Home » Search Center » Results: Braithwaite & Katz Communications

Results for "Braithwaite & Katz Communications"

Advanced search options

155

Article: Album Review

The Brian Landrus Quartet: Traverse

Read "Traverse" reviewed by Wilbert Sostre


Jazz fans often cite Gerry Mulligan as the most recognized baritone saxophonist in jazz, but for most, the list stops there. Why the baritone saxophone is not a more popular instrument in jazz is uncertain; in the right hands, the instrument has a warmth and tonal beauty unlike any other. Baritone saxophonist Brian ...

136

Article: Album Review

Ezra Weiss: The Shirley Horn Suite

Read "The Shirley Horn Suite" reviewed by Wilbert Sostre


Portland based pianist/composer Ezra Weiss' fifth release is a tribute to Shirley Horn, who died in 2005 at age 71. Horn was an excellent pianist and sensitive vocalist, and a Grammy Award-winner in 1991, for Best Jazz Vocal Performance. Weiss is certainly an extraordinaire composer, the winner of three ASCAP Young Jazz Composer Awards. ...

249

Article: Album Review

Agogic: Agogic

Read "Agogic" reviewed by Mark F. Turner


Seattle's music scene is well known for its alternative rock bands, such as Pearl Jam, Alice in Chains and Soundgarden. But the nonconformist jazz of Agogic's debut would rival them all in terms of its own energy and inventiveness. Born from the collaboration between saxophonist Andrew D'Angelo and trumpeter Cuong Vu (whose resumes are dotted with ...

193

Article: Album Review

Michel Reis: Point Of No Return

Read "Point Of No Return" reviewed by Wilbert Sostre


The trio on Michel Reis' Point Of No Return is a testament to the international character of jazz music, especially in the 21th century. A pianist/composer from Luxemburg, Reis studied jazz performance and composition at Berklee College of Music. Adam Cruz is a Latin American drummer, born in New York, whose experience includes playing with Chick ...

158

Article: Album Review

Ken Peplowski: In Search Of ...

Read "In Search Of ..." reviewed by Dan McClenaghan


The splenetic and hard-nosed clarinetist/bandleader Benny Goodman admired tenor saxophonist Ken Peplowski enough to hire the younger musician on for his last performing band, during the mid-1980s. But the Cleveland, Ohio-born and bred Peplowski's main ax was, in fact, the clarinet. He spent a good part of his early career playing in Polish polka bands, and ...

167

Article: Album Review

Eddie Mendenhall: Cosine Meets Tangent

Read "Cosine Meets Tangent" reviewed by Edward Blanco


Pianist/composer Eddie Mendenhall is a young music professor at Monterey Peninsula College, and serves as an instructor at the renowned Monterey Jazz Festival Summer Jazz Camp. As a music professional, Mendenhall leads his own uncommon quartet on Cosine Meets Tangent, his debut as leader, featuring the combination of piano and vibes as lead instruments. Mendenhall's professional ...

219

Article: Album Review

Delfeayo Marsalis: Sweet Thunder

Read "Sweet Thunder" reviewed by Raul d'Gama Rose


Was Delfeayo Marsalis undertaking a task too challenging when he recorded music from one of Duke Ellington's most beloved albums to make Sweet Thunder? Gunther Schuller offers a doctrine that seems to suggest this has been so. Apparently the size and composition of the ensemble lead to this mishap. Would it have been remiss, to replicate ...

163

Article: Album Review

Michael Feinberg: With Many Hands

Read "With Many Hands" reviewed by Wilbert Sostre


Bassist Michael Feinberg is a good example of the new breed of young jazz musicians equally comfortable playing a diversity of jazz styles. On With Many Hands, Feinberg's music goes from bebop to avant-garde, and from a ballad to a funky rhythm--sometimes in the same song--with amazing ease and conviction. Surely it all comes from Feinberg ...

262

Article: Album Review

Wayne Wallace Latin Jazz Quintet: To Hear From There

Read "To Hear From There" reviewed by Bridget A. Arnwine


Trombonist/composer Wayne Wallace and his music could probably be characterized by any number of clichéd phrases, but why use a cliché when the truth will do. The truth is that Wayne Wallace's To Hear From There is a far better record than its Grammy-nominated predecessor, ¡Bien Bien! (Patois, 2009), and that's saying a lot. Wallace's greatest ...

174

Article: Album Review

Fred Hersch: Alone At The Vanguard

Read "Alone At The Vanguard" reviewed by Wilbert Sostre


Alone at The Vanguard is pianist Fred Hersch's first solo performance at New York's Village Vanguard, after his serious illness and coma in 2008. The release was recorded during the final set on the last night of his six-day run in 2010, and the solo recital format gives the disc an intimate, almost classical music feel, ...


Engage

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.