Home » Search Center » Results: Bee Jazz
Results for "Bee Jazz"
The Lost Crooners

Label: Bee Jazz
Released: 2007
Track listing: The End of a Love Affair; I Should Care; Skylark; Once I Loved; Everything
Happens To Me; I Fall In Love Too Easily; I'll Be Seeing You; If I Should
Lose You; 03/09/2007 16:23; Smile; Alone Together; Wave; Moon and
Sand; Moon River; Valentine's Day; Goodbye; I'll Be Seeing You.
Piano Solo

Label: Bee Jazz
Released: 2007
Track listing: Slava; Cantique; Valse Dombelle; Ugly Beauty; Lune; Valse Bulgare; En Attendant Constance; Parenthese; Recapitulons; I Wish I Knew.
Songlines

By Manu Codjia
Label: Bee Jazz
Released: 2007
Track listing: Lubyes; Jamin'; Ritournelle Part I; Ritournelle Part II; Motion Spivari; N'Yack Stuff Bass Intro; N'Yack Stuff Suite; Al Blade; Nage Mute Prologue; Nage Mute Part I; Nage Mute Drums Interlude; Nage Mute Part II; Nage Mute Epilogue; Roc Ferek; Nicolas' Clock; Free Al.
Daniel Yvinec: The Lost Crooners

by Jeff Dayton-Johnson
The Lost Crooners would be a great name for a band or, better still, a Roberto Bolaño novel. It's also the name of the enigmatic new trio recording by bassist Daniel Yvinec, just named next musical director of France's National Jazz Orchestra.Seven of the originals on the disc were recorded, at one point or ...
Jean-Paul Celea/Francois Couturier/Daniel Humair: Tryptic

by Jeff Dayton-Johnson
Tryptic is an album which has what a lot of what you might call ECM appeal." Fans of the storied German record label know who they are and know what they like, and will probably like this album, even if it isn't an ECM release.It's not only because the intimate trio setting, recorded at ...
Guillaume de Chassy: Piano Solo

by Budd Kopman
Piano Solo, which took a long time to come to fruition, is a marvelous set that manages, in a mysterious way, to convey as much about pianist Guillaume de Chassy through his music as the wonderful interview does through words. The relationship between music and words is complex and writing or talking about ...
Manu Codjia: Songlines

by Jeff Dayton-Johnson
Electric guitarists in jazz sort themselves into two camps. Do you follow the magisterial Charlie Christian, and favor clean lines that a horn player might play, using electricity the way Billie Holiday used a microphone to make subtle nuances more easily heard? Or do you follow the arguably less gifted (but equally influential) Johnny Smith, embracing ...