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629

Article: Extended Analysis

Orchestre National de Jazz: Around Robert Wyatt

Read "Orchestre National de Jazz: Around Robert Wyatt" reviewed by Jeff Dayton-Johnson


Orchestre National de JazzAround Robert WyattBee Jazz2009 Hearing that France's National Jazz Orchestra has prepared a program of music by Robert Wyatt, the venerable sage of English rock and roll, is intriguing, but not necessarily shocking. After all, the legendary Soft Machine, for which Wyatt served as drummer ...

Album

Full Contact

Label: Bee Jazz
Released: 2008
Track listing: Buried Head; Jim Dine; Full Contact; Oasis; Ghislène; Salina; Effervescent Springbox; Sleeping Angels.

Album

Faraway So Close

Label: Bee Jazz
Released: 2008
Track listing: Wish You Were Here; Coin de rue; Choral; What Do You Mean? #1; Après un rêve (d'après Gabriel Fauré); What Do You Mean? #2; Ida Lupino; What Do You Mean? #3; Parenthèse; Nocturne.

Album

Start "So Many Ways..."

Label: Bee Jazz
Released: 2008
Track listing: Quartz; To Bee or Not to Bee; Portrait of Cendrine; Picture in Black and White; Wanted; Where Is My Way?; Today Perhaps; Pharaon's Dance; U-Turn; Certainly Tomorrow; U-Turn (Version 2).

Album

Tryptic

Label: Bee Jazz
Released: 2008
Track listing: Adagietto; Canticle With Response; Lucretia; Good Mood; Instant; Inki; Ludwig; Tarquinius; Cavatina; Dramadrome; Canticle with Response.

415

Article: Album Review

Christophe Wallemme: Start "So Many Ways..."

Read "Start "So Many Ways..."" reviewed by Jeff Dayton-Johnson


Christophe Wallemme describes this effort as a “wink at the great standards of American jazz," a laudable objective but an affirmation that seems intended to confuse the listener. The explicit musical references on Start “So Many Ways..." point instead to Antonio Carlos Jobim and Miles Davis' Bitches Brew rather than “Body and Soul" or ...

356

Article: Album Review

Daniel Humair / Joachim Kuhn / Tony Malaby: Full Contact

Read "Full Contact" reviewed by Martin Longley


This transatlantic collaboration features the long-established partnership of Swiss sticksman Daniel Humair and German pianist Joachim K ühn, but the presence of saxophonist Tony Malaby further establishes the latter's fast-ascending status outside of the US. The reedman isn't blowing as belligerently as usual, tempted into exposing his softer side, his warm tone denuded of its lime-scale ...

160

Article: Album Review

Guillaum de Chassy: Faraway So Close

Read "Faraway So Close" reviewed by Budd Kopman


Faraway So Close is a trio offering from pianist Guillaume de Chassy, whose previous recording, Piano Solo (Bee Jazz, 2007), was completely engrossing in its trenchant beauty. This album projects the same depth, sincerity and directness of communication as the former one, but in a trio setting. Music is mysterious in the manner ...

293

Article: Album Review

Guillaume de Chassy: Faraway So Close

Read "Faraway So Close" reviewed by Jeff Dayton-Johnson


On the heels of two highly-acclaimed duet recordings with bassist Daniel Yvinec (the latter recently named to head France's National Jazz Orchestra), pianist Guillaume de Chassy last year released a remarkable Piano solo (Bee Jazz, 2007). You see the trend: duo, solo--the band can't get any smaller, so de Chassy has released a record for piano ...

232

Article: Album Review

Jean-Paul Celea/Francois Couturier/Daniel Humair: Tryptic

Read "Tryptic" reviewed by Budd Kopman


Musical blindfold tests (a la Downbeat Magazine) can be interesting, especially when the listener describes what he or she is hearing and why they think it is one particular musician/group or another. Reading about this procedure can many times provide insight into how people listen to jazz. Without the benefit of knowledge beforehand, ...


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