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Article: Album Review

Myriad3: Vera

Read "Vera" reviewed by Dan Bilawsky


Vera, the fourth album from the Toronto-based trio collective Myriad3, is a fascinating example of how fastidious design principles and shrewdly executed extemporization can truly complement and even counterpoise one another. There's serious attention to detail in each of these ten pieces, but the music benefits greatly from its embrace of uncertainties and creative expression(s).

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Article: Album Review

Miguel Zenon: Yo Soy La Tradicion

Read "Yo Soy La Tradicion" reviewed by Mark Corroto


As a rule, it is best to encounter a piece of music with an appreciation of its provenance. For jazz listeners, even though the act of listening is an exercise in discovery, roots are rarely an issue. That is, until an artist delivers something novel. Such is the case with Yo Soy La Tradicion by saxophonist ...

3

Article: Album Review

Skuli Sverrisson: Strata

Read "Strata" reviewed by Franz A. Matzner


A contemplative affair, Skuli Sverisson and Bill Frisell's Strata unfolds like a slow burning fire. The hovering notes and somber guitar lines evolve gradually, emerging like wind carved monuments visible through a hovering mist to reveal a stark, melancholic, and aridly beautiful landscape. The album demonstrates a fluid, masterful interaction between the two artists ...

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Article: Album Review

Satoko Fujii: Live at Big Apple in Kobe

Read "Live at Big Apple in Kobe" reviewed by Karl Ackermann


Another new formation marks the eighth entry in the sixtieth-birthday series of monthly releases from Satoko Fujii. As part of the pianist's year long celebration, she has released albums as a solo performer, a duo (with Joe Fonda), a new trio configuration with Fonda and Italian saxophonist Gianni Mimmo and another with Tamura and drummer Takashi ...

3

Article: Multiple Reviews

Forward Into The Past

Read "Forward Into The Past" reviewed by Jerome Wilson


It's in the nature of most jazz musicians to reach out for the new but a few find their inspiration in the music of the pre-bebop era. Here are three examples. Ernie Krivda and Swing City A Bright And Shining Moment Capri Records 2018 Saxophonist Ernie Krivda is ...

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Article: Album Review

Rich Halley 3: The Literature

Read "The Literature" reviewed by Jim Trageser


Tenor saxophonist Rich Halley decided, according to the liner notes, to make his twenty-first recording an all-covers collection. The title of the recording, he writes, comes from his thought that if “literature" connotes a body of work in classical music, then why not in jazz as well--and so he's collected a dozen of the songs that ...

4

Article: Album Review

Edward Simon: Sorrows & Triumphs

Read "Sorrows & Triumphs" reviewed by Friedrich Kunzmann


Following in the footsteps of the critically acclaimed eponymous debut record (Red Records) and subsequent sophomore outing Océanos (Criss Cross Records), in 2007, Edward Simon has now once more gathered together the power quartet Afinada, featuring Brian Blade on drums, David Binney on sax and bassist Scott Colley. With the addition of the Imani Winds chamber ...

1

Article: Album Review

This is It!: 1538

Read "1538" reviewed by Jerome Wilson


For 2018, the year of her 60th birthday, pianist and composer Satoko Fujii has set herself the task of releasing a CD every month in all sorts of configurations, from solo piano and duos to small groups and orchestras. Her trio, This is It!, is a new group derived from an earlier quartet that featured bassist ...

1

Article: Album Review

Phil Haynes: My Favorite Things (1960-1969)

Read "My Favorite Things (1960-1969)" reviewed by Geno Thackara


For some reason, cover songs almost always seem to come across more jokey in folk/bluegrass mode than any other. There's just a certain innate good humor in upbeat romps with acoustic string instruments, especially so when the treatment is applied to formerly loud rock and roll songs. Perhaps it also feels that way because bluegrass covers ...

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Article: Album Review

Rich Halley 3: The Literature

Read "The Literature" reviewed by Dan McClenaghan


After spending a few formative musical years in Chicago--where the winds blow the blues around--saxophonist Rich Halley made his way back to Portland, Oregon. Halley's recording career made its leap to the top shelf when he joined forces with drummer/record label honcho Dave Storrs at Louie Records. Four excellent recordings under Halley's name saw release on ...


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