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Dave Glasser: Above The Clouds
by Dan McClenaghan
Dave Glasser blows a sweet-sounding alto saxophone, and he swings hard and gets down into the blues on this quartet recording, which brings past alto masters Johnny Hodges and Benny Carter to mind. It's in the beautifully lyrical story telling of an alto horn in front of a fluid, subtle rhythm team.Glasser has played ...
Jon De Lucia Group: Face No Face
by Michael P. Gladstone
Having been prepared by Fred Bouchard's liner notes and other details about young saxophonist Jon De Lucia, my expectations were to anticipate the musician's leanings towards “the boundaries of jazz with his free use of Zen concepts and richly talented bandmates." All of this, plus other biographical information, tends to set up a new listener for ...
Jason Rigby: Translucent Space
by Jerry D'Souza
On this aptly named album, Jason Rigby makes quite an impact. As a composer, he brings in his several musical influences. As a musician, he shows exemplary skill on the instruments he plays, including a wood flute that is used in India. Rigby keeps his charts open to various styles. For the most part, ...
Bob Sneider and Paul Hofmann: Escapade
by Dan McClenaghan
The history of duo recordings boasts some standout pairings: Bill Evans and Jim Hall, Nat “King" Cole and Oscar Moore, Chick Corea and Gary Burton, Stan Getz and Kenny Brown. Guitarist Bob Sneider and pianist Paul Hofmann approach the duo format with masterful technique and imagination on Escapade, a followup to Interconnection (Sons of Sound, '04).
Fred Wesley & The Swing 'N Jazz All-Stars: It Don't Mean A Thing If It Ain't Got That Swing
by Suzanne Lorge
Charity golf tournaments raise millions--sometimes billions--in the name of giving back. Trombonist Fred Wesley uses a different kind of swing to make his contribution: His recent release as bandleader, It Don't Mean A Thing If It Ain't Got That Swing, benefits The Commission Project (TCP), a nonprofit that supports various music education projects around the U.S. ...
Jon De Lucia Group: Face No Face
by John Kelman
The proliferation of university-level jazz programs has created a groundswell of young artists, ensuring that jazz remains alive and evolving. Still, the cookie-cutter approach of some programs means that only an exceptional few emerge as distinctive voices; the rest are competent but unmemorable. That, along with the sorry state of mentoring in the jazz community and ...
Junk Box: Fragment
by Jerry D'Souza
Satoko Fujii is an adventurer. Her music has spoken volumes for her daring as she's gone about her quest for the unusual in settings from solo piano to big band. Here she comes up with the concept of “Com-Impro, which stands for a kind of composed improvisation in which she uses words and graphic notation. She ...
Laszlo Gardony: Natural Instinct
by John Kelman
While he's never quite made it into the limelight, Hungarian-born pianist Laszlo Gardony has nevertheless managed to build a small but critically praised body of work since moving to the US in the mid-1980s. Far from revolutionary, Gardony has carved a solid niche for himself by combining elements of his home country's folk music with an ...
Jason Rigby: Translucent Space
by Michael P. Gladstone
31-year-old New York musician Jason Rigby has previous experience working with the Village Vanguard Jazz Orchestra, the Cleveland Orchestra, and Aretha Franklin's Band at Radio City Music Hall. He trained at Youngstown State University in Ohio, DePaul University in Chicago and at the Manhattan School of Music. While still in Cleveland, he performed regularly with organist ...
The Miles Donahue Quintet: In The Pocket
by Michael P. Gladstone
In contrast with the contemporaneous release Bounce, In the Pocket shows a different side of the saxonphonist, trumpeter and composer Miles Donahue. Donahue has assembled a bigger combo with even more firepower on this session, including tenor player Jerry Bergonzi, pianist Fred Hersch, bassist Jay Anderson and drummer Jamey Haddad. They are joined by guitarist Kurt ...
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