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248

Article: Album Review

James Vargas: James Vargas

Read "James Vargas" reviewed by Brian Soergel


James Vargas is a British saxophonist (alto, tenor and soprano) who has echoes of Walter Beasley, Steve Cole and other contemporary sax players on his debut, a winning collection of twelve songs firmly rooted enough in the sax- led smooth jazz tradition. After scoring gigs in clubs around in London, Vargas drew the attention of Oli ...

192

Article: Album Review

Various Artists: Rendezvous Lounge

Read "Rendezvous Lounge" reviewed by Brian Soergel


“Chill music" is rapidly becoming the next hybrid of smooth jazz and seems to be the perfect fit. It’s already a mainstay in Europe, heard in expensive restaurants and is starting to get heard on internet radio stations in the States. This compilation is a good starting point and features 14 deliciously intoxicating tracks compiled by ...

170

Article: Album Review

Euge Groove: Livin' Large

Read "Livin' Large" reviewed by Brian Soergel


Euge Groove came out of nowhere in 1999 with “Romeo + Juliet,” a heavily downloaded song on MP3.com whose popularity led to his signing to Warner Bros. Groove had a long career as a sideman: he played on Expose’s hit single “Seasons Change” in the ‘80s and jammed with Richard Marx and Tower of Power. Now ...

241

Article: Album Review

Chris Botti: A Thousand Kisses Deep

Read "A Thousand Kisses Deep" reviewed by Brian Soergel


Trumpeter Chris Bottis “Indian Summer" is one of the freshest smooth jazz singles heard on the radio for awhile, and it just further cements Botti's status as one of the genre's top stars. He gets tons of recognition opening for Sting, and deservedly so. Like fellow trumpeter Rick Braun, Botti plays notes that move the heart ...

119

Article: Album Review

Grady Nichols: Sophistication

Read "Sophistication" reviewed by Brian Soergel


Saxophonist Grady Nichols is drawing some attention since his fourth CD is produced by Jeff Lorber, mixed by Paul Brown and boasts both Lorber and trumpeter Chris Botti's playing. The attention is deserved. Nichols has a polished alto sax voice, which he prefers for the most part on these ten songs, all co-written by Nichols and ...

134

Article: Album Review

Michael Bubl: Come Fly With Me

Read "Come Fly With Me" reviewed by Brian Soergel


If ever one CD was worth a little extra money, this one’s it. Of course, fans of the Canadian old-style crooner trapped in a young body, whose style is a mix of Frank Sinatra and Bobby Darin, will have snatched this off the shelves the first day it arrived. There are eight songs on the recording—“Nice ...

163

Article: Album Review

Peter White: Confidential

Read "Confidential" reviewed by Brian Soergel


Smooth jazz guitar icon Peter White, whose pretty acoustic picking has defined the genre for more than a decade, offers eleven sometimes intimate, sometimes jubilant, always engaging slices of his heart on Confidential. You’d expect nothing less from a man who inspires a devout fan club and is eagerly welcomed onto stage and into studios by ...

115

Article: Album Review

Paul Brown: Upfront

Read "Upfront" reviewed by Brian Soergel


You probably should have seen this coming, but it’s still somewhat of a surprise. When the king of smooth jazz producers decides to make an album, you figure it’s a vanity project. But what you get instead is one of 2004’s early surprises, top-to-bottom smooth jazz stunner brimming with bright melodies, good picking by Brown on ...

117

Article: Album Review

Jon Dalton: The Gift

Read "The Gift" reviewed by Brian Soergel


Jon Dalton is a Londoner now living in Southern California. Like ex-pat Chris Standring, whom he most compares to musically, Dalton plays mostly electric guitar, but also dabbles in acoustic and computerized riffs on The Gift, a seasoned smooth jazz effort that shows maturity and a keen eye for the genre. Like Standring, Pat Metheny and ...

118

Article: Album Review

Praful: One Day Deep

Read "One Day Deep" reviewed by Brian Soergel


Praful, a German-born-and-raised wind instrumentalist (sax, flute, plus Rhodes and other stuff) now based in Amsterdam, has injected some much-needed punch into the sometimes tepid smooth jazz scene with his single “Sigh.” The whole CD is just as good, eleven acid/chill/smooth/funky songs that often defy description and show there’s plenty of room—and plenty of room—for innovative ...


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