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Noah Haidu: Carving Out His Place
by R.J. DeLuke
New York-based pianist Noah Haidu came to jazz through the blues, listening to the searing, soulful guitar moans of Buddy Guy and Albert King. But his training, at the age of six, had its advent in classical music. He also likes to experiment with electronics. All these things go into the musical blender of ...
Josh Nelson: Discoveries
by Dan Bilawsky
Nothing fuels the creative impulses like the art of discovery. A new chord voicing can unlock a door to a different world, and different rhythmic permutations can prove to be an endless source of inspiration, but discovering these things and utilizing them to good effect are two different things. Few artists can see the world through ...
Enjoy Jazz, 13th Edition: Heidelberg/Mannheim/Ludwigshafen, Germany, October 27-November 1, 2011
by John Kelman
Enjoy Jazz FestivalMannheim/Heidelberg/Ludwigshafen, GermanyOctober 27--November 1, 2011 It's always great to return somewhere that has become an annual port of call, but it's particularly nice to return to Germany's Enjoy Jazz, that atypical jazz festival which--rather than running for a week and concentrating a whack of shows in that short time frame--runs ...
Manfred Eicher: Through the Lens
by John Kelman
It begins in silence, always silence. Since the 1990s, all ECM recordings begin with five seconds of silence, and so, too, do directors Norbert Wiedmer and Peter Guyer open their feature film on the heralded German record label and its enigmatic founder, Sounds and Silence: Travels with Manfred Eicher. As longtime ECM recording artist Keith Jarrett's ...
Yoko Miwa Trio: Live at Scullers Jazz Club
by Dan McClenaghan
Is live always better? Does the no second takes, out-on-a-limb aspect of playing in front of a live audience, and feeding off its energy result in the best recordings? It seems to work that way for Boston-based pianist Yoko Miwa on Live At Scullers Jazz Club, a mix of tunes from The Great American Songbook and ...
Mehldau Shines in an Unforgettable Solo Performance at Earshot
The Nordstrom Recital Hall was home to the first performance by a headliner of the 2011 Earshot Jazz Festival Saturday night, with a mesmerizing solo piano performance from Brad Mehldau. The intimate setting was perfect for this concert, which was completely acoustic. No wires, no amps, no microphones, simply Mehldau and the piano and the acoustics ...
The Annenberg Center for the Performing Arts Celebrates Its 40th Year This Season with Special Concerts and Post-Performance Toasts
This season brings the 40 year anniversary of the Annenberg Center for the Performing Arts on the Penn campus, and there's a chance for every type of creative spirit to celebrate their favorite Annenberg memories in whatever style they love best. This month grooves by with the jazz saxophonist/pianist duo of Joshua Redman and Brad Mehldau ...
Grammy Award-Nominated Greats, Joshua Redman and Brad Mehldau Take the Stage in a One-Night Collaboration as the Annenberg Center Kicks Off Its 40th Anniversary Season
Philadelphia, PA: The Annenberg Center for the Performing Arts presents a night jam-packed with jazz, as prodigious tenor saxophonist, Joshua Redman and internationally-acclaimed jazz pianist, Brad Mehldau join forces for one unforgettable duo performance, October 14, 2011 at 7:30 PM. Melding their two adventurous, yet distinctive artistic voices, Redman and Mehldau's duo cuts the extraneous and ...
Barcelona Jazz Festival Announces Its Complete Marathon Line Up
The 43rd Voll-Damm Barcelona International Jazz Festival is set to commence Sunday, October 16th through Thursday, December 1st, 2011. This month and a half long celebration will feature performances by Maria Schneider Orchestra, Vijay Iyer Trio, Rudresh Mahanthappa Samdhi, Eliane Elias Brazilian Quartet, Randy Weston and his African Rhythms Trio, Michel Camilo 'Mano a Mano' with ...
John Law / Mark Pringle: This is
by Jakob Baekgaard
Traditionally, the art of the piano duo has been linked to classical music, and almost every significant classical composer, from Mozart to Maurice Ravel, has written music for two pianos. In jazz, however, this particular medium is somewhat rare, and although Bill Evans recorded Further Conversations with Myself (PolyGram, 1967), where he overdubbed himself on piano, ...
