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Randy Weston, Roy Haynes, Wayne Shorter
by David Brown
This week, our featured artist is pianist, composer and seeker of his ancestral African connection, Randy Weston; a set featuring one of the most recorded drummers in jazz history, Roy Haynes, from Coltrane to Etta Jones will follow. The show continues with a set of tracks recorded live at San Francisco's fabled night club the Blackhawk ...
Kenny Barron: The Source
by Mike Jurkovic
He may admit to jitters whenever he first sits down at his chosen instrument to record or perform, but elder statesman and NEA Master Kenny Barron never fails to elicit a warm, enveloping sense of elegy, wit and emotional balance to whatever setting the music finds him. On his first solo go-round in forty ...
Bobby Broom: Keyed Up
by Jack Bowers
On his latest album, Keyed Up, the well-traveled and well-respected guitarist Bobby Broom pays tribute to pianists who have been an important part of [his] musical life." As he writes, ..."many great pianists who didn't need to include my six-string version of what they could already do harmonically and melodically saw fit to include me. Perhaps, ...
African Cookbook, A Vocal Tangent, A Dizzy Atmosphere
by David Brown
This week, South African jazz artists to African sounds in jazz, a vocal tangent, and finally, a Dizzy atmosphere. Playlist Thelonious Monk Epistrophy (Theme)" from Live At The It Club (Complete) (Columbia) 00:15 Somi House of the Rising Sun" from Zenzile: The Reimagination of Miriam Makeba (Salon Africana) 01:50 Nduduzo Makhathini Amathongo" from In ...
Farnell Newton: Feel The Love
by David A. Orthmann
Posi-Tone Records produces coherent projects and maintains high standards in part by keeping things in-house; that is, frequently drawing on a substantial roster of affiliated artists to serve on a particular leader's record. A case in point is Feel The Love, Farnell Newton's third release for the label. While Newton's measured, concise, full-toned trumpet stylings and ...
Teddy Charles and Two Bookers
Teddy Charles was a heavy hitter. A vibraphonist, composer, arranger and a producer, Teddy could swing as easily as he could explore modal territory with his groups. When I started this blog back in 2007, there were a number of musicians I wanted to interview first. Among them were Danny Bank, Hal McKusick, Sol Schlinger and ...
Rahsaan Roland Kirk: An Alternative Top Ten Albums Guaranteed To Bend Your Head
by Chris May
Jazz musicians are rarely called shamanistic but the description fits Rahsaan Roland Kirk precisely. Clad in black leather trousers and heavy duty shades (he was blind from the age of two), a truckload of strange looking horns strung round his necktwo or three of which he often played simultaneously--twisting, shaking and otherwise contorting his body, stamping ...
Blue Note Records: Lost In Space: 20 Overlooked Classic Albums
by Chris May
For anyone with a passion for Blue Note, it is hard to conceive of an album that has been overlooked," let alone twenty of them. For connoisseurs of the most influential label in jazz history, the passion can be all consuming: if a dedicated collector does not have all the albums (yet), he or she will ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
Nicholas Krolak Interview
by Patrick Burnette
In this wide-ranging interview, the boys talk with bassist Nicholas Krolak, a Philadelphian with insights on pacing a set, marketing difficult-to-publicize music like jazz, the cost of including standards on a CD, and the oblique thinking of Bad Plus pianist Orrin Evans. There's also some discussion of bachelor cookies" (not a euphemism) in there.