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Results for "Billy Eckstine"
Diane Monroe: Bridging Diverse Musical Worlds
by Victor L. Schermer
Listening to Diane Monroe play jazz violin--whether solo, duo, or in a group--what's immediately evident is how great an improviser she is, fitting seamlessly with the music and the group, breathing and moving with the music. Only then does it become clear that she possesses the precision, complexity, and technique of a classical concert violinist. Indeed, ...
John Scofield: A Moment's Peace
by John Kelman
In a career just entering its fifth decade, John Scofield may have covered a lot of stylistic territory—from the burning modality of Rough House (Enja, 1978), funkified fusion of Blue Matter (Gramavision, 1987) and N'awlins leanings of Piety Street (EmArcy, 2009), to jamband workouts like A Go Go (Verve, 1998), burning modern mainstream on Time On ...
JC Stylles: Exhilaration And Other States
by Edward Blanco
The debut album from New York guitarist JC Stylles, Exhilaration and Other States, swings through a varied selection of music running the gamut from Wayne Shorter and Billie Holiday to Cole Porter and Stevie Wonder. Reminiscent of early organ trios, the Australian-born Stylles features an impressive trifecta of his own with drummer Lawrence Leathers, and Hammond ...
Jimmy Scott: Across the Universe
by Chris M. Slawecki
Listening to Little Jimmy Scott sing is different from listening to any other singer. His high-pitched voice carries more emotion than any instrument can reasonably bear, and seems to come from a special place deep within his heart. Yet that voice also seems to resound from a profound source far beyond any one man, a place ...
Ryan Truesdell: The Gil Evans Project
by Victor L. Schermer
Imagine the commotion when previously unknown manuscripts of Beethoven or Bach were discovered. In the jazz world, the equivalent of such an event might occur with regard to the music of innovators like Duke Ellington or Gil Evans. Indeed, that is exactly what composer-arranger-conductor-producer Ryan Truesdell has uncovered with Evans' music. He researched and found a ...
Jazz Bridge Presents Miss Justine at the Cheltenham Art Center on May 4th
To close out the 2010/2011 Jazz Bridge Neighborhood Concerts Series in Cheltenham, jazz vocalist Miss Justine will be appearing at the Cheltenham Art Center, 439 Ashbourne Rd, Cheltenham, PA on May 4th with pianist Tom Lawton, guitarist Gerald “Twig" Smith and bassist Lee Smith. Miss Justine Keeys recorded two highly regarded CD's in the past decade—Tasty ...
David Caceres: David Caceres
by Raul d'Gama Rose
Comparisons are odious, and can certainly lead to bias. Moreover, in the case of David Caceres, they simply do not capture the immense character that holds together the artistry of this astounding musician. True, Caceres channels Donny Hathaway, and can wind up closing in on the soaring falsetto of Stevie Wonder, but his phrasing is quite ...
Jazz Bridge Presents Guitarist Chuck Anderson at the Cheltenham Art Center on March 2nd
Appearing at the Cheltenham Art Center, 439 Ashbourne Rd, Cheltenham, PA on March 2nd 2011 will be guitarist Chuck Anderson with his trio featuring bassist Eric Schreiber and drummer Ed Rick. Born in Chicago, Chuck Anderson has made Philadelphia his home since, at the age of 21, he was hired for the house band at the ...
Geri Allen Quartet at the Kimmel Center
by Victor L. Schermer
Geri Allen QuartetJazz Up Close Celebrates Thelonious Monk SeriesKimmel Center for the Performing Arts, Perelman TheaterPhiladelphia, PA December 4, 2010 Once, when asked to define “jazz," Count Basie simply replied, “Tap your feet." At this December, 2010 concert, the fourth member of pianist Geri Allen's quartet turned out to do ...
Randy Weston: African Stories, African Rhythms
by Ian Patterson
In over 60 years as a leader, pianist Randy Weston has achieved an incredible amount. He has recorded nearly 50 albums and has been hailed in the process as the natural heir to Duke Ellington and Thelonious Monk. Three times he has been voted Downbeat's composer of the year, and his compositions have been recorded by ...
