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Philadelphia Jazz: A Brief History
by Jack McCarthy
This article was first published at the Encyclopedia of Greater Philadelphia website. Jazz began to emerge as a distinct musical style around the turn of the twentieth century, a merging of two vernacular African American musical stylesragtime and blueswith elements of popular music. New Orleans, the cradle of jazz," was the most important city ...
Howard University Jazz Ensemble: Beatrice
by Jack Bowers
One sure sign of spring is the arrival of the latest studio recording by the always exemplary Howard University Jazz Ensemble, a tradition that dates to 1976, one year after Fred Irby III (who remains its first and only music director) founded the Washington, DC-based ensemble. Unlike most of these enterprises, which are labeled HUJE followed ...
Remembering Art Farmer
by Lazaro Vega
This interview was first published at All About Jazz in November 1999 and is part of our ongoing effort to archive pre-database material. This interview was originally broadcast at the time on Blue Lake Public Radio; portions of this interview appeared in an advance article published by the Grand Rapids Press. Lazaro ...
John Swana: Bright Moments
by Victor L. Schermer
Simply put, this album is so listenable and stood out so noticeably among the many CDs I've been spinning for myself recently, that I thought All About Jazz readers ought to know about it. I first heard then trumpeter John Swana a decade or more ago when he jammed at pianist Tom Lawton's memorable long-term gig ...
Antonio Faraò, l'eklektiko
by Daniele Vogrig
In alcuni casi la produzione di un disco può rappresentare un momento di svolta nella carriera di un musicista, non solo da un punto di vista musicale ma anche a livello puramente espressivo. Eklektik è l'ultimo album di Antonio Faraò e a buon diritto può essere considerato un sapiente concentrato di fusion, capace di trascendere generi ...
Doug MacDonald: Jazz Marathon 2
by Jack Bowers
For those who thought that guitarist Doug MacDonald's happy-go-lucky jazz marathon had crossed the finish line with the release more than a year ago of Just for Fun, the good news is that MacDonald and his talented teammates have found their second wind and the marathon continues through a second effervescent two-CD session taped at the ...
Ray Charles Orchestra: Ray Charles Orchestra: Zurich 1961-Swiss Radio Days Jazz Series, Vol. 41
by Chris M. Slawecki
We generally take it for granted now, but Ray Charles' trademark blend of jazz, gospel, R&B and soul in a large ensemble or orchestral setting was a unique sound mastered by few artists when this 1961 set was recorded. Number 41 in the Montreux Jazz Label's Swiss Radio Days Jazz Series, Zurich 1961 is a historical ...
Lee Morgan On Music Matters
by Greg Simmons
Somewhere up in the sky there's a pantheon of jazz legends. Lee Morgan rightfully has a seat in the top tier, and the jam must be extraordinary. Morgan hit the scene in 1956, an obvious prodigy who'd scored two triumphs at the tender age of eighteen: a standing gig in Dizzy Gillespie's big band ...
Paul Chambers: Paul Chambers Quintet - 1957
by Marc Davis
From 1955 to 1965, Paul Chambers was probably the most prolific jazz bassist in the world. He appeared on scores of albums, including some of the best and most famous of all time. So it was not a huge surprise when, in 1957, he turned out a classic of the genre. Bass on Top literally turned ...
Sometimes Jazz Takes Guts
by Chris M. Slawecki
Brownout Brownout Presents Brown Sabbath II Ubiquity Records 2016 Brownout bandleader and guitarist Adrian Quesada listened to a lot of different music, including blood-curdling heavy metal monsters Black Sabbath, while growing up in South Texas. Even while creating original music more reflective of their Mexican and American funk, ...



