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171

News: Recording

Konitz/Mehldau/Haden/Motion "Live at Birdland"

Konitz/Mehldau/Haden/Motion "Live at Birdland"

Konitz, Mehldau, Haden and Motian Live At Birdland Lee Konitz: alto saxophone Brad Mehldau: piano Charlie Haden: double-bass Paul Motian: drums A quartet of master musicians and a programme of jazz classics. “Live At Birdland" presents the finest moments from two inspired nights at New York's legendary club, as Konitz, ...

434

Article: Interview

Matt Penman: Down on James Farm

Read "Matt Penman: Down on James Farm" reviewed by R.J. DeLuke


Matt Penman and his bass have inhabited a variety of musical places and spaces in recent years, all of them on a very high level. That speaks to his abilities on his instrument, and his adaptability to diverse situations. He of the fluid hands, rich sound and steady, melodic pulse always comes through. That's why he's ...

137

Article: Album Review

Jason Parker Quartet: Five Leaves Left

Read "Five Leaves Left" reviewed by Greg Simmons


For its fourth album, the Jason Parker Quartet takes a sharp departure from its previous three efforts. Rather than simply cutting another solid straight-ahead quartet date, trumpeter Parker has added vocalist Michele Khazak, and multi-woodwind blower Cynthia Mullis, to reinterpret an entire folk-pop album: Nick Drake's Five Leaves Left (Island Records, 1969). Despite being far outside ...

391

Article: Live Review

Portland Jazz Festival 2011 - A Look Back

Read "Portland Jazz Festival 2011 - A Look Back" reviewed by Lloyd N. Peterson Jr.


Portland Jazz FestivalPortland, OregonFebruary 18-27, 2011 Promoter Bill Royston and general manager Don Lucoff have once again pulled off a hat trick of significant proportions. With the arrival and guest appearance of perhaps the greatest “star" that jazz has welcomed since Wynton Marsalis, this year's Portland Jazz Festival had the makings to ...

184

News: Performance / Tour

The Accessible Brad Mehldau: Live at the Dakota

The Accessible Brad Mehldau: Live at the Dakota

The temptation to compare Brad Mehldau to Keith Jarrett can be irresistible. For better or worse, usually better. Both seemed to materialize fully formed, highly praised, with their first recordings. And unlike some who have been lauded early and then forgotten (or at least, ignored), both Jarrett and Mehldau maintained and surpassed their first successes with ...

883

Article: Interview

Ambrose Akinmusire: Emerging Heart

Read "Ambrose Akinmusire: Emerging Heart" reviewed by R.J. DeLuke


"My favorite instrument is the cello," said the easygoing young musician in early February, from his apartment in Manhattan, where he referred to himself jokingly as “a hibernating jazzman." His West-Coast roots weren't taking a firm grip in the frigid temperatures of the Northeast. “Me and strings just don't get along. I can play piano; I ...

595

Article: Interview

David Caceres: Double Threat Coming Forward

Read "David Caceres: Double Threat Coming Forward" reviewed by R.J. DeLuke


The singer/instrumentalist in jazz has a long and honorable tradition. Many of those, though certainly not all, are more known for their singing than playing, especially in the last 20 years or so. But almost universally, they're enjoyed for what they can do, breathing a certain joie de vivre into songs by expressing the lyrics, then ...

230

Article: Album Review

Matt Nelson Trio: Nostalgiamaniac

Read "Nostalgiamaniac" reviewed by Alex Marianyi


According to The Oxford English Dictionary, nostalgia is defined as “a sentimental longing or wistful affection for the past," and a maniac is “an obsessive enthusiast." Chicago pianist Matt Nelson embodies both qualities on Nostalgiamaniac. The sentimentality of his ballad playing and the keen musical citation of past generations of jazz musicians clearly display the conversation ...

191

Article: Album Review

Ahmad Hassan Muhammad: Fly

Read "Fly" reviewed by Jonathan Wertheim


Ahmad Hassan Muhammad isn't a big name in jazz--yet. The Cincinnati-born pianist self-produced and released hist first record, Fly, in October 2010, and while the disc is very much a first effort, it holds surprise, pleasure and promise often unheard in second or third releases by others in the jazz scene today. Everything ...

705

Article: Interview

Justin Kauflin: Humble Beginnings

Read "Justin Kauflin: Humble Beginnings" reviewed by Marshall Taylor


The beauty of music lies in its subliminal spirituality. Religious or not, few can argue the effects of music on the human emotions and how it impacts our perception of things beyond what is skin-deep. For 24 year-old Justin Kauflin, a New York-based pianist notable for his work with Jae Sinnett, and for ...


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