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Brad Mehldau, Enrico Pieranunzi, John Ellis, Yuja Wang & More
by Ludovico Granvassu
A playlist mostly dedicated to the cross-pollination between jazz and classical music or opera, with jazz musicians inspired by classical music and classical music composers and pianists nodding to jazz.Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 John Ellis Quartet “Gypsy Song" Bizet: Carmen in Jazz ...
Vinicius Cantuaria: Psychedelic Rio
by Katchie Cartwright
Formed in Rio in 1968 when he was 17 and Brazil was under military rule, O Terço (The Third/Rosary) was singer-songwriter and guitarist Vinicius Cantuária's first working band. He played drums with the trio, which was, as he put it, “under the influence" of Crosby Stills & Nash. One can hear other psychedelic-folk-rock influences as well. ...
Luke Carlos O'Reilly, Vinnie Sperrazza, Brad Mehldau, Jean-Christophe Cholet & More
by Ludovico Granvassu
A soulful rendition of Curtis Fuller's “Mini Mama," and two recent albums featuring Vinnie Sperrazza open an edition of Mondo Jazz which then features three projects at the intersection of jazz and classical music.Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Luke Carlos O'Reilly “Mini Mama" ...
Kjetil Mulelid: Agoja
by Chris May
Over the course of three albums with his trio between 2019 and 2022, and the exquisitely pretty solo set Piano (Rune Grammofon, 2021), keyboardist Kjetil Mulelid has emerged as a bright new star in Norwegian jazz. His playing is vivacious, his composing melodic and his overall sound consonant but full of unexpected twists and turns. Mulelid ...
Charles Lloyd: Defiant Warrior Still On Song
by Chris May
As fool's errands go, few compare with selecting a Top Ten Albums collection from Charles Lloyd's extensive top-drawer output. But here goes. Lloyd newbies could consider the list a launch pad, and seasoned fans can compare the choices with their own... Anyone going to jazz festivals in summer 1966, and lucky enough to ...
A Conversation with Brad Mehldau
by AAJ Staff
This article was first published at All About Jazz in 2002. All About Jazz: Do you recall your first jazz record? Brad Mehldau: I think the first real jazz record I listened to was an Oscar Peterson and Joe Pass duo album, one of those Pablo things. A friend of my father's ...
It's (Never) the Final Countdown, Part Deux
by Patrick Burnette
Join our intrepid but grumpy explorers Mike and Pat and they continue their journey through the New York Times Top Ten list of Best Jazz Albums from 2023. The boys look at three more albums off the list and once again have questions about the selections. Then they discuss an album from 2023 not on the ...
Lynne Arriale: Being Human
by Doug Collette
It is worth (re)stating what a balm to the soul is good jazz music. Still, on her seventeenth album as a leader, pianist/composer Lynne Arriale expounds upon that verity with bassist Alon Near and drummer Lukasz Zyta, all the while refraining from overstatement. In so doing, Arriale and company extend the conscious decision to ...
Chris Potter: Eagle's Point
by Chris May
The question that comes to mind after listening to Eagle's Point is this: why have the four musicians, who have known each other since the 1990s, never recorded together before? For the combination of Chris Potter, Brad Mehldau, John Patitucci and Brian Blade is a real meeting of minds; the stars are in perfect alignment.
Brad Mehldau: Maybe As His Skies Are Wide
by Mike Jacobs
Long known for his absolute adventurousness, there isn't much that Brad Mehldau hasn't stylistically encompassed. Still, when the pianist released an exploration of the progressive favorites of his youth,--Jacob's Ladder (Nonesuch, 2022)--the results were like nothing else in his catalog. Among the album's most compelling tracks is the re-envisioning of a single famous melodic line from ...
