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Cal Tjader & Stan Getz: Sextet
by Chris May
Cal Tjader / Stan GetzSextetOriginal Jazz Classics Remasters2011 (1958) The presence of Latin and Afro-Cuban enthusiast, vibraphonist Cal Tjader, has created a widespread misconception that Sextet was the album which sparked tenor saxophonist Stan Getz's fascination with Brazilian music and, ultimately, bossa nova. The notion has, over ...
Alexander Lonquich: Robert Schumann / Heinz Hollinger
by C. Michael Bailey
Pianist Alexander Lonquich's previous ECM recordings, Plainte Calme (2002) and Gideon Lewensohn: Odradek (2001), split attention between the near-new and the new, addressing Les Six's impressionism on the former, versus 21st Century Israeli realism on the latter. On Robert Schumann / Heinz Hollinger, Lonquich splits the difference between Schumann's eight-movement Kreisleriana (Op. 16, 1838), and Swiss ...
Marc Copland: Crosstalk
by Troy Collins
Pianist Marc Copland is widely admired for his harmonically astute writing, imaginative interpretations of standards, and sensitivity as a sophisticated soloist. The aesthetic foundation of Copland's expressionistic style can be traced to the poetic lyricism of Bill Evans and Keith Jarrett, and though the same could be said of many contemporary pianists, Copland's singular approach to ...
Still Inside: The Tony Rice Story
by Jack Huntley
Still Inside: The Tony Rice StoryTim Stafford and Caroline WrightHardcover; 315 pagesISBN: 978-0-578-05113-0Word of Mouth Press, Inc2010 It's a life already mythologized by devotees--how a country boy discovers a god-given talent for guitar and a natural ear, and grows up to dominate the ...
Walter Kolosky: Affairs of the Heart
by Ian Patterson
It took journalist Walter Kolosky eight months to put together Follow Your Heart: John McLaughlin Song by Song (Abstract Logix, 2010), though, in effect, this impressive listener's guide has been the culmination of a lifetime listening to the English guitarist's music. Kolosky has written extensively on McLaughlin's music for many years, and has interviewed him many ...
Philipp van Endert Trio: Rosebud
by Douglas Payne
Cinema has long since rendered the word “rosebud" as something elusive and enigmatic, that cannot possibly sum up what others want it to. From the moment that Orson Welles whispers the word in the 1941 film Citizen Kane, a mysterious journey of the purely unknowable is embarked upon. But what a journey. With Rosebud, ...
Drew Paralic - Roll with It, Baby (2011)
By Nick DeRiso Drew Paralic is that most unusual of things, a jazz pianist and composer who has released an album of originals played by others. Having taken up the instrument too late, he says, to approach the mastery of deeply appreciated influences like Bill Evans and Thelonious Monk, Paralic instead decided to focus on writing ...
Leslie Pintchik: We're Here To Listen
by Jeff Dayton-Johnson
Pianist Leslie Pintchik's Quartets (Ambient , 2007) featured two innovations on the piano trio format. On half the tracks, the basic trio of Pintchik, bassist Scott Hardy and drummer Mark Dodge, was joined by saxophonist Steve Wilson, and on the other half by percussionist Satoshi Takeishi. The saxophone being what it is, the Wilson tracks tended ...
Planeta Imaginario: Stretches in Spain
by Mark Redlefsen
Recently from Barcelona, Spain, members of the jazz/rock improv group Planeta Imaginario discussed their new recording Optical Delusions (Cuneiform Records, 2011) and the group's history. Keyboardist and group leader Marc Capel, who speaks Catalan, shared his thoughts through drummer and chief translator Vasco Trilla. Fretless bassist Dimitris Bikos also sat in for the interview.
Bud Shank's Last Recording: Jake Fryer's "In Good Company"
If there is still a west coast kind of jazz it's because players associated with the west coast still play music. That's obvious, of course, but even in its heyday the west coast style covered a broad group of stylistic tendencies, from the cool of a Chet Baker to the heat of Hampton Hawes. Bud Shank ...
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