The Guelph Festival, they play unprepared and unrehearsed music which, due to their skill, has a remarkable degree of coherence. Admittedly, this is free or avant-garde jazz, requiring coherence to be understood within that framework. Allen is currently leading the Sun ...

158

Article: Album Review

Adam Lane: Buffalo

Read "Buffalo" reviewed by Budd Kopman


Buffalo, by bassist Adam Lane and his trio (Vinny Golia on tenor and soprano sax and drummer Vijay Anderson), represents the completion of a triptych taking place over two days in February, 2005. This live recording, on which trumpeter Paul Smoker sits in, is an example of the power that music can have when everything just ...

270

Article: Album Review

Bennie Maupin: The Jewel In The Lotus

Read "The Jewel In The Lotus" reviewed by Budd Kopman


For the collector, a first-time issue on CD of any of ECM's early releases is most welcome. Which ones are chosen for release--and when they are issued--may well appear to be arbitrary to the outsider, despite a certain plan internal to the label.That The Jewel In The Lotus, first released in 1974, has finally ...

410

Article: Album Review

Dewey Redman: The Struggle Continues

Read "The Struggle Continues" reviewed by Budd Kopman


Dewey Redman, who died September 2, 2006 at the age of 75, will be best remembered for his work with Ornette Coleman from 1967-1974 and Keith Jarrett's “American" quartet in the mid-1970s, with an overall reputation leaning towards the freer side of jazz expression. The Struggle Continues, recorded in 1982, is making its ...

620

Article: Year in Review

Budd Kopman's Best of 2007

Read "Budd Kopman's Best of 2007" reviewed by Budd Kopman


2007 was a wonderful year for jazz. Far from being dead, jazz lives and the pace of releases is quickening making it harder and harder to keep up. ECM, all by itself, could fill a Top Ten, so below are thirty-two releases that I found particularly memorable. Gebhard Ullmann This year belonged, in ...

190

Article: Album Review

Loren Stillman: Blind Date

Read "Blind Date" reviewed by Budd Kopman


After what appears to be an interlude of SteepleChase releases ( Brothers' Breakfast & Trio Alto Volume One, released in 2006 and Trio Alto, Volume 2, 2007), saxophonist Loren Stillman returns to his earlier quartet format with the marvelous Blind Date. The music on the current release connects directly to Stillman's first three ...

93

Article: Album Review

Herb Moore: Circle Of Friends

Read "Circle Of Friends" reviewed by Budd Kopman


Cape May, New Jersey is a very interesting place in that it is both a Jersey shore vacation destination and a town with a year-round population. On the National Historic Registry because of the quantity of existing Victorian homes, Cape May is home to many artists, and the biannual Cape May Jazz Festival. ...

196

Article: Album Review

Nobu Stowe / Lee Pembleton: Hommage an Klaus Kinski

Read "Hommage an Klaus Kinski" reviewed by Budd Kopman


The evocative and haunting Hommage an Klaus Kinski has the subtitle Total-Improvisations on Sonic Canvas, which states the roles of the recording's two main protagonists: pianist Nobu Stowe and sound designer Lee Pembleton. Stowe continues here with the kind of music represented on the Brooklyn Moments and New York Moments (both Konnex, 2006), ...


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