Results for "band/orchestra"

The Blue Note 7

On January 13, Blue Note Records will commemorate the label’s 70th anniversary with the release (CD & Digital) of Mosaic: A Celebration of Blue Note Records, an eight-song collection of classic Blue Note repertoire re- envisioned by The Blue Note 7, an all-star tribute band comprised of current jazz luminaries. The all-star septet includes:
pianist, musical director and current Blue Note recording artist Bill Charlap with:
trumpeter Nicholas Payton
tenor saxophonist Ravi Coltrane
alto saxophonist/flutist Steve Wilson
guitarist Peter Bernstein
bassist Peter Washington
drummer Lewis Nash. Mosaic features new versions of jazz classics such as Thelonious Monk’s “Criss Cross,” Herbie Hancock’s “Dolphin Dance,” McCoy Tyner’s “Search For Peace” and Art Blakey And The Jazz Messengers’ “Mosaic.” “We chose to record compositions that would honor the label and its key players, whittling it down to eight of our favorites from Blue Note’s wide-ranging and extensive catalog,” Charlap says. More arrangements of songs from the Blue Note library will be created for The Blue Note 7 tour, which began on January 7 in Yakima, Washington, and continues with stops in over 50 cities across North America

Umphrey's McGee

A six-piece progressive rock band from Chicago, IL, Umphrey's McGee has built a rabid fanbase through endless touring that puts them on the road 120+ nights a year. Their constantly evolving sound channels a wide spectrum of influences, while still preserving their distinct voice through crafty songwriting. With a massive repertoire of original songs and note-perfect covers, a live show is often like flipping through the presets on your radio dial. Their A.D.D. approach to "progressive improvisation" will often utilize a set of carefully devised (and Zappa inspired) hand signals that allows them to develop structure as they orchestrate their melodic creations on the fly.

Umalali

Umalali: The Garifuna Women's Project is an album overflowing with stories. There is the story of how it was made: a ten-year labor of love that started with five years of collecting songs and discovering striking female voices, followed by recording sessions in a seaside hut, and ending with exquisitely detailed and subtle production wizardry. There are the stories told in the songs: of hurricanes that swept away homes and livelihoods, a son murdered in a far-off village, the pain of childbirth and other struggles and triumphs of daily life. There are the personal stories of the women who participated in this magical recording project: mothers and daughters who, while working tirelessly to support their families, sing songs and pass on the traditions of their people to future generations. Umalali is also the story of a young, innovative music producer from Belize whose meticulous and inventive craftsmanship has resulted in what will surely be recognized as one of the most uplifting and moving albums in recent memory

TheRhythmIsOdd

therhythmisodd play progressive music filled with energy. The base line for this project is Bjorn Egelius: Bass player and also therhythmisodd groove inventor Leif Fredriksson: a Swedish drum legend with more then 30 years of touring, recording and playing worldwide.Leif started his carrier 15 years old only and at the age of 17 he went on tour with Don Cherry. Starting from that Leif been touring together and playing with musicians like Jan Akkerman, Ulf Wakenius, Esbjörn Svensson, Benny Bailey, Barney Kessel, Bebo Valdes, Hannibal Marvin Peterson and many more. There's no lack of exceptionally gifted and talented musicians, producers and organizers, composers, improvisers both professionals and amateurs, but...

Cleveland Jazz Project

Having met and formed their group while students at Cleveland Heights High School, the Cleveland Jazz Project lays out adventurous modern jazz with a sublimity and power all its own. The Cleveland Jazz Project is: Nathan Davis
A rising star on the Cleveland jazz scene, Nathan Davis has studied under various Cleveland saxophone masters, and has performed with many jazz greats such as Jack Shantz, Joe Lovano, and Maureen McGovern. He currently is a jazz studies major on scholarship at the University of Akron where he studies with Jack Shantz and Rich Shanklin. Jacob Bergson
Jacob Bergson began his study of the piano with Linda Miller at the age of six

The TransAtlantic Collective

The TransAtlantic Collective is a new contemporary jazz ensemble, whose members and collaborators are some of the top emerging artists from New York City, London, and Europe. A gathering of ambitious young musicians, the Collective was formed in order to foster cross-continental collaboration in musical performance, composition, and education. The Collective was started in late 2005 by Patrick Cornelius (a multi-award-winning New York saxophonist and composer), and London-based American Michael Janisch (a prominent new global voice on the acoustic and electric bass). Both alumni of Boston’s prestigious Berklee College of Music, Patrick and Michael founded the Collective as a way to bring musicians from Europe and New York together and spark musical kinship between both sides of the Atlantic

The West Point Band's Jazz Knights

For almost four decades the United States Military Academy Band’s Jazz Knights have brought musical excellence to their audiences by presenting the best in big band favorites, popular music, and original compositions and arrangements for jazz ensemble. Members of the group are graduates of some of America's most prestigious music schools such as the University Of North Texas, Eastman School of Music, Indiana University, Berklee School of Music, and the Manhattan School of Music. They are recruited and selected through a competitive audition process specifically for service in the United States Military Academy Band at West Point

Birdsongs of the Mesozoic

Active since: 1980

Birdsongs Of The Mesozoic began in 1980 as a side project by half of Boston's now legendary Mission Of Burma, Roger Miller and Martin Swope. Miller and Swope joined forces with Rick Scott and Erik Lindgren for what was originally conceived as a recording project only. In 1983, they released a self-titled EP, Birdsongs Of The Mesozoic. With the demise of Mission Of Burma at about the same time as the EP's release, Birdongs Of The Mesozoic became a full-time band for all members. In 1984 they released another LP, Magnetic Flip, and began extensive touring to support its release. A year later they released another EP, Beat Of The Mesozoic, and again set out on tour. In 1987, Roger Miller left the group to concentrate on solo projects and was replaced by saxophonist Ken Field. Birdsongs' new lineup recorded Faultline, released on Cuneiform (Rune 19). Their second Cuneiform release, Pyroclastics (Rune 35), appeared in 1992. Shortly afterwards, guitarist Michael Bierylo replaced Martin Swope, who moved to Hawaii. In 1993 a collection of previously unreleased material from 1980-1987 featuring the band's first lineup and accompanied by a written history, The Fossil Record (Rune 55) paid tribute to Birdsongs' early years. 1995's Dancing On A'A (Rune 69) was the first Birdsongs release to feature the current lineup of the group, which has been performing ever since to widespread acclaim. Birdsongs' instrumentation is as striking as its music: two keyboards, guitar, and saxophone blend with electronic and acoustic percussion (including a Mercury Cougar hubcap and a paint can) to produce sound "...as meditative as it is physical, as rooted in classical structure and jazz improvisation as it is in rock 'n roll." (The Boston Globe) Since 1994, the members of Birdsongs have been Aritsts-In-Residence at Dartmouth College and Massachusetts College Of Art. Other recent notable performances have included the Knitting Factory in New York City, the Honolulu Academy Of Arts, the Monadnock Music Festival in New Hampshire, and Real Art Ways in Hartford, Connecticut. Members of the group also have gained attention by composing music for film and television, including, most recently, work for the Children's Television Workshop's highly respected Sesame Street series.

Son De Mi Tierra

Son De Mi Tierra - Cuban Son band/ensemble Son De Mi Tierra is the best acoustic traditional music ensemble in the Miami scene today. Bringing our own unique, innovative sounds, we will take you back to the old Cuba, interpreting and redefining classic Cuban Son at its best Son De Mi Tierra plays traditional Cuban music, trova, musica campesina, boleros, changui, and of course son, which is our specialty. Our music is similar to Buena Vista Social Club, Pedro Luis Ferrer, Los Compadres, and other artists playing in the tradition of the Son Cubano. The ensemble is composed of six members well known and respected in the Cuban musical community. Tresero and the groups musical director is Araelio Guerra who started playing his instrument the Cuban tres, at age of eight, maintaining a family tradition

The Kings Men Quartet

The King's Men Quartet. Unissued recording from 1934. Sheet music and photographs represent films in which the quartet was heard and (usually) seen. Many are not familiar with the King's Men Quartet, even though they are seen or heard in some very famous motion pictures. They formed in 1929 when Paramount was recruiting a quartet for the film Sweetie with Nancy Carroll. By 1934 the personnel became permanent: Ken Darby, Arranger & Bass; Rad Robinson Baritone; Jon Dodson, Lead Tenor; (Grafton) Bud Linn, Top Tenor. After appearing on and off camera in several important musical films (including Let's Go Native, Hollywood Party, Murder at the Vanities) Darby shipped an audition recording (a 16" transcription) to Paul Whiteman, who hired the quartet the same year, 1934