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Gato Libre: Koneko
by Karl Ackermann
Gato Libre has long represented the anthesis of the larger Natsuki Tamura / Satoko Fujii portfolio. Haunting melodies and striking improvisations have been the mark of the group throughout their quarter-century of work. Trumpeter Tamura and partner/accordionist Fujii have been the pillars of the group since its debut, Strange Village (Muzak Inc, 2005). Bassist Norikatsu Koreyasu ...
Michael Thomas: Event Horizon
by Jerome Wilson
Jimmy Katz seems to really be onto something with his Giant Step Arts label. Begun in 2018, the label has established a tradition of recording live performances by modern jazz musicians given complete freedom of repertoire and personnel. That approach has produced several outstanding releases including, earlier this year, The Concert: 12 Musings For Isabella, (Giant ...
Deerhoof and Wadada Leo Smith: To Be Surrounded By Beautiful, Curious, Breathing, Laughing Flesh Is Enough
by Troy Dostert
When it comes to combining the anarchic spirit of punk rock with whip-smart musicianship and a penchant for unbelievably catchy grooves, few bands come close to Deerhoof. Since the 1990s, the group has been cherished by indie rock cognoscenti, and they've also earned the respect of a large swath of the non-rock community as well, working ...
John Fedchock NY Sextet: Into The Shadows
by Dan Bilawsky
Trombonist John Fedchock's fluid slide work, celebrated composing chops and arranger's ingenuity have been put to good use in settings both large and very small in recent years, with a big band set and two live quartet records dropping between 2015 and the present. But rather than choose one of those ensemble formats over the other ...
Jeff Cosgrove/John Medeski/Jeff Lederer: History Gets Ahead of the Story
by Troy Dostert
As he has been one of the most influential and prolific musicians in the jazz avant-garde since the 1980s, it is surprising that bassist William Parker hasn't gotten more credit as a composer. Perhaps due in part to the sheer volume of his recordings--including every imaginable context, from solo bass to small/medium-sized groups to big-band outings--it ...
Festival International de Jazz de Montréal 2020
by Mark Sullivan
2020 Festival International de Jazz de Montréal Various Venues Montréal, Canada June 27-30, 2020 Above all else the Festival International de Jazz de Montréal is a spectacular ten-day event: with around 2 million visitors and 500 concerts on 20 stages, it is ranked as the world's largest jazz ...
Daniel Hersog Jazz Orchestra: Night Devoid of Stars
by Jerome Wilson
Daniel Hersog is a Canadian trumpet player and composer, here presenting his first big band album, a set of sweeping and progressive orchestral jazz which reflects the current state of the world with shifting moods of unease and cautious optimism. Hersog has a expansive style of writing that draws as much from classical music ...
Piano Times Seven
by Jerome Wilson
Every jazz pianist plays in their own individual style. These recent albums demonstrate the way seven particular players approach the instrument. Laurent Nicoud Outline QFTF 2020 This is a solo disc by a pianist whose background in classical music shows through the formal drama of his approach ...
Rudresh Mahanthappa: "Just because you're improvising doesn't mean you're playing jazz."
by Leo Sidran
Saxophonist Rudresh Mahanthappa on his early development, the journey through music schools, cruise ships and merengue bands that ultimately led him to New York, exploring one's personal identity through music, teaching jazz in a non conservatory environment, Sesame Street, and a casual analysis of saxophone on popular recordings in the '80s. He also discusses his new ...
Nat King Cole: Straighten Up and Fly Right – The Best of Hittin’ the Ramp: The Early Years (1936-1943)
by Mark Sullivan
Hittin' the Ramp: The Early Years (1936-1943) (Resonance Records, 2019) is a treasury of Nat “King" Cole's earliest recorded work, documenting his mastery of jazz piano and vocals long before he became a popular singing star. But at seven CDs or 10 LPs, it's a lot of music, perhaps too much for a casual or curious ...
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