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Chris Jentsch: Cycles and Reflecting on the Journey
by Ludwig vanTrikt
John Coltrane once said, “Let the music speak for itself." The guitarist/composer and band leader Christopher Jentsch adds an interesting twist on that subject by opting to describe himself when asked about the broader subject of how to capture his music in his own words. “I think of myself as a composer/guitarist working with contemporary improvisational ...
Take Five With Rick Stone
by AAJ Staff
Meet Rick Stone: I've been teaching and performing in the New York area since 1982 and have had the good fortune to perform with musicians like Kenny Barron, Barry Harris, Junior Cook, Ralph Lalama, Dennis Irwin, Vernel Fournier, Eric Alexander, Peter Leitch, Sam Yahel, Mark Elf, Roni Ben-Hur, Peter Bernstein, Matt Wilson, and ...
Soren Bebe Trio: From Out Here
by Jakob Baekgaard
Like the derelict buildings that are placed in the background on the cover of From Out Here, Danish pianist Søren Bebe's music carries the timely imprint of a melancholy longing that arises from neglect and the sense of a void that can't be filled. But it is also imbued with sweetness and nostalgia, another aspect of ...
Jeff Dayton-Johnson's Best of 2009
by Jeff Dayton-Johnson
Jazz Man of the Year honors go without a doubt to Rafael Gilbert of Spain, who attended a performance by Larry Ochs of the ROVA Saxophone Quartet at the Sigüenza Jazz Festival in December, and called the police to report that, whatever it was that Ochs was playing, it wasn't jazz. Ochs was asked to play ...
Trio Reenactment: What Once Was...
by Dan McClenaghan
The Detroit-based Trio Reenactment follows up its self-produced, self-titled 2008 debut with What Once Was...", a piano trio set filled with catchy hooks, engaging can't-get-'em-outta-your-head melodies, a bunch of soul and funk, and some fine mainstream jazz tunes.The set bounces to life with “Piano Mang," penned by Trio Reenactment's leader, bassist John Barron. It's ...
John Geggie: Unexpected Conversations
by John Kelman
Most cities have them: musicians who act like a lightning rod, focusing and driving their jazz scenes. In Ottawa, Canada, bassist John Geggie has been one of those significant focal points for two decades, but in particular over the past ten years. He's one of the founding organizers and faculty members of Jazzworks which, amongst other ...
Shawn Maxwell Quartet: Maxwell's House
by Matthew Warnock
Maxwell's House is a hard-swinging, deep in the pocket release by Chicago- based alto saxophonist Shawn Maxwell. The maturity displayed by all four musicians on the album is both refreshing and exciting. Instead of building energy and interest with long-streams of notes, Maxwell and pianist Matt Nelson favor shorter lines, longer-held notes and a strong focus ...
Take Five With Daniel Volovets
by AAJ Staff
Meet Daniel Volovets: Daniel Volovets, 17, has been studying classical, brazilian, and flamenco guitar for almost 10 years. His love affair with music began at the age of 7, when he began studying with classical guitarist Anatoly Shapiro. He has also studied with Tony Hauser, concentrating heavily on Brazilian and flamenco music, and with James Flegel ...
Bill Royston: The History of a Festival
by Lloyd N. Peterson Jr.
It is a passion and responsibility that no one takes as serious as they do; and they do it knowing that little, if any acknowledgment will come their way. They are the festival promoters and artistic directors of this music we call Jazz.And though it's a music that has always had its up and ...
Joanne Brackeen: Phenomenal Capacity
by Russ Musto
One of the most heralded pianists of her era, JoAnne Brackeen came to New York in 1965 after cutting her chops jamming with the likes of Teddy Edwards, Harold Land, Charles Lloyd and Dexter Gordon during the waning days of the Central Avenue scene in her native California. After a few dues-paying years here, she landed ...
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