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1

Article: Album Review

Torben Snekkestad & Barry Guy: Slip Slide And Collide

Read "Slip Slide And Collide" reviewed by AAJ Staff


Una musica del dettaglio, della sovrapposizione di brevi bagliori e schegge d'ombra. Si incontrano qui i sassofoni del norvegese Torben Snekkestad e il contrabbasso di Barry Guy, dentro tredici cellule di dialogo dichiarate della durata ciascuna di 2 minuti e 16 secondi, in realtà di durata variabile, ma prevalentemente brevi. Un “inganno" apparentemente insignificante, ...

7

Article: Album Review

Louis-Michel Marion: 5 Strophes

Read "5 Strophes" reviewed by Eyal Hareuveni


French double bassist Louis-Michel Marion's sophomore solo double bass album (after his debut solo double bass album Grounds, Emil, 2012) blends influences from European schools of free improvisation and experimental, modern composers. Marion--who collaborates regularly with forward-thinking French improvisers like sax player Daunik Lazro, clarinetist Xavier Charles or pianist Sophie Agnel--describes himself as influenced by seminal, ...

25

Article: In the Studio

Jazz on the Screen: A Jazz and Blues Filmography

Read "Jazz on the Screen: A Jazz and Blues Filmography" reviewed by AAJ Staff


This article appears courtesy of David Meeker and the Library of Congress. Learn more about Jazz on Screen. Overview of Jazz on the Screen By David Meeker The cultural, sociological and technical histories of jazz and motion pictures have run in parallel, sometimes intersecting, lines ever since both forms emerged ...

6

Article: Album Review

Agustí Fernández/Barry Guy/Ramón López: A Moment's Liberty

Read "A Moment's Liberty" reviewed by Mark Corroto


The term “elegance," is rarely utilized when referring to a jazz recording. In fact, “elegant jass"might be an oxymoronic term. Sure, The Modern Jazz Quartet always performed in formal wear, and Duke Ellington evoked gracefulness in response to his advertised “jungle music," but jazz has always bumped up against the high brow ceiling of more orthodox ...

9

Article: Extended Analysis

Barry Guy New Orchestra: Amphi - Radio Rondo

Read "Barry Guy New Orchestra: Amphi - Radio Rondo" reviewed by John Sharpe


One of the most noteworthy releases of 2013 was the Barry Guy New Orchestra's Mad Dogs (Not Two), a five disc compendium which collected largely freeform meetings between various subsets of the 11-piece company during their 2010 residency in Krakow. However even that copious set offered only a partial view of the Orchestra's range, a deficiency ...

10

Article: Album Review

Barry Guy New Orchestra: Amphi - Radio Rondo

Read "Amphi - Radio Rondo" reviewed by Glenn Astarita


Venerable British bassist and improviser, Barry Guy is the director of the New Orchestra but also serves as an enabler for the musicians' creative sparks to flourish. Other than frequent collaborator American trumpeter Herb Robertson, this aggregation consists of largely, European avant-jazz luminaries, prefacing the agenda on a hybrid chamber-orchestral slant, suitably noted by Guy in ...

6

Article: Album Review

Agusti Fernandez - Barry Guy - Ramon Lopez: A Moment's Liberty

Read "A Moment's Liberty" reviewed by Glenn Astarita


The powerhouse international trio's third effort radiates an uncanny, or perhaps uncommon framework combining beauty--due to Agusti Fernandez's lyrically rich and gorgeous statements--coupled with power and free-form elaborations. For instance, on the 18-minute opener “A Moment's Liberty," Fernandez opens with solitary phrasings via lush balladry while transmitting a sense of loneliness until the band embarks on ...

5

Article: Album Review

Iskra 1903: South on the Northern

Read "South on the Northern" reviewed by John Eyles


Paul Rutherford's trio Iskra 1903 existed in two different editions, both including Rutherford on trombone and Barry Guy on bass. The first (in existence from 1970 to 1974) added Derek Bailey on guitar, the second (from 1977 to 1995) Philipp Wachsmann on violin. Thanks largely to the efforts of Emanem (with a contribution from Guy's own ...

Album

Tales of Enchantment

Label: Intakt Records
Released: 2013
Track listing: 1. Veni creator spiritus; Barry Guy "Hommage à Max Bill" (2–8): 2. Field on Thirty-Two Parts in Four Colours I; 3. Enclosed Nucleus II; 4. Two Surrounded Squares III; 5. Nine Accentuations IV; 6. Quiet V; 7. Construction in Black VI; 8. Condensation Towards Yellow VII; 9. Mystery Sonata No 6 "The Agony in the Garden" (H.I.F. Biber); 10. Hommage à J. S. B. (György Kurtág); 11. Mystery Sonata No 9 "The Carrying of the Cross" (H.I.F. Biber); 12. Going Home (Barry Guy); Barry Guy "Tales of Enchantment" (13 –19): 13. Promise I; 14. La Bella Fortuna II; 15. Proximity III; 16. Reflection IV; 17. Whistling V; 18. Shadow VI; 19. Hero VII; 20. Mystery Sonata No 15 "The Coronation of the Virgin" (H.I.F. Biber).

7

Article: Profile

Howard Riley: Live with Repertoire

Read "Howard Riley: Live with Repertoire" reviewed by Duncan Heining


Pianist Howard Riley turned 70 in February and belatedly celebrates the event with the release of a new CD, Live with Repertoire (NoBusiness Records). It's a really strong live, solo set of standards and a few original tunes recorded last year in Leicester and one that emphasises one particular aspect of his playing. Riley remains one ...


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