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Une, Deux, Trois: Solo, Duo and Trio Improvisation from Europe
by Clifford Allen
At one point in time, the term “European Improvisation" meant something quite specific, carrying with it an air of otherness to American jazz audiences, solidarity to European jazz audiences, and presented rarified and sometimes unruly music based on folk, classical and open forms. In the ensuing decades, the world has grown a bit smaller, and intercontinental ...
Benny Sharoni: Eternal Elixir
by Raul d'Gama Rose
The Benny Sharoni at work on Eternal Elixir shares two sides of his emerging voice and therefore a true personality that is developing deep within the soul of the tenor saxophonist. One side of the artist is a brash young man, who favors the language of modal music. And he makes good this aspect of the ...
Junji Delfino: Here I Am
by Ian Patterson
Despite singing jazz for thirty years, Here I Am is Junji Delfino's first solo recording. Delfino has notable jazz pedigree: her father, Bert Delfino, was a leading jazz figure in post World War II Manila, playing drums in a trio with pianist Fred Robles--who founded the Musicians' Guild in the Philippines--and bassist Rudy Adriano, in the ...
The State of The Saxophone Trio: Dan Moretti, Domenic Landolf, Jacob Duncan
by C. Michael Bailey
There is something Baroque about jazz ensembles lacking a piano or guitar as a harmony instrument . Their absence frees previously occupied sonic space for other uses. The format also sets up a more pronounced contrapuntal interplay between the remaining players. The saxophone trio has become quite mainstream since Sonny Rollins blew into the Village Vanguard ...
Retta Christie with David Evans and David Frishberg: Volumes 1 and 2
by C. Michael Bailey
Vocalist Retta Christie exists at the curious intersection of country & western, swing and film music. Country music and jazz may seem strange bedfellows, but bedfellows they have been since the 1920s and bandleaders Spade Cooley and Bob Wills, Jay McShann and Count Basie all slumming together in Great Plains dance halls. It is from this ...
Duke Ellington Tames The Savage Beasts: Lions and Tigers and Bears (and Gazelles!)
by Dan Bilawsky
I begin this edition of Old, New, Borrowed and Blue with a confession. I have an unabashed love for the music of Duke Ellington. From his brilliantly scored compositions, to the singular instrumental personalities in his band(s)--with Ellington, Jimmy Hamilton and Johnny Hodges ranking at the top of my list--Ellington seems to transcend the “big band" ...
Steve Tibbetts: Natural Causes
by Jeff Dayton-Johnson
First things first: this is a mellow record. A very mellow record. Not Ben Webster mellow, or Antonio Carlos Jobim mellow, or Morton Feldman mellow, but rather, a record of music depicting a kind of quietism: profoundly passive contemplation. And it's not clear that quietism is a direction all jazz fans will want to go.
At The Jazz Band Ball: Sixty Years On The Jazz Scene
by Ian Patterson
At The Jazz Band Ball: Sixty Years On The Jazz Scene Nat Hentoff Hardcover; 246 pages ISBN: 978-0-520-26113-6 University California Press 2010 The photograph which adorns the jacket of Nat Hentoff's At the Jazz Band Ball: Sixty Years On The Jazz Scene--a collection ...
Take Five With Tim Veeder
by AAJ Staff
Meet Tim Veeder:Tim Veeder is a professional saxophonist, clarinetist, flautist, composer, arranger and educator based in the New York, NY area. Tim began playing saxophone at age eleven in his small hometown of Gloversville, in upstate NY. He attended The College of Saint Rose in Albany, NY, studying under Paul Evoskevich and Mark Vinci. ...
Take Five With Ava Lemert
by AAJ Staff
Meet Ava Lemert: Ava Lemert is a Sacramento siren of soul. She is a passionate singer, songwriter, as well as an impressive saxophonist. Her original songs range from the richly arranged '70s soul-tinged “You Know You Got It," which feature her singing lead, harmonies, and layers of her alto and tenor saxophones, to her ...
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