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The State of Grace 2009: Deanna Witkowski, Ike Sturm and Jeff Baker
by C. Michael Bailey
The role of the church, or more specifically, Christianity, in American culture cannot be overestimated even by those who do not subscribe to the Christian faith. One place where art and Christianity intersected long ago was in music. Since the Middle Ages, music has been used as a vehicle of worship (2000 years before this if ...
Chad McCullough: Dark Wood, Dark Water
by Dan McClenaghan
Seattle-based trumpeter Chad McCullough has assembled a North-West all-star line-up for his debut release, Dark Wood, Dark Water, mixing it up with Origin Records regulars on an inspired, modern-leaning post-bop outing.On “Three Pillar," a silky three-horn harmony blows in like a brisk wind in the embrace of the top-tier rhythm team of bassist Jeff ...
Bill Anschell's Notes from the Lobby: A New Column at All About Jazz
All About Jazz has launched a new column in collaboration with musician, composer, writer and humorist, Bill Anschell. You can read Bill's latest “Notes from the Lobby" installment “Careers in Jazz“ (published yesterday) along with his archive here. Bill Anschell's Notes from the Lobby Careers in Jazz Notes from the Lobby Jazz Jam Sessions: A First-Timer's ...
Jon Alberts / Jeff Johnson / Tad Britton: Apothecary
by Dan McClenaghan
An Internet search for the Fu Kun Wu Lounge in Seattle, Washington's Ballard neighborhood, reveals one patron's assessment of it as “one of the best kept secrets of the Seattle Jazz Scene." Many of the city's dynamic Origin Records stars perform in the converted Chinese herbalist's shop; players like pianists Bill Anschell and Marc Seales, saxophonist ...
Bill Anschell/Brett Jensen: We Couldn't Agree More
by John Barron
We Couldn't Agree More is a great example of what happens when two like-minded musicians gather for an impromptu session, playing through a list of well-worn standards. Pianist Bill Anschell and soprano saxophonist Brent Jensen deliver a relaxed, humorously inventive duo recording that happily swings from beginning to end. Recorded in Boise, Idaho, during ...
Laurence Hobgood: When The Heart Dances
by C. Michael Bailey
Kurt Elling's long-time pianist, Laurence Hobgood, is no stranger to leading a recording session. He has released four previous recordings on Naim Jazz in the last 10 years. He is a durable pianist, a bit of a cross between Red Garland and George Winston, with a smidge of Bill Evans thrown in for seasoning. On When ...
Bill Anschell / Brent Jensen: We Couldn't Agree More
by C. Michael Bailey
By definition, the classical or jazz duo is the most intimate performance format. Intimacy requires two parties sharing with a base empathy. An example is Eddie Daniels and Roger Kellaway's A Duet of One (2008, IPO), where the two principles shared a great love for the mainstream and its sensitive presentation. Enter west coasters, pianist Bill ...
Chad McCullough: Playing to the Gig
by John Barron
Seattle trumpeter Chad McCullough has been working hard to garner a reputation in his hometown and beyond as a versatile, creative musician. McCullough has performed with a wide range of artists, including Jay Thomas, Claudio Roditi, Marc Seales, Thomas Marriott, Ingrid Jensen and Bob Florence. He's toured extensively with the Glenn Miller Orchestra in the jazz ...
Chad McCullough: Dark Wood, Dark Water
by John Barron
Seattle trumpeter/composer Chad McCullough makes his recording debut as a leader with Dark Wood, Dark Water, a diverse sextet outing featuring eight original compositions and a fresh take on the Lennon/McCartney classic “Blackbird." Along with the all-star rhythm section of pianist Bill Anschell, bassist Jeff Johnson and Drummer John Bishop, McCullough is joined by saxophonists Mark ...
