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Results for "Braithwaite & Katz Communications"
Mostly Other People Do the Killing: Loafer's Hollow
by Luca Canini
Se pensavate che dopo dodici anni e undici dischi nel barile non fosse rimasto più niente da raschiare, se li avevate un po' trascurati di recente perché il gioco è bello fin che dura poco, se vi eravate fatti l'idea che una volta risuonato Kind of Blue nota per nota, in una delle operazioni più assurdamente ...
Thelonious Monk: Les Liaisons Dangereuses 1960
by Nenad Georgievski
The magnitude of archival material in jazz music is enormous and overflowing as basements and attics are full with unreleased materials, outtakes and alternate versions by various artists. It's such a medium where recordings used to be made in a matter of few days. Over the years, most or some of that material has found its ...
Patrice Williamson + Jon Wheatley: Comes Love - A Tribute To Ella Fitzgerald And Joe Pass
by Dan Bilawsky
Centennial celebrations abound in 2017. In this year of years we fête many jazz greats delivered unto us one century ago--Dizzy Gillespie, Buddy Rich, Mongo Santamaria, Thelonious Monk, and Tadd Dameron, to cite just a handful. That list of giants forever changed the face of this music, but it's a list that's noticeably incomplete without the ...
Jason Rigby: Detroit-Cleveland Trio: One
by Dan McClenaghan
The saxophone/bass/drums format has its challenge: the lack of a harmonic instrument to add depth and structure to the sound. Sonny Rollins put out a classic of the form: A Night At The Village Vanguard (Blue Note, 1958). But he's Sonny Rollins, and all the other saxophonist aren't. Same thing with Ornette Coleman and his two ...
Mark Dresser Seven: Sedimental You
by John Sharpe
So much has been written about Mark Dresser's brilliance as a bassist that his skill as a composer can be in danger of being forgotten. But showcases like Sedimental You and its predecessor Nourishments (Clean Feed, 2014) should more than redress that potential imbalance. His artfully arranged structures prove engaging vehicles for the improvisational insight of ...
Jason Anick & Jason Yeager: United
by Mark Sullivan
Violinist Jason Anick and pianist Jason Yeager share an open-minded approach to jazz. Anick is best known as a member of the neo-Gypsy Jazz ensemble Rhythm Future Quartet , while Yeager performs post-bop and third stream music. But this album presents a mostly original, eclectic collection of music where both of them frequently step out of ...
Wadada Leo Smith Presents The Create Festival, April 8 & 9, 2017 In New Haven
Visionary composer and trumpeter Wadada Leo Smith presents the first-ever CREATE Festival, a two-day celebration and exploration of his inventive and unclassifiable music that will feature classic works alongside world premiere performances. Taking place Saturday and Sunday, April 8 and 9, 2017 at Firehouse 12, 45 Crown Street, New Haven, Connecticut, the festival will include performances ...
Trouble Kaze: June
by John Sharpe
In its original form, the French-Japanese collective Kaze was already a novel proposition, with the double trumpet spearhead of Natsuki Tamura and Christian Pruvost allied to Satoko Fujii's piano and Peter Orins' drums. But on June, the novelty quotient ratchets up a notch further with the doubling of the piano and drum set. That the additional ...
Rich Halley/Carson Halley: The Wild
by Jerome Wilson
Duet sessions are, at their best, something special, a one-to-one musical conversation that relies on a near-telepathic connection between the two players. You'd really expect that connection between tenor saxophonist Rich Halley and drummer Carson Halley since they are father and son and they deliver on this powerful disc.All the pieces on the CD ...
Jeff Denson Quartet: Concentric Circles
by Neri Pollastri
Quartetto classico con piano, contrabbasso e batteria, questo a nome del compositore e contrabbassita Jeff Denson si distingue per la presenza come fiato di un fagotto, strumento decisamente atipico, nelle mani di Paul Hanson. Questa particolarità caratterizza un lavoro per il resto abbastanza convenzionale, incentrato perlopiù su ritmi molto serrati e composto interamente da brani originali ...
