Results for "billy harper"
Billy Harper
Born:
Billy Harper's unique music creativity was first noted in Houston, Texas, where, at age 5, he was singing at sacred and secular functions and participating in choral and solo singing events. By age 14, he formed his first Billy Harper Quintet while a student at Evan E. Worthing High School. Graduating cum laude, he went on to study saxophone and music theory at North Texas State University and received his Bachelor of Music degree. He continued graduate studies at NTSU and became a member of their "big band." That year, 1965, the University's big band won first prize at the Kansas Jazz Festival. Harper moved to New York in 1966 and began attracting attention from some of jazzdom's giants - Gil Evans, Max Roach, Thad Jones, Mel Lewis, Lee Morgan, Art Blakey and the Jazz Messengers
Fabia Mantwill: Em.Perience
by Angelo Leonardi
«Non mi interessa in quale stile o genere possa essere classificata questa musica—dice Fabia Mantwill—che sia jazz, classica, folk, canzone d'autore, soul. Penso che i confini stiano diventando sempre più sfocati». Il debutto discografico della giovane bandleader, sassofonista e cantante tedesca contiene elementi di tutti quei generi musicali e non ha alcun senso cercare etichette.
Strata-East At 50! June 16th With Narrator Danny Glover, Charles Tolliver, Billy Harper, George Cables, Buster Williams, Lenny White & Special Guests!
Strata-East Records celebrate 50 years of amazing Jazz on June 16th at 7:30pm EDT. Price: $20. Day of show $25. The performance will be available on-demand for 48 hours starting June 17th at 12:00 AM EDT. Strata-East @ 50 featuring Charles Tolliver, Billy Harper, George Cables, Buster Williams, Lenny White and special guest Danny Glover! Strata-East ...
A Different Drummer, Part 1: Mark Lomax II and Mauricio Takara
by Karl Ackermann
The drum is an instrument of power and presence. It is the heartbeat of music but with uncertain origins. In Africa, China, and Turkey, archeologists have found evidence to suggest that any of those regions may have been the forebearers of the beat, of the definitive expression of freedom. Data concludes that instrumental music is at ...
Linda Sikhakhane: An Open Dialogue
by Dan Bilawsky
When tenor saxophonist Linda Sikhakhane released Two Sides, One Mirror (Skay Music, 2017), it was a statement of arrival, marking his ascendancy within the jazz ranks in his native South Africa, and departure, signaling a move to the United States that would result in studies with tenor saxophonist Billy Harper, trumpeter Charles Tolliver, bassist Reggie Workman ...
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Jazz from the Black Saint Label (1975 - 1989)
by Russell Perry
Ironically, the record label that most consistently offered an outlet for the American jazz avant-garde in the 1980s was the Italian Black Saint / Soul Note imprint. On All About Jazz, Jeff Stockton wrote, ..."from 1984 to 1989 Black Saint won the Down Beat critics poll for “Best Label" and “Best Producer" and established itself as ...
Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums
by Chris May
Bob Thiele is best remembered for his years as the artistic director and house producer of Impulse!. He took over from founder producer Creed Taylor in 1961 and stayed with the label until 1969, when he left to run his own Flying Dutchman Records. Thiele's tenure at Impulse! was its most glorious period, when Thiele curated ...
Strata-East: Seizing the Time
by Chris May
Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...
Piotr Damasiewicz & Power Of The Horns Ensemble: Polska
by Chris May
Poland's jazz tradition is perhaps the deepest rooted in all of Europe. Only Britain can rival it. But unlike British jazz, Polish jazz began in part as a declaration of protest against slavery and repression, as did that of its American parent, and this has given it a special quality. The slavery and repression were occasioned ...
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