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Billy Kilson: Nasty Pitch
by Trish Richardson
Here's the wind up. And the pitch. Whoa, did you see that one folks? That pitch was just nasty. In baseball, occasionally a ball gets thrown by the pitcher that is so good, so perfectly placed, so unbelievable, the announcer calls it nasty. The opposing batter doesn't have much chance of hitting it, but ...
Billy Childs: Pushing Past Preconceptions
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Billy Childs is simply one of the baddest musicians on the planet. He's a brilliant jazz pianist, having received much acclaim as a sideman with legends as well as from being a bandleader. His Windham Hill recordings--Take For Example, This....., His April ...
Mark Winkler: Peeling Back the Onion
by Scott Mitchell
Mark Winkler is a Los Angeles-based jazz singer, lyricist, and songwriter with over 150 songs to his credit and platinum records hanging on his wall. He has written songs with the likes of saxophonists Dexter Gordon, Wayne Shorter and Joshua Redman, as well as pianist David Benoit. Singers Randy Crawford, Dianne Reeves, Lea Salonga, Bob Dorough ...
Unlimited Myles Signs Gillian Friedman As Booking Associate
Unlimited Myles, the eleven year old jazz boutique booking agency, which represents such award-winning artists as Kenny Barron, Stefon Harris, the Yellowjackets, Vijay Iyer, Regina Carter, Billy Childs, Jane Monheit, {{Luciana Souza and Dr. Lonnie Smith has signed Gillian Friedman as Booking Associate. In this role Ms. Friedman will be working with presenters, both in North ...
Kevin Brandon: Brandino Is In The House
by Scott Mitchell
Kevin Brandon is a Los Angeles-based bassist, producer, teacher and song writer who has been on the scene and laying it down for a long time. Known to his friends and colleagues as “Brandino," this musical dynamo has earned seven Grammy Awards and has worked with some of the biggest names in the industry, including the ...
Carol Robbins: Moraga
by Hrayr Attarian
The harp is certainly rare in jazz and so its role in a traditional combo is not well defined. Alice Coltrane, for example used it as a supplement to her keyboards, while Adele Girard, played it like a boogie woogie piano. Others like Janet Putnam and Betty Glamann were relegated to a rhythm guitar role in ...
Joe Locke: Chemistry and Camaraderie
by Seton Hawkins
Even within a musical genre noted for its artists' restless creativity and ability to meld and merge with other styles, vibraphonist Joe Locke stands out as exceptional for his unceasing musical curiosity and sweeping vision. Since his arrival on the New York jazz scene nearly 30 years ago, Locke has amassed a performance résumé that includes ...
Carol Robbins: Moraga
by Dan Bilawsky
While the harp is often pigeonholed as an instrument that belongs in the confines of classical music, artists like Carol Robbins, Zeena Parkins and Edmar Castaneda are helping to change public perception about this topic. Castaneda has created rhythmically engaging music that's high on excitement, and Parkins is constantly breaking barriers by invading every area, from ...
Carol Robbins: Moraga
by Edward Blanco
The harp is probably one of the least recognized and utilized instruments in jazz yet, the jazz harp is as much a part of the genre as the saxophone, with only a handful of musicians making it their instrument of choice. The late Dorothy Ashby and Alice Coltrane, along with Lori Andrews, Columbian Edmar Castaneda and ...
Christian McBride: Knocking on the Door
by Bob Kenselaar
Christian McBride was talking about the Grammy he received in October, 2011 for his big band album, The Good Feeling (Mack Avenue, 2011)--his first Grammy as a leader and third overall. While the bassist certainly appreciated getting the nod from his peers and from the Recording Academy, he said he gets just as much of a ...
