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John Geggie: Unexpected Conversations
by John Kelman
Most cities have them: musicians who act like a lightning rod, focusing and driving their jazz scenes. In Ottawa, Canada, bassist John Geggie has been one of those significant focal points for two decades, but in particular over the past ten years. He's one of the founding organizers and faculty members of Jazzworks which, amongst other ...
Shawn Maxwell Quartet: Maxwell's House
by Matthew Warnock
Maxwell's House is a hard-swinging, deep in the pocket release by Chicago- based alto saxophonist Shawn Maxwell. The maturity displayed by all four musicians on the album is both refreshing and exciting. Instead of building energy and interest with long-streams of notes, Maxwell and pianist Matt Nelson favor shorter lines, longer-held notes and a strong focus ...
Take Five With Daniel Volovets
by AAJ Staff
Meet Daniel Volovets: Daniel Volovets, 17, has been studying classical, brazilian, and flamenco guitar for almost 10 years. His love affair with music began at the age of 7, when he began studying with classical guitarist Anatoly Shapiro. He has also studied with Tony Hauser, concentrating heavily on Brazilian and flamenco music, and with James Flegel ...
Bill Royston: The History of a Festival
by Lloyd N. Peterson Jr.
It is a passion and responsibility that no one takes as serious as they do; and they do it knowing that little, if any acknowledgment will come their way. They are the festival promoters and artistic directors of this music we call Jazz.And though it's a music that has always had its up and ...
Joanne Brackeen: Phenomenal Capacity
by Russ Musto
One of the most heralded pianists of her era, JoAnne Brackeen came to New York in 1965 after cutting her chops jamming with the likes of Teddy Edwards, Harold Land, Charles Lloyd and Dexter Gordon during the waning days of the Central Avenue scene in her native California. After a few dues-paying years here, she landed ...
Gov't Mule at The Beacon: New Year's 2009, NYC
by Doug Collette
Gov't Mule Beacon Theatre New York, New York December 30 and 31, 2009 Gov't Mule may have never sounded more powerful than they did at The Beacon Theatre, December 30th and 31st. Having jelled as a foursome during a year of touring with bassist Jorgen Carlsson plus recording their ...
Aaron Germain: Before You Go
by John Barron
Bassist Aaron Germain has made a point throughout his fifteen-year career as a professional musician to perform in a wide variety of genres. Growing up in Massachusetts and currently residing in San Francisco, Germain infuses the influence of funk, Afro-Cuban and Brazilian music to inform a fresh approach to modern jazz. Before You Go features Germain's ...
Scott LaFaro: Pieces of Jade
by Stuart Broomer
In his brief career between 1959 and 1961, Scott LaFaro may have done as much to revolutionize the way the bass is played in jazz as Jimmy Blanton, another gifted and tragic figure, had with Duke Ellington 20 years before him. Like Blanton, LaFaro only took up the bass when he entered college and also died ...
Mike Mainieri: Man Behind Bars
by John Kelman
It's hard to imagine vibraphonist Mike Mainieri in his seventies. Not only does he look and sound like a man 10 years (or more) his junior, but a quick look at the projects he's been involved in over the past few years sound like anything but a septuagenarian resting on his not inconsiderable laurels.
Upstate New York Jazz: Brian Patneaude, Lee Shaw, Steve Lambert
by J Hunter
A famous New Yorker cover shows Manhattan in detail up to the Hudson River, and then the rest of the nation is one small, faceless block. Jazz in the Empire State is seen the same way--everything in Manhattan, nothing in the hinterlands. But a few hours up the New York Thruway is Albany, birthplace of vibes ...
