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Discover The Jazz Innovators Of Tomorrow With In The Mix
A Free Series of Concerts Showcasing New England Conservatory's Exceptional Jazz and Contemporary Improvisation Ensembles Music Ranges from Jazz to Middle Eastern, Jewish to American Roots, African Drumming to Electro Acoustic 35 One-Hour Concerts Over 12 Evenings at NEC's Pierce Hall Thursday, March 27 – Wednesday, April 30, 2014 Discover the jazz innovators of tomorrow with ...
Juhani Aaltonen: To Future Memories
by Dan McClenaghan
Helsinki-based TUM Records, launched in 2003, “promotes more experienced musicians whose work is not favored by commercial trends of our time." The label is especially supportive of the freer end of jazz's spectrum, offering up albums like Kolibri by Finish pianist/harpist Iro Haarla, violinist Billy Bang's Da Bang, and trumpeter Wadada Leo Smith's Occupy the World, ...
New England Conservatory Jazz Studies Department Presents The Music Of Dave Holland On Thursday, March 13 At Brown Hall
Join visiting artist-in-residence, renowned jazz bassist Dave Holland as he leads New England Conservatory jazz students in a performance of his music at 8 p.m. on Thursday, March 13 at NEC’s Brown Hall, 30 Gainsborough Street, Boston, MA. The concert is free and open to the public. For more information call 617-585-1122. A master of tone ...
Jon Irabagon Trio: It Takes All Kinds
by Glenn Astarita
This trio radiated Olympian style heroics akin to an endurance race on Foxy (Hot Cup, 2010). It was an arousing exercise in energy and power. And while drummer Barry Altschul, and bassist Mark Helias are time-honored jazz warriors-- respectively appearing on many landmark albums--saxophonist Jon Irabagon is now firmly seated with the upper-echelon of modern saxophone ...
Pete Mills: Sweet Shadow
by Dan McClenaghan
A lot of words have clicked out of the keyboards concerning the possible demise of the compact disc. Maybe CDs will suffer the extinction, maybe not. But one thing is sure: saxophonist Pete Mills' Sweet Shadow is an excellent argument for the survival of the species. On his fourth release as a leader, Mills ...
Lauren Kinhan: Circle In A Square
by C. Michael Bailey
Vocalist Lauren Kinhan is the alto quarter of vocal ensemble New York Voices and the leader of two previous solo outings, Hardly Blinking (Orchard, 2000) and Avalon (Koch, 2010). She was most recently hears on New York Voices holiday offering, Let It Snow (Five Cent Records, 2013). Kinhan's solo recordings are all originally composed by the ...
Paulinho Garcia: Beautiful Love
by Edward Blanco
Brazilian son Paulinho Garcia may not be an immediately recognizable figure in the jazz world today and that is largely by design as he eschews the limelight in favor of being behind the scenes producing concerts, working with other artists and serving as a clinician. A fine vocalist and guitarist, Garcia is no novice with several ...
New England Conservatory Jazz Studies Student Andrew Schiller And Alumni Jeff Schneider And Christopher Zuar
Receive 2014 Herb Alpert Young Jazz Composer Awards New England Conservatory Jazz Studies student Andrew Schiller and alumni Jeff Schneider and Christopher Zuar have been selected to receive 2014 Herb Alpert Young Jazz Composer Awards. Schiller is a jazz bassist and composer working toward his Master of Music degree at NEC. Schneider is a composer and ...
New England Conservatory Jazz Studies Department Presents Jazz And The Struggle For Freedom & Equality
Performed by the NEC Jazz Orchestra on Thursday, February 27 at Jordan Hall WGBH Jazz Host Eric Jackson to Narrate Mingus’ “Freedom” Ken Schaphorst, New England Conservatory's chair of jazz studies, leads the NEC Jazz Orchestra in Jazz and the Struggle for Freedom & Equality featuring some of the landmark compositions associated with the battle against ...
John McNeil: Hush Point
by Dave Wayne
Anyone who has played music with others on a regular basis understands inherently that, during a live performance, the sounds emanating from the instruments themselves have a way of clashing or canceling each other out. It's all in the frequencies. Bass and toms get mixed up on the low end, cymbals can kill a clarinet or ...
