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5

Article: Album Review

Quinsin Nachoff: Flux

Read "Flux" reviewed by Mark Corroto


Listening to Flux by saxophonist Quinsin Nachoff, it's easy to see in your mind's eye the DNA double helix beautifully spinning in the dark space of the human cell. That's because Nachoff composes tight, complex chamber pieces, seemingly delicate in structure, but able to withstand the attack of the jazz infantry. Nachoff's training and ...

15

Article: Album Review

Cameron Mizell: Negative Spaces

Read "Negative Spaces" reviewed by Jerome Wilson


Cameron Mizell is not a well-known guitarist but he is a talented one. Working with just keyboards and drums on this CD he goes on an expansive excursion through the realms of jazz, progressive rock, funk and country. Just the first four tracks, which actually run together without a break, he goes through New ...

Article: Album Review

Fred Hersch Trio: Sunday Night at the Vanguard

Read "Sunday Night at the Vanguard" reviewed by Angelo Leonardi


"Questo è di gran lunga l'album migliore che ho realizzato in trio--dice Fred Hersch -e rappresenta al meglio il nostro modo di suonare." Ogni musicista tende a pensare allo stesso modo e la frase ci lascia perplessi perchè non è facile superare album strepitosi come Floating (Palmetto, 2014) realizzato in studio e Alive at ...

6

Article: Album Review

Daniela Schachter: Vanheusenism: A Tribute To Jimmy Van Heusen

Read "Vanheusenism: A Tribute To Jimmy Van Heusen" reviewed by Dan Bilawsky


Anybody who's ever adoringly listened to a large number of Frank Sinatra's hits or Bing Crosby's classics is a fan of Jimmy Van Heusen's work, even if they're not familiar with his name. Van Heusen, working alone or with top notch lyricists like Sammy Cahn or Johnny Burke, penned some of the greatest songs of the ...

16

Article: Album Review

Daniela Schächter: Vanheusenism: A Tribute to Jimmy Van Heusen

Read "Vanheusenism: A Tribute to Jimmy Van Heusen" reviewed by Mark Sullivan


For the first time, Italian-born vocalist and pianist Daniela Schächter devotes her fourth album to a single songwriter: Jimmy Van Heusen. Even a cursory glance at the song list will show that to be no limitation, as these are some of the most enduring classics in the Great American Songbook. Van Heusen had a long association ...

18

Article: Multiple Reviews

Piano & More: Rich Halley 5, Casey Golden Trio, Jeff Denson Quartet, Fred Hersch Trio, Peter Erskine Trio, & Sirius Quartet

Read "Piano & More: Rich Halley 5, Casey Golden Trio, Jeff Denson Quartet, Fred Hersch Trio, Peter Erskine Trio, & Sirius Quartet" reviewed by Mark Sullivan


An assortment of striking jazz/improvisation recordings. Three of them are piano trios--each with their own unique character--but two of them have no piano, or any other harmonic instrument. Rich Halley 5 The Outlier Pine Eagle Records 2016 Tenor saxophonist Rich Halley's longstanding quartet with trombonist Michael Vlatkovich, ...

Article: Album Review

Matt Wilson’s Big Happy Family: Beginning of a Memory

Read "Beginning of a Memory" reviewed by Angelo Leonardi


Un anno dopo la morte della moglie per leucemia, il batterista Matt Wilson ha riunito i membri dei suoi tre gruppi, The Matt Wilson Quartet, Arts & Crafts e Christmas Tree-O, per una commemorazione che prende spunto dai funerali d'inizio secolo a New Orleans. Alcuni brani incisi con le sue formazioni vengono riproposti in un clima ...

3

Article: Album Review

Quinsin Nachoff: Flux

Read "Flux" reviewed by Dan McClenaghan


Saxophonist Quinsin Nachoff sounds right at home on Mythology Records--saxophonist/producer/provocateur David Binney's label. Everything on Mythology has a intensity and modernity, a brashness and in-your-face confidence of delivery, whether it's Binney as the leader, or on sets headed up by pianists John Escreet or Edward Simon, or Quinsin Nachoff. Flux is Nachoff's debut on ...

1

Article: Album Review

Rich Halley 5: The Outlier

Read "The Outlier" reviewed by Budd Kopman


The Outlier feels like the third part of a triptych which started with Creating Structure, followed by Eleven. The former recording demonstrated how structure can be created during improvisation, while the latter how more- or-less composed music with structure can be the foundational basis for improvisation. The record at hand mixes the two concepts ...

2

Article: Album Review

Ron Stabinsky: Free for One

Read "Free for One" reviewed by Budd Kopman


The first thing to note about pianist Ron Stabinsky's debut recording Free For One is the quality of sound. The piano's lows are solid and centered, the mid-range clear and very fast while the highs sing. This is how piano should be recorded--not only is it a good test for the output end (speakers) of the ...


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