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Lena Bloch & Feathery: Heart Knows
by Dan McClenaghan
Lena Bloch mocks the “sophomore jinx" myth with her second CD release, Heart Knows. The tenor saxophonist's debut, Feathery, drew a good deal of well-deserved praise. With her saxophone intertwined with a responsive guitar/bass/drums rhythm section, Bloch paid tribute--in part--to pianist Lennie Tristano, via her relationship with alto saxophonist Lee Konitz. On Heart Knows, Bloch moves ...
Tina Raymond: Left Right Left
by Dan McClenaghan
Most jazz artists don't choose to create a concept album as their debut. But drummer Tina Raymond has done just that with Left Right Left, teaming up with pianist Art Lande and bassist Putter Smith for a wide-ranging piano trio outing that explores America's political climate via a mix of patriotic songs, a pair of Woody ...
Billy Mintz: Ugly Beautiful
by David A. Orthmann
Consisting of seventeen tracks spanning over two hours of playing time, Ugly Beautiful is a large, sprawling, wise, unflinchingly honest, powerful work of art. Billy Mintz's third recording as a leader--all of which were made in the most recent decade of a fifty-year plus career--stubbornly refuses to conform to stylistic boundaries and gleefully defies expectations of ...
Billy Mintz: Ugly Beautiful
by Dan McClenaghan
Drummer/composer Billy Mintz has a long career of enhancing the music of others with his percussive artistry, everyone from saxophonist Lee Konitz to pianist Hal Galper, to clarinet master Perry Robinson. His own discography as a leader is small, with frequent revisitations of a handful of original compositions that are as distinctive and as worthy of ...
Sara Serpa & André Matos: All The Dreams
by Dan Bilawsky
There may be no combination better capable of painting and promoting aural iridescence than that of vocalist Sara Serpa and guitarist André Matos. The work they've produced together, both on their first duo album--Primavera (Inner Circle Music, 2014)--and on this alluring outing, pits consistency against the transient nature of sonic coloration in understated yet spectacular fashion. ...
Bobby Kapp / Matthew Shipp: Cactus
by Dan McClenaghan
Drummer Bobby Kapp, free jazz spirit in New York in the mid-sixties, relocated to Mexico City, to the Artists' colony San Miguel de Allede. But he gets around, and on a return to New York he joined pianist Matthew Shipp to record a terrific set of duo improvisations called Cactus. Shipp, the better-known half ...
Mike Baggetta: Spectre
by Mark F. Turner
Mike Baggetta has produced a number of quality recordings over the years yet Spectre may be his most compelling project to date. The guitarist delves into some “live" sound processing which include an array of delicate textures, sampling and loops undoubtedly influenced by ECM recording artist David Torn who mastered this release. Though ...
Take Five With Roberta Piket
by AAJ Staff
About Roberta Piket Born in Queens, New York, Roberta inherited a passion for music from both her parents. Her father was the Austrian composer Frederick Piket, who made significant contributions to both the musical liturgy of Reform Judaism and the concert hall with works performed by the New York Philharmonic under conductor Dimitri Metropolis. From her ...
Roberta Piket: One for Marian
by Victor L. Schermer
In 1945, as World War II came to an end, Marian McPartland (1918-2013) moved from England to the United Sates with her then husband, trumpeter Jimmy McPartland. She had already achieved some notoriety as a pianist on radio shows and with the USO, and in the U.S., with her husband's encouragement, she found a secure niche ...
Roberta Piket: One For Marian: Celebrating Marian McPartland
by Karl Ackermann
A young, unrecorded artist is asked to share her talents, sitting in a chair that had been warmed by Bill Evans, Oscar Peterson, Brad Mehldau, Mary Lou Williams, Dave Brubeck, Chick Corea and Dizzy Gillespie to name just a few of the legends who graced Marian McPartland's Piano Jazz series. It says a great deal about ...
