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ECM e le voci: Theo Bleckmann e Sinikka Langeland
by Mario Calvitti
Con gli anni, le voci hanno acquistato un carattere sempre più rilevante nel catalogo ECM rispetto ai tempi della sua fondazione, quando l'etichetta bavarese era rivolta alla pubblicazione di musica di carattere prevalentemente jazzistico e quasi esclusivamente strumentale. I primi nomi di cantanti a trovar spazio nel catalogo dell'etichetta sono stati quelli di Norma Winstone, Aina ...
Brian Charette Circuit Bent Organ Trio: Kurrent
by C. Andrew Hovan
A mainstay of the New York scene since the '90s, organist Brian Charette has a worldly view on music that makes it hard to contain all his pent up musical energies in a conventional way. This partly explains why his recent spate of records for the Posi-Tone label seemed to satisfy while still leaving one with ...
Dan Bruce's Beta Collective: Earthshine
by Troy Dostert
On the first listen, it's easy to fall under the sway of the sweetness of Dan Bruce's silky guitar tone, only to miss the substance at the heart of his music. Just as similar guitarists like Ben Monder or Kurt Rosenwinkel possess a generous, accessible sound with an exploratory edge, Bruce brings a finely-polished technique that ...
Jazz at the Nash Volume 2: Roots in AZ
by Dave Kaufman
This is the second in a series of In Pictures articles on The Nash, a jazz club and educational institution that is at the heart of the Phoenix jazz universe. This article celebrates visiting musicians who have roots in Arizona. Tenor titan Tony Malaby, a native of Tucson, brought his outstanding group Paloma Recio ...
Siena Jazz International Summer Workshop
by Bruce Lindsay
Siena Jazz International Summer Workshop Siena, Italy July 24 -August 5, 2017 The Fortezza Medicea occupies a commanding position just outside the ancient city of Siena, where it has kept a watchful eye on the city's inhabitants since the mid-16th century. Built by occupying forces, it no longer poses a threat to ...
Festival International de Jazz de Montreal 2017
by John Kelman
Part 1 | Part 2 Festival International de Jazz de Montréal 2017 Montréal, Canada June 29-July 3, 2017 It's always a thrill to return to Le Festival International de Jazz de Montréal (FIJM). Deemed the biggest jazz festival in the world by the Guinness World Book of Records, it only ...
ears&eyes Records: From Chicago to the World
by Jakob Baekgaard
Those who feel that jazz has run out of steam, that there is nothing new to say, should encounter bassist and renaissance man, Matthew Golombisky, who runs the Chicago-based label ears&eyes. The name says it all. Golombisky is interested in what is going on around him. He is not only curious about music, but also passionate ...
Shawn Baltazor: Lionsong
by David A. Orthmann
It's difficult to resist the temptation to praise Shawn Baltazor's startling, diverse, incisive, multifaceted drumming at the expense of his equally impressive abilities as a composer and bandleader. Baltazor is one of the legions of young, gifted New York City area artists whose catholic tastes in music are transformed into idiosyncratic, open-ended methodologies, which ultimately engender ...
Big Ears Festival 2017
by Mark Sullivan
Big Ears Festival Knoxville, TN March 23-26, 2017 Knoxville's Big Ears Festival expanded to a full four days this year, giving it more time to go its expected merry, eclectic way. In a break with usual practice, there was no official Composer in Residence. That distinction could have gone to Gavin Bryars ...
Darden Purcell: Easy Living
by C. Michael Bailey
Working backwards, I discovered DC-area jazz vocalist and educator Darden Purcell with her second recording, Where the Blue Begins (Armored Records, 2016). It was an impressive recital with the nominal theme of twilight winding through its repertoire. While less thematically focused, Easy Living remains a well programmed set of eleven standards, “My Funny Valentine" thankfully not ...
