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Chris Connor: Chris Connor Sings Gentle Bossa Nova
by David Rickert
If you were a jazz singer in the mid-sixties, chances are you recorded a bossa nova album. It might have been great, it might have been terrible, but it most likely fell somewhere in-between. You may not have wanted to record one, but bossa nova was too popular a fad to resist, and not many people ...
Levin Torn White: Levin Torn White
by John Kelman
Pity poor Alan White. The British drummer had racked up plenty of street cred playing on projects by then-ex-Beatles John Lennon and George Harrison, Joe Cocker and Free's Paul Kossoff, when progressive rockers Yes came knocking in 1973, looking to replace Bill Bruford, who'd departed, on the cusp of massive commercial success, to join up with ...
Bill Frisell: All We Are Saying...
by John Kelman
If there's any sign that Bill Frisell's move to Savoy was a good one, it's the release of All We Are Saying..., which makes three albums from the veteran guitarist in just thirteen months. Frisell left two decades at Nonesuch to be able to release more than one album a year, in order to keep up ...
Patrick Brennan: Rhythms of Passion
by Ludwig vanTrikt
Since moving to New York City in 1975, one-time bassist/painter Patrick Brennan has crafted a musical path that is open in its candor and indebtedness to all facets of black music. Much like trumpeter Wadada Leo Smith, the alto saxophonist brews a thicket of his own distinct musical language that “unlike much contemporaneous vanguard music is ...
Jason Reolon: Raising the Bar
by Seton Hawkins
South Africa may well be in the midst of its third jazz renaissance. While the late 1950s saw the rise of legendary artists such as Kippie Moeketsi, Abdullah Ibrahim, and Philip Tabane, the early 1990s marked the emergence of trailblazers Moses Taiwa Molelekwa and Zim Ngqawana. The past five years have born witness to a surge ...
South African Pianist Jason Reolon Interviewed at All About Jazz...And More!
South Africa may well be in the midst of its third jazz renaissance. While the late 1950s saw the rise of legendary artists such as Kippie Moeketsi, Abdullah Ibrahim, and Philip Tabane, the early 1990s marked the emergence of trailblazers Moses Taiwa Molelekwa and Zim Ngqawana. The past five years have born witness to a surge ...
Laszlo Gardony: Signature Time
by Raul d'Gama Rose
As composer, Laszlo Gardony posits--without much opposition--that the inspiration of all modern music owes a debt to the “birthplace of culture and sound: Africa. As a composer and pianist he develops his hypothesis with Signature Time, an album of considerable and somewhat dark beauty. Driven by the percussive nature of African music--in almost continuous binary rhythms--Gardony's ...
Gutbucket: Cascades and Collisions
by Gordon Marshall
Over its 12-year career, Gutbucket has resituated its various musical parts like the pieces of a Rubik's cube. The elements of that cube, the sonic strains, have remained similar--an amalgam of fuzz rock, jumpy jazz, post-serial classicism--but its panoply of shifting color has been redeployed in unique ways on each of the Brooklyn-based quartet's five CDs, ...
Yuzima: Soulful Rocker
by Ernest Barteldes
New York-born Yuzima is not your average singer-songwriter. For starters, it's hard to pigeonhole exactly what kind of influences he has, as he incorporates various genres and makes them his own, as can be heard on his self-titled debut.Live, Yuzima is very charismatic, and has a fiery stage presence, as witnessed firsthand, by playing ...
Colin Towns & The NDR Big Band: John Lennon - In My Own Write
by John Kelman
Since 2005, British arranger/conductor Colin Towns has trawled the discographies of Frank Zappa, Mahavishnu Orchestra and Miles Davis for collaborative potential with Germany's NBR Big Band. In every case--most recently, on Visions of Miles (In + Out, 2009)--the focus was on source material in and around the jazz sphere, with plenty of built-in grist for Towns' ...
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