Home » Search Center » Results: Between the Lines
Results for "Between the Lines"
Myth Of The Cave

Label: Between the Lines
Released: 2003
Track listing: 1. First Movement-The Crystal Hope (Yedid) - 14:10
2. Second Movement-Non Believer's Prayer (Yedid) - 17:31
3. Third Movement-Imaginary Ritual (Yedid) - 7:30
4. Forth Movement-Liturgical Sorrow (Yedid) - 9:44
5. Fifth Movement-Delusion Reality (Yedid) - 12:17
Yitzhak Yedid: Myth of the Cave

by Kurt Gottschalk
Thirty two year-old Israeli pianist Yitzhak Yedid has issued a considerable statement. In Myth of the Cave, he has created a work with a heady high concept that's still eminently musical. His composed suite with improvised passages avoids falling into the usual jazz trappings. It suggests classicism without wading into pretension.Plato's "myth of the ...
James Emery: Transformations

by AAJ Staff
Something about orchestrated jazz makes it an intellectualized endeavor, and James Emery's Transformations exemplifies this rule as much as Gunther Schuller or any other members of the Third Stream. The guitarist and composer takes advantage of the rich sonic spectrum provided by the 22-member Klangforum Wien orchestra to complement his jazz quartet, represented by the five- ...
Fourth World

By Joe Lovano
Label: Between the Lines
Released: 2002
Track listing: 1.Bellflower 2.Golden Horn 3.Fourth World 4.Worship 5.Splendido 6.La
Scala 7.The Next Level 8.In A Secret Place 9.Hannah
Don't Play, Just Be
Label: Between the Lines
Released: 2002
Track listing: Don?t Play, Just Be: 1.Nuit blanche 2. Don?t Play, Just Be 3.Rivette 4.Blue Look ? Spate Liebe: 5.Spate Liebe 6.Stilleben 7.Mutter 8.Radio banal 9.Entre chien et loup
Two By Five
Label: Between the Lines
Released: 2002
Track listing: The Arrival (1986) 1.Caught 2.Suspend 3.Land
Hannes Enzlberger: Songs To Anything That Moves
by Glenn Astarita
Austrian bassist Hannes Enzlberger describes his affinity for the music of Carla Bley, along with brief anecdotes about how some of her works influenced the material here. The bassist conveys an organic tone amid his pliant execution and booming patterns. Whereas Enzlberger’s arrangements are built upon a chamber-like approach, awash with the quartet’s concise unison lines ...