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Joel Ross

For the past several years, Joel Ross has been refining an expression that’s true to his sound and his generation. In 2019, the vibraphonist-composer released his anticipated Blue Note debut KingMaker to eruptive critical acclaim. He’s topped the DownBeat Critics Poll Rising Star category for vibraphone and in 2017, he became one of the youngest artists to receive a coveted Residency Commission from The Jazz Gallery. With the release of Who Are You? (Blue Note, 2020), Ross shares the culmination of a year-long exercise in experimenting and risk-taking on and off the bandstand.

Inspired by mentor Stefon Harris’ empathetic, whole-self approach to articulation, Ross has adopted an entire ethos dependent on truthful, ongoing communication. Honesty persists throughout his sets. And with each release, he reaffirms a commitment to authentic discourse, particularly among the members of his band Good Vibes: Jeremy Corren, Immanuel Wilkins, Kanoa Mendenhall and Jeremy Dutton.

A steadfast improviser, Ross saturates live sets with a lyrical intuition that’s equally grounded in melody and phrasing. He plays the moment. Rather than impose energies on the music, he allows moods to set, linger and transform. In recent years, he’s engaged established artists of similarly tenacious voices, including Makaya McCraven (Universal Beings, 2018), Maria Grand, Kassa Overall, Nicole Mitchell, Gerald Clayton, Melissa Aldana (Visions, 2019), Walter Smith III (In Common, 2018), Georgia Anne Muldrow, Jure Pukl (Broken Circles, 2019), Rajna Swaminathan, Wynton Marsalis & the Jazz at Lincoln Center Orchestra and Marquis Hill (Modern Flows Vol. 2, 2018), who penned liner notes for Who Are You?

Playing thoroughly in the broad, resonating tradition of Black music, Ross draws inspiration for his layered expression from vital, intersecting scenes of his native Chicago. Imbibing nuanced traditions from improvised music hubs to the church, he embraced a range of gestural possibilities he’d begin refining in New York. After graduating from University of the Pacific in Stockton, California, Ross pursued a Bachelor of Fine Arts in Jazz Studies from The New School in downtown Manhattan. Now based in Brooklyn, he regularly performs across the country and around the world. As a leader, he’s appeared at such storied venues and iconic events as Smalls Jazz Club, Umbria Jazz Festival, The Jazz Gallery, Winter Jazz Fest, Newport Jazz Festival, Dizzy’s Club, BRIC Jazz Festival, The Blue Whale, North Sea Jazz Festival, The Brubeck Institute and Kuumbwa Jazz Festival, among others. A highly sought collaborator, he’s performed at Jazz at Lincoln Center, The Village Vanguard, SF Jazz, Duc des Lombards, Ronnie Scotts, Jazz Standard, Red Sea Jazz Festival, Yoshi’s Oakland and California Jazz Conservatory.

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Album Review

Gregory Groover Jr.: Old Knew

Read "Old Knew" reviewed by Pierre Giroux


With Old Knew, tenor saxophonist Gregory Groover Jr. offers a mature and deeply rooted statement that gracefully balances reverence for tradition with openness to spontaneous expression. Recorded without rehearsal and driven by a diverse group of top-tier collaborators, including Joel Ross on vibraphone, Paul Cornish on piano, Harish Raghavan on bass, and Kendrick Scott on drums, this 11-track set reveals a leader eager to let the music flow, communicate, and develop in the moment. The result is a highly interactive ...

4
Album Review

Gregory Groover Jr.: Old Knew

Read "Old Knew" reviewed by Jack Bowers


Even though he has surely heard this more than a few times, Gregory Groover is a pretty hip name for a jazz saxophonist. Not so much for the pastor of Boston's Charles Street AME Church, the position held by the Groover for whom he is named, Gregory Sr., who no doubt grooves in his own way. Gregory Jr. plays high-energy tenor on Old Knew, the second recording under his name, wherein he leads a sturdy quintet through its paces on ...

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Album Review

Peter Evans: Ars Ludicra

Read "Ars Ludicra" reviewed by Fran Kursztejn


In the band's handful of releases the past decade, Peter Evans' Being & Becoming has defined itself by an unusual pattern of influence. As the former leader of superstar avant-garde quartet Mostly Other People Do the Killing, Evans has always played the agitator, the many-hats uncompromising auteur, challenging in both sonic intellect and actual practice. He lies squarely in jazz, but borrows heavily from the classical cornet repertoire, early devotional music, and as disparate sources as Detroit Techno and the ...

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Album Review

Brandee Younger: Gadabout Season

Read "Gadabout Season" reviewed by Angelo Leonardi


Dopo venticinque anni d'attività professionale, l'arpista Brandee Younger è balzata recentemente all'attenzione generale con accattivanti album e una nomination al Grammy Awards. L'improvviso successo non le ha dato alla testa e Brandee non sembra voler annacquare la sua musica con quelle leggerezze pop che coesistevano in qualche brano. In quest'ultimo album--prodotto dal bassista Rashaan Carter--collabora con jazzmen di primo piano ed interpreta proprie composizioni, sempre caratterizzate da freschezza melodica, ricercatezza e vivacità ritmica. Se in Brand New Life testimoniava la ...

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In Pictures

Joel Ross with John Toomey Trio at the Attucks Jazz Club

Read "Joel Ross with John Toomey Trio at the Attucks Jazz Club" reviewed by Mark Robbins


Joel Ross is a man of few words. Actually, he was a man of no words until the end of the first set when he told the sold-out audience that the group would be back after a break. Then no more words until the end of the second set when he thanked everyone for coming and asked us to drive home safely. Ross lets his mallets do the talking and talk they did at a mile a minute.

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Album Review

Joe Farnsworth: The Big Room

Read "The Big Room" reviewed by Karan Khosla


The Big Room is about holding the fort and also about opening doors. Joe Farnsworth has logged time with Pharoah Sanders, McCoy Tyner, and Cedar Walton, but here he calls on the rising generation: alto saxophonist Sarah Hanahan, vibraphonist Joel Ross, pianist Emmet Cohen, trumpeter Jeremy Pelt, and bassist Yasushi Nakamura. Recorded live at Smoke Jazz & Supper Club in January 2025, Farnsworth invites his fellow bandmates to contribute compositions; the album captures an intergenerational sextet that knows how to ...

Album Review

Neta Raanan: Unforeseen Blossom

Read "Unforeseen Blossom" reviewed by Vincenzo Roggero


Un album di debutto della durata di quasi ottanta minuti ha tutta l'aria di un'impresa ardita, se poi a intraprenderla è una giovane sassofonista pressoché sconosciuta si aggiunge anche una massiccia dose di incoscienza. Evidentemente Neta Raanan non si fa intimorire e con un quartetto completato dalla batteria di Kayvon Gordon, il basso di Simon Wilson e il vibrafono di Joel Ross, licenzia il notevole Unforseen Blossom. L'etichetta è la Giant Step Arts, organizzazione no-profit del rinomato fotografo Jimmy Katz, ...

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Performance / Tour

Premier Marimbist Mika Stoltzman Premieres Works By Geoffrey Keezer, Joel Ross, And John Zorn At Carnegie Hall May 2nd

Premier Marimbist Mika Stoltzman Premieres Works By Geoffrey Keezer, Joel Ross, And John Zorn At Carnegie Hall May 2nd

Source: AMT Public Relations

Premier Marimbist Mika Stoltzman Returns to Carnegie Hall for the Eleventh Time in One-Night Only Concert May 2, 2023 Including world premiere by Geoffrey Keezer, U.S. premiere by Joel Ross, and New York premiere by John Zorn Featuring special guest clarinetist Richard Stoltzman “high-wire jazz marimbist…an amazing, energetic performer” –The Los Angeles Times “Mika brings a joyful enthusiasm to the marimba that is captivating.” –Chick Corea “She’s a brilliantly borderless artist…one-of-a-kind musician.” –All About Jazz Hailed as a “Japanese marimba ...

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Event

Live recording and concert, May 23-24: Jason Palmer Qt. feat. Mark Turner, Joel Ross, Kendrick Scott, Edward Perez at NYC's InterContinental Barclay

Live recording and concert, May 23-24: Jason Palmer Qt. feat. Mark Turner, Joel Ross, Kendrick Scott, Edward Perez at NYC's InterContinental Barclay

Source: Ludovico Granvassu

A one-of-a-kind musical experience, combining the intimacy of a house concert with the luxurious ambience, comfort and breath-taking views of the Harold S. Vanderbilt Penthouse. Limited space available as this is a recording session that aims at providing the intimacy of a house concert, but with world-class musicians. Contact Astrid ([email protected]) to reserve your spot. Concert and live recording on May 23 and 24 debut an all-star quintet led by Jason Palmer featuring Mark Turner, with Joel Ross, Kendrick Scott, ...

“Ross swings effortlessly on the vibraphone, sometimes opting for a brittle sound reminiscent of Lionel Hampton, other times creating smooth and expressive lines in the vein of Milt Jackson. Yet while Ross’s sound is grounded in tradition, his rhythmic approach is very contemporary—intensely syncopated and excitingly abstract.” —Kevin Laskey, The Jazz Gallery

“[Ross is a] bright young vibraphonist on his own rocket-like trajectory,...he’s somebody I’ll keep my eye on in the coming months.” —Nate Chinen, The New York Times

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Music

Recordings: As Leader | As Sideperson

Red Brick Hill

Sunnyside Records
2025

buy

Unforeseen Blossom

Giant Step Arts
2025

buy

The Big Room

Smoke Sessions Records
2025

buy

Ones & Twos

Blue Note Records
2025

buy

Ars Ludicra

Self Produced
2025

buy

Old Knew

Criss Cross
2025

buy

Prime Time

From: The Big Room
By Joel Ross

Haven't Meta Yet

From: Same Moon in the Same World
By Joel Ross

La Madrina

From: Visions
By Joel Ross

Chez Tortoni (Manet)

From: The Concert: 12 Musings for...
By Joel Ross

Videos

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