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Results for "Bix Beiderbecke"
Brad Goode: Tight Like This
by C. Michael Bailey
Chicago-native trumpeter Brad Goode is steeped in the tradition. His previous Delmark offering, Nature Boy (2008), was very well-received for its conservative yet creative approach toward standards in a quartet format. He returns, delving deeper into jazz styles of the 1920s and '30s, updating them in a wonderfully lo-fi way. Tight Like This celebrates the early ...
Retrieval Records: Treasures Lost and Found
by Nathan Holaway
“The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago."-- Louis Armstrong “You hear about the Duke Ellingtons, the Jimmie Luncefords, and the Fletcher Hendersons, but people sometimes forget that jazz was ...
Jazz Oracle: Portal to Antiquity
by Nathan Holaway
“Life would be no better than candlelight tinsel and daylight rubbish if our spirits were not touched by what has been."--George Eliot The world will never be able to hear exactly how Beethoven or Bach played their instruments, but it can hear how artists such as clarinetist Wilbur Sweatman and clarinetist and ...
Michael Dease, Mike Fahie: Attack of the Killer Trombones!
by J Hunter
The trombone: long locked into a stereotypical role formed by Dixieland, and only occasionally broken since. Fortunately, the last few years have seen more and more trombonists following J.J. Johnson's lead and bringing the instrument out front. Four discs with trombones at their center have stood out so far in 2010; two are reviewed here, two ...
Evan Christopher's Django a la Creole: Finesse
by Raul d'Gama Rose
The epithet “flawless technique" does not even begin to describe Evan Christopher's manner of playing, perhaps, the most challenging reed instrument: the clarinet. His polished intonation is marked by the perfect annunciation of the notes that gush forth from his clarinet sometimes at great speed. His rhythmic attack is so full of surprise, especially when he ...
Robert Levin: The War is Over - A Conversation About Jazz
by AAJ Staff
[Editor's Note: Interview conducted by Eleanor Brietel, New York Editor of The Drill Press. Most of this interview, originally published on the Buzzle website, was conducted via email.] Eleanor Brietel: You've published fiction and you also write essays on a variety of subjects. I want, however, to confine this discussion to your ...
Ken Peplowski: Noir Blue
by Raul d'Gama Rose
Ken Peplowski has much to say; not in the sense that he jabbers incessantly, as many men with horns (and embouchures for hire) sometimes do. However, in erudite and leaping ululations, and in warm, wafting glissandos he sings of the gaiety and sadness of life. This he does through clarinet or tenor saxophone, depending on the ...
Benny Goodman 70th Anniversary Concert at Carnegie Hall, January 16, 2008
by AAJ Staff
Benny Goodman 70th Anniversary ConcertCarnegie HallNew York, NYJanuary 16, 2008 The King of Swing, Benny Goodman, played a historic concert at Carnegie Hall on January 16, 1938. The concert was probably the first to prominently display popular music in a classical music venue. Carnegie Hall was open again to swing, when ...
Dick Hyman: In Concert at the Old Mill Inn
by Ken Dryden
During his lengthy professional career, pianist Dick Hyman has been a first-call studio player for many kinds of music, in addition to being able to play any style in the history of jazz. As well as being a sideman with Benny Goodman, Hyman worked in a duo with the late cornetist Ruby Braff, played pipe, Hammond ...
Joseph Jarman, Bob Wilber, Charles McPherson & Vinny Golia
by Martin Longley
Joseph Jarman/The Peter Apfelbaum New York Hieroglyphics QuintetBelarusan ChurchMarch 7 In the search for ever-more unusual venues, I journeyed to the Belarusan Church on Atlantic Avenue in Brooklyn, the current home of Connection Works. This is an artist-operated, non-profit organization that divides its resources between gigs and workshop activities, ...
