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A Bu Trio: 88 Tones of Black and White
by Karl Ackermann
China is rarely thought of as a geographic source of jazz from the perspective of westerners, partly due to a less than robust presence of the genre and partly because the country remains closed off in many respects. In the past ten years or so, only a handful of “jazz" recordings have come out of the ...
Stephan Crump: Giving Life to the Music
by Tyler Henderson
Stephan Crump is a bassist with many talents, his skills ranging from funk and rock to straight ahead jazz and folk. The Grammy-nominated artist cut his teeth on the New York City jazz scene, working there since the 1990s. He's been a collaborator and a bandleader, working with the likes of Vijay Iyer, Ashford Simpson, Billy ...
Marie Kruttli Trio: Kartapousse
by Bruce Lindsay
Kartapousse is the debut album from the Marie Kruttli Trio. Leader and composer Marie Kruttli, born in French Switzerland in 1991, is joined by two more young Swiss musicians, bassist Lukas Traxel and drummer Martin Perret, on a collection of her original compositions. It's a promising start to the trio's career. Apparently, Kartapousse is ...
Francesca Han: Dream Episodes, Blue Suns, Icarus
by Ian Patterson
A new Francesca Han recording is something to get excited about. The pianist's spirited trio/quartet outing Illusion (Audioguy Records, 2012) and the bewitching solo effort Ascetic (Audioguy Records, 2012)—one of the finest solo piano jazz albums of recent years—were outstanding examples of her skills as a composer, bandleader and improviser. Now, in a relatively short space ...
Michael Kocour: Wherever You Go, There You Are
by C. Michael Bailey
Solo piano recitals have a refreshing quality about them. The instrument's and by proxy, the performer's, thoughts are undiluted and benefit from the lack of competition with other voices. Pianist, composer, and educator Michael Kocour offers a collection of standards and originals that provide a case-in-point. In an even ten selections, Kocour carves a collection of ...
Just Because: Evans, Konitz, NHØP & Dawson
In the fall of 1965 pianist Bill Evans, alto saxophonist Lee Konitz, bassist Niels Henning Ørsted Pedersen and drummer Alan Dawson toured parts of Western Europe. It was both a time of Cold War tension and a time when jazz enjoyed popularity in every part of the continent. In countries behind the Iron Curtain, jazz devotees ...
Gary Peacock Trio: Now This
by Mark Sullivan
On some level it must be daunting to play in a piano trio with bassist Gary Peacock. He's a longtime member of the Keith Jarrett Standards Trio (with drummer Jack DeJohnette), arguably the definitive contemporary piano trio. Before that, he worked with the great Bill Evans, and with iconoclast Paul Bley (often in the company of ...
Benny Lackner Trio: Siskiyou
by Dan McClenaghan
The photo on the main page of Benny Lackner's website shows the pianist with one hand on an acoustic piano, the other plying the keys of a laptop computer. That's where his muse has taken him-into a very contemporary electro/acoustic piano trio mix with drummer Matthieu Chazarec and bassist Jerome Regard. Siskiyou is Lackner's ...
Francesco Nastro Trio: Colors of Light
by Alex Franquelli
As soon as one lets Francesco Nastro's fingers fondle those keys the way he does on “E all'Improvviso il Sole," the musical geometries that create Colors of Light finally come to life. The music springs from a cocoon-like environment in which pianists the likes of Bill Evans and Brad Mehldau must have forgotten their instruments around, ...
Gary Peacock Trio: Now This
by Karl Ackermann
Some of bassist Gary Peacock's earliest musical associations speak to a career that has been nurtured by unusually well-rounded experiences. Subbing for Ron Carter in gigs with Miles Davis, playing with the Bill Evans Trio and pianist Paul Bley and a stay with saxophonist Albert Ayler provided Peacock with foundations that ran the gamut from main-stream ...
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