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168

Article: Album Review

Steve Cardenas: Panoramic

Read "Panoramic" reviewed by AAJ Staff


An observation we might make about jazz albums today, as opposed to the days of vinyl, is that there are a lot more first-rate musicians recording today, for a welter of small, independent CD labels. This means that there is a lot more available, high-quality jazz product today, if the astute listener knows where to look. ...

295

Article: Album Review

Loren Stillman: Gin Bon

Read "Gin Bon" reviewed by Russ Musto


Gin Bon reunites gifted young saxophonist Loren Stillman with the inspired rhythm section of Russ Lossing, Scott Lee and Jeff Hirshfield from last year's acclaimed How Sweet It Is ; and, on half the session, guitarist John Abercrombie, the altoist's band mate from the group Jackalope. Stillman's sumptuous sound and well-developed technique are matched by his ...

336

Article: Album Review

Steve Cardenas: Panoramic

Read "Panoramic" reviewed by Phil DiPietro


Steve Cardenas has worked as a superb accompanist to classic groovers Eddie Harris and Jay McShann, classic modernists Charlie Haden and Paul Motian, and a newer breed of female vocalists, such as Kate McGarry, Rebecca Martin and even Miss Norah Jones. Unusually, he's best-known for work in ensembles that spin twin guitars, as a member of ...

239

Article: Album Review

Oscar Penas: Astronautus

Read "Astronautus" reviewed by AAJ Staff


The music of this group led by Oscar Penas is firmly rooted in the post-bop mainstream, yet it sounds fresh and distinctive, possessing a quality of lightness coupled with considerable drive. And Astronautus serves notice that a major new saxophonist has arrived. His name is Javier Vercher, and with any kind of luck, we'll be hearing ...

108

Article: Album Review

Brotherhood: Marcus Strickland

Read "Marcus Strickland" reviewed by Russ Musto


Twenty-something saxophonist Marcus Strickland is rapidly emerging as the preeminent voice of his generation on the instrument, showing a maturity belying his youth that is the combined result of the excellent tutelage he received in the New School’s Contemporary Jazz Program, and the wealth of experience he’s already gained through his touring with drummers Roy Haynes ...

321

Article: Album Review

Joe Martin: Passage

Read "Passage" reviewed by AAJ Staff


Young bassist Joe Martin doesn't just make his instrument walk or run, he makes it dance and leap. Couple his agile lines with a huge, singing tone, his intriguing compositions, and first-rate sidemen, and you've got the ingredients for Passage. Mark Turner is one of the best of today's younger saxophonists. He's got a ...

157

Article: Album Review

Jordi Matas Quintet: All That Matas

Read "All That Matas" reviewed by Mark F. Turner


The debut recording from Spanish guitarist Jordi Matas brings a fresh perspective to the art of cool. His hollow body guitar exudes feeling through his emphasis on thoughtful phrasing, balanced notes, and empathy for the music. All That Matas features his quintet with sax, piano, guitar, and rhythm section. An interesting personnel tidbit lies in that ...

254

Article: Album Review

Helen Sung: Push

Read "Push" reviewed by Dan McClenaghan


It's always a good sign when the opening cut has you snapping your fingers about fifteen seconds in. Push is pianist Helen Sung's debut effort. The song that elicited the fingersnaps is “Conundrum," a swinger that features some clean-lined tenor sax work by Marcus Strickland. It hits a groove early, and a couple ...

301

Article: Album Review

Jesse Chandler: Somewhere:Between

Read "Somewhere:Between" reviewed by Phil DiPietro


In his recent book Jazz: A Critics Guide to the 100 Most Important Recordings, New York Times jazz critic Ben Ratliff cast deserved light on the career of the obscure jazz organist “Baby Face" Willette by including his Face to Face on that sanctified list. Mr. Ratliff qualified that pick by saying, “It transcends the cliches ...


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