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Johnathan Blake: Passage
by Dave Linn
The drummer Johnathan Blake was born in Philadelphia in 1976. His father was the esteemed jazz violinist and educator John Blake Jr. who played in many diverse settings, (most notably Archie Shepp and McCoy Tyner), before releasing seven albums under his name. He died in 2014. Blake (the son) began studying music at a young age, ...
Soul Survivor: Lou Donaldson Keeps the Bop Flame Alive
by C. Andrew Hovan
This article was first published at All About Jazz on November 2001. Now in his 75th year, Lou Donaldson counts among the few remaining jazz luminaries of the bebop era still active on the international scene. When I recently sat down to talk with him by phone from his home in Florida, Donaldson had ...
Results for pages tagged "Blue Note Records"...
Rudy Van Gelder
Born:
Rudy Van Gelder started recording artists such as Miles Davis and Cannonball Adderley in the early 50s, in the comfort of his parent’s living room. It wasn't until 1959 that he opened his studio in Englewood Cliffs and along with Alfred Lion, changed the way Jazz was being recorded. In his six-decade career, it is estimated that he has recorded, mixed, and mastered over 2000 albums not only for Blue Note but Verve Records, Impulse!, CTI, and many others.
Blue Note Records founder Alfred Lion and Van Gelder first met when musician Gil Melle introduced them in 1953. Lion was impressed with the sonic clarity of Van Gelder's recordings, and he made sure that Van Gelder recorded most Blue Note sessions from 1953 to 1967. The signature “Blue Note Sound” is really a culmination of Lion's devotion to hard bop jazz, Van Gelder's meticulous pursuit of accurately capturing that improvisatory music, and the remarkable playing of the musicians on those early sessions at the Hackensack home studio. In his later career, Van Gelder operated from his state-of-the-art digital facility in Englewood Cliffs, N.J., where he worked with re-issue producer Michael Cuscuna on the RVG Series.
Héctor Lavoe: La Voz
by Rob Garratt
Craft Recordings have been on a roll of late, following 2021's excellently presented Ornette Coleman boxset, Genesis of Genius, with 2023's Contemporary Records Acoustic Sounds series and imminent Sonny Rollins set Go West!: The Contemporary Records Albums. So it is only natural that jazz-inclined audiophiles will start turning their attention to what other treasures the LA-based ...
Where Clifford Brown Learned to Play: Love In A Wilmington Neighborhood
by Arthur R George
Part 1 | Part 2 Robert “Boysie" Lowery was trumpeter Clifford Brown's first music instructor in the early 1940s, and mentored decades of young musicians thereafter in Wilmington, Delaware. He taught as a sideline to club work, a resource for his community but caring not so much about being paid for his lessons. That ...
3x3: Jazz Trios Playful and Pensive
by John Chacona
Can we finally retire the assertion that we are living in a Golden Age of the jazz piano trio? It seems like every month brings trio dates of such imagination and accomplishment as to render superlatives beside the point. These three recordings released in an eight-week period in Spring 2023 are a reminder that one of ...
Makaya McCraven: In The Moment to In These Times
by Rob Garratt
Makaya McCraven needs a coffee--fast. It's 4pm and he's crashing. It will be his third of the day. His first caffeine hit, consumed on stage six hours earlier, was a chemical necessity; McCraven was drinking at a nearby Irish pub until the early hours and nearly missed his early morning panel talk appearance alongside fellow percussion ...
Walter Smith III: Return To Casual
by Dave Linn
Walter Smith III released his debut album, Casually Introducing (Fresh Sound New Talent, 2006), to enthusiastic reviews. On it, he covered Sam Rivers, Charles Mingus and Ornette Coleman and wrote the other six tracks, showcasing a mature and varied sense of composition. His playing and arrangements showed him to be a new, young (he was 26 ...
Artemis: In Real Time
by Katchie Cartwright
For drummer Allison Miller, a key feature of In Real Time is that this second Blue Note release captures the unique ensemble sound of Artemis. She stresses a palpable sonic integrity that she attributes to trust and chemistry. Renee Rosnes emphasizes the singularity of each player in the equation, underscoring “a striking juxtaposition between the stylistic ...
Artemis: In Real Time
by Mike Jurkovic
Artemis double down on their fiery yet regal 2020 self-titled, Blue Note debut with a punchy, calligraphic flare (thanks in part to their younger contemporaries, in demand multi-reedist Alexa Tarantino and hellfire saxophonist Nicole Glover), catch fire, and watch it spread. An early, sure-fire contender for the tops-of-twenty-three list barrage, In Real Time is ...
