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2

Article: Album Review

Francois Cotinaud / Barre Phillips / Henri Roger / Emmanuelle Somer: No Meat Inside

Read "No Meat Inside" reviewed by Eyal Hareuveni

by Eyal Hareuveni

This live documentation of an ad-hoc French free improvising quartet was done at the festival Jazz sous les bigaradiers at La Gaude near Nice in November 2012. The friendly atmosphere of the club So What as well as the warm reception of the audience inspired the quartet for this noisy, wild, poetic and free performance.

3

Article: Multiple Reviews

Tatsuya Nakatani / Harold Rubin / Barre Phillips / Assif Tsahar

Read "Tatsuya Nakatani / Harold Rubin / Barre Phillips / Assif Tsahar" reviewed by Eyal Hareuveni

by Eyal Hareuveni

Japanese percussionist Tatsuya Nakatani's last visit to Israel produced two albums. Both are totally different in their spirit. Both feature Nakatani's unique manner of shaping and extracting sounds from the cymbals and the skins of the drums that blossom as a memorable music. Harold Rubin / Barre Phillips / Tatsuya ...

11

Article: Extended Analysis

June Tabor / Iain Ballamy / Huw Warren: Quercus

Read "June Tabor / Iain Ballamy / Huw Warren: Quercus" reviewed by John Kelman

by John Kelman

Awaiting release for more than seven years, Quercus is not the first time ECM has branched into the realm of traditional British music combined with jazz improvisation. Unlike the rawer and more unfettered freedom of producer Steve Lake's inspired pairing of singer Robin Williamson with improvisers including violist Mat Maneri, bassist Barre Phillips and Swedish traditionalist ...

9

Article: Album Review

Lucian Ban / Mat Maneri: Transylvanian Concert

Read "Transylvanian Concert" reviewed by John Kelman

by John Kelman

It's been six years since Mat Maneri last appeared on ECM, collaborating with singer Robin Williamson on the British traditionalist's exploratory The Iron Stone (2007); even longer since the violist shared a marquee for the German label, on 2004's Angles of Repose, with his now-deceased father, microtonal reed player Joe Maneri, and bassist Barre Phillips; even ...

3

Article: Extended Analysis

Tetsu Saitoh: Strings & The Moon

Read "Tetsu Saitoh: Strings & The Moon" reviewed by Eyal Hareuveni

by Eyal Hareuveni

Japanese double bass master Testsu Saitoh is relatively unknown outside Japan. Most of his discography was released by small Japanese labels, including his own, Travessia, and naturally most of his collaborations are with East Asian musicians. Though he played and recorded with Western musicians, including fellow double bass players, as on the double bass quartet tribute ...

Album

Brains on Fire

By Heiner Stadler

Label: Labor Records
Released: 2012
Track listing: No Exercise; Three Problems; Heidi; Bea's Flat; Love In The Middle Of The Air; U.C.S.; All Tones; The Fugue No. 2.

13

Article: Book Review

Is Jazz Dead? Or Is It Just Pining for the Fjords?

Read "Is Jazz Dead?  Or Is It Just Pining for the Fjords?" reviewed by Duncan Heining

by Duncan Heining

Is Jazz Dead? (Or Has It Moved to a New Address?)Stuart Nicholson288 pages, softcoverISBN: 978-0415975834Routledge2005Stuart Nicholson's Is Jazz Dead? (Or Has It Moved To A New Address?) came out in 2005 and has proved a remarkably successful book for both author and his publisher. ...

3

Article: Album Review

Nina de Heney: Three

Read "Three" reviewed by Eyal Hareuveni

by Eyal Hareuveni

Three is the third solo double bass recording of by underrated Swedish double bassist Nina de Heney, known for her collaborations with pianists (and fellow countrymen) Sten Sandell and Lisa Ullén. The title refers also to the connection between de Heney, the player ("the dancer behind the bass," as she calls it), the intimate connection with ...

117

Article: Album Review

Andre Goudbeek / Le Quan Ninh / Peter Jacquemyn: Uwaga

Read "Uwaga" reviewed by Jerry D'Souza

by Jerry D'Souza

The Alchemia, in Krakow, Poland, has long been the venue for a series of free jazz and improvised music concerts. The lineup never flags for want of extraordinary musicians, and time has witnessed the likes of Ken Vandermark, Barry Guy, William Parker and Peter Brötzmann on that stage. Alto saxophonist André Goudbeek, bassist Peter Jacquemyn and ...


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