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Charles Mingus: At Antibes 1960 Revisited
by Mark Corroto
At Antibes could easily be an all-time favorite Charles Mingus recording if he had not produced such extraordinary sessions as Mingus Ah Um (Columbia, 1959), Charles Mingus Presents Charles Mingus (Candid, 1961), The Black Saint And The Sinner Lady (Impulse!, 1963) and Mingus Mingus Mingus Mingus Mingus (Impulse!, 1964). Listeners can make their own picks, but ...
Charles Mingus: At Antibes 1960 Revisited
by Chris May
Charles Mingus' exhilarating blend of roots and the avant-garde only rarely seems as binary* (see below) as it does on this recording from the 1960 Antibes Jazz Festival. Most often on a Mingus album, you do not hear the joins. This time, on one level, you do. Mingus leads a pianoless quintet completed by ...
Jason Keiser: Shaw's Groove
by Jack Bowers
The “Shaw" in guitarist Jason Keiser's album Shaw's Groove is the late great Woody Shaw, one of the more innovative and influential jazz trumpeters of the twentieth century. Even though he lived only forty-four years (he died in May 1989), Shaw was an important role model whose sweeping influence remains strong to this day, both as ...
The Record Store Owner: Jim Eigo
by B.D. Lenz
The last couple decades have brought a revolution in every aspect of the music-making process. Technology has transformed the creation of music, the promotion of music, and of course the distribution of music. At the very end of this delivery pipeline there has been a variety of formats that includes bulky vinyl records and clunky CDs, ...
Randy Weston, Roy Haynes, Wayne Shorter
by David Brown
This week, our featured artist is pianist, composer and seeker of his ancestral African connection, Randy Weston; a set featuring one of the most recorded drummers in jazz history, Roy Haynes, from Coltrane to Etta Jones will follow. The show continues with a set of tracks recorded live at San Francisco's fabled night club the Blackhawk ...
Kenny Barron: The Source
by Mike Jurkovic
He may admit to jitters whenever he first sits down at his chosen instrument to record or perform, but elder statesman and NEA Master Kenny Barron never fails to elicit a warm, enveloping sense of elegy, wit and emotional balance to whatever setting the music finds him. On his first solo go-round in forty ...
Bobby Broom: Keyed Up
by Jack Bowers
On his latest album, Keyed Up, the well-traveled and well-respected guitarist Bobby Broom pays tribute to pianists “who have been an important part of [his] musical life." As he writes, ..."many great pianists who didn't need to include my six-string version of what they could already do harmonically and melodically saw fit to include me. Perhaps, ...
African Cookbook, A Vocal Tangent, A Dizzy Atmosphere
by David Brown
This week, South African jazz artists to African sounds in jazz, a vocal tangent, and finally, a Dizzy atmosphere. Playlist Thelonious Monk “Epistrophy (Theme)" from Live At The It Club (Complete) (Columbia) 00:15 Somi “House of the Rising Sun" from Zenzile: The Reimagination of Miriam Makeba (Salon Africana) 01:50 Nduduzo Makhathini “Amathongo" from In ...
Farnell Newton: Feel The Love
by David A. Orthmann
Posi-Tone Records produces coherent projects and maintains high standards in part by keeping things in-house; that is, frequently drawing on a substantial roster of affiliated artists to serve on a particular leader's record. A case in point is Feel The Love, Farnell Newton's third release for the label. While Newton's measured, concise, full-toned trumpet stylings and ...
Teddy Charles and Two Bookers
Teddy Charles was a heavy hitter. A vibraphonist, composer, arranger and a producer, Teddy could swing as easily as he could explore modal territory with his groups. When I started this blog back in 2007, there were a number of musicians I wanted to interview first. Among them were Danny Bank, Hal McKusick, Sol Schlinger and ...
