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252

Article: Album Review

Jon Irabagon Trio featuring Barry Altschul: Foxy

Read "Foxy" reviewed by Bruce Lindsay


Foxy is tenor saxophonist Jon Irabagon's fourth album as leader: a 78-minute, uninterrupted trio performance, exploring the possibilities of the 16-bar form through extended improvisation. Put another way, Foxy is a great big belly-laugh of an album; a stunning physical feat; a constantly shifting musical achievement; an adventure; and a raw and visceral performance. And it's ...

184

Article: Album Review

Jon Irabagon: Foxy

Read "Foxy" reviewed by Troy Collins


The classic late 1950s trio recordings of Sonny Rollins are widely revered by up and coming saxophonists as a benchmark against which to prove themselves. Saxophonist Jon Irabagon, winner of the 2008 Thelonious Monk International Jazz Competition and a celebrated member of the infamous quintet Mostly Other People Do the Killing, wryly acknowledges this fact on ...

1,417

Article: Interview

Nobu Stowe: Beyond Free

Read "Nobu Stowe: Beyond Free" reviewed by Glenn Astarita


The music of NS (Nobu) Stowe is synonymous with the musical storytelling characterized with spontaneity and melodic romanticism--a true rarity in the field of fully improvised music. Stowe has not only mastered the art of total improvisation--a method of fully improvised music that embraces song-like melody, tonal harmony and rhythmic propulsion as well as more commonly ...

246

Article: Album Review

Daniel Blacksberg: Bit Heads

Read "Bit Heads" reviewed by Clifford Allen


It's somewhat surprising that there aren't too many active trombone/bass/drums power trios around, with the model being strongly set in the late 1970s New York scene by such bands as BassDrumBone (trombonist Ray Anderson, drummer Gerry Hemingway, bassist Mark Helias) and the comparable, albeit freer group Brahma, with drummer Barry Altschul. The lack of current 'bone-heavy ...

857

Article: Extended Analysis

Chick Corea: Solo Piano

Read "Chick Corea: Solo Piano" reviewed by John Kelman


It may be Keith Jarrett and Paul Bley who, with Facing You (1972) and Open, To Love (1973) respectively, put ECM on the map for what would become a lifelong focus on the art of solo piano, but it was Chick Corea's Piano Improvisations Vol. 1 (1971) and Vol. 2 (1972) that represented the label's first ...

315

Article: Album Review

The Ullmann / Swell 4: News? No News!

Read "News? No News!" reviewed by Troy Collins


The international partnership of German multi-instrumentalist Gebhard Ullmann and Downtown trombonist Steve Swell dates back to 2004, when they first recorded together as the co-leaders of a quartet on Desert Songs and Other Landscapes (CIMP, 2004)--the same year Swell joined Ullmann's renowned Basement Research ensemble. News? No News! is the sophomore follow-up to their CIMP debut, ...

216

Article: Album Review

Ullmann-Swell 4: News? No News!

Read "News? No News!" reviewed by Mark Corroto


It is difficult to decide, when listening to The Ullmann-Swell 4 disc News? No News! whether the choicest parts are composed or purely improvised. With such talent heard here in this mini-supergroup of saxophonist/bass clarinetist Gebhard Ullmann, trombonist Steve Swell, bassist Hilliard Greene, and drummer Barry Altschul, maybe the extreme pleasure that results is allowing that ...

435

Article: Album Review

Ullmann / Swell Quartet: News? No News!

Read "News? No News!" reviewed by John Sharpe


In these days of global jazz alliances, the partnership of downtown trombonist Steve Swell and German reedman Gebhard Ullmann won't raise too many eyebrows. More noteworthy is its endurance, spanning some six years since its auspicious inception with Desert Songs and Other Landscapes (CIMP, 2004). Swell is also a fixture in Ullmann's Basement Research band, another ...

593

Article: Extended Analysis

Crystal Silence: The ECM Recordings 1972-79

Read "Crystal Silence: The ECM Recordings 1972-79" reviewed by John Kelman


It's a story that's been told before, but it's worth repeating. Pianist Chick Corea and vibraphonist Gary Burton were performing individually at a 1972 Munich festival, and ended up as the only two artists at a late night jam session. While the two had attempted working together in the 1960s, it was in a quartet context ...

191

Article: Album Review

Vinnie Sperrazza: Peak Inn

Read "Peak Inn" reviewed by Clifford Allen


The piano trio is a medium that became immensely popular with Bill Evans' meteoric rise on the international scene in the '50s and has remained an astonishingly equilateral creative outlet for an extraordinary array of harmonic and rhythmic complexity. However, there aren't a lot of groups taking the chances available to them, instead mining the standard ...


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