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Denys Baptiste: Pathfinder For The New London Jazz
by Chris May
Bandleader, composer and educator Denys Baptiste is among the generation of musicians, many of them of Caribbean or African heritage, who pointed the way for the younger players who have emerged on the London jazz scene since around 2015. Baptiste's contemporaries include saxophonists Jason Yarde, Soweto Kinch, Steve Williamson and Courtney Pine, and trumpeter Byron Wallen, ...
We Jazz Live: Jazz From Finland
by Friedrich Kunzmann
Documenting the Finnish label We Jazz Records' ongoing live activities, the “We Jazz Live Plates" volumes present a fairly complete overview of the label's roster of talent in a live environment. Volumes 2 and 3 of this project have been released together and present recordings of various projects' performances at the Ateneum Art Museum in Helsinki ...
20 Seattle Jazz Musicians You Should Know: Jay Thomas
by Paul Rauch
The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and 30's. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...
Sex & Drugs & Jazz & Jive: Top Ten Stash Records Albums
by Chris May
With all the transgressive flair you would expect of bohemian New York City in the 1970s and 1980s, Bernie Brightman's Stash Records made its name with a hugely entertaining series of sex and drugs-themed compilations of swing-era recordings. The first was Reefer Songs in 1976. But Brightman's legacy extends much further. There was a finite amount ...
Hard Bop: An Alternative Top Ten
by Chris May
Hard bop was the jazz centre of the world from the mid 1950s to the mid 1960s, producing many hundreds of immortal albums. Trying to whittle these down to a definitive Top Ten is fun--but it is a subjective and ultimately impossible exercise. In an attempt to dodge those hurdles, the list which ...
Strata-East: Seizing the Time
by Chris May
Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...
James Brandon Lewis / Chad Taylor: Live In Willisau
by Mark Corroto
Saxophonist James Brandon Lewis and drummer Chad Taylor's 2017 studio session Radiant Imprints (Musicube/Off, 2018) was hailed by many critics and fans alike as one of the best recordings of 2018. It was indeed a true revelation, yet that recording wasn't the genesis of a major talent. Lewis' inaugural release Divine Travels (Okeh, 2014) accomplished that ...
Charles Rumback: Singing Structures of Rhythm
by Jakob Baekgaard
Versatility, personality and musical empathy are qualities that a modern drummer needs, and Charles Rumback has them in abundance. Based in Chicago, Rumback has accompanied adventurous singer/songwriters like Caleb Willitz, Steve Dawson and Ryley Walker, played jazzy electronica with Colorlist and explored the classic format of the piano trio with bassist John Tate and pianist Jim ...
Hank Mobley: The Complete Hank Mobley Blue Note Sessions 1963-70
by C. Andrew Hovan
The music world has changed considerably since Michael Cuscuna and Charlie Lourie founded their boutique reissue label Mosaic Records back in 1983. From its inception, vinyl was still the preferred format, shortly to be overtaken by the popularity of the compact disc. At the cusp of vinyl's recent resurgence, Mosaic briefly got back into that format ...
Pat Metheny: From This Place
by John Kelman
It's been a full six years since Pat Metheny last released a studio recording. This, despite the guitarist who has become, in a career now in the midst of its fifth decade, one of the most famous and influential jazz guitarists of his (or, some would argue, any) generation, reportedly having enough material in the can ...
