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About Dirty Dozen Brass Band

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Dirty Dozen Brass Band

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New Orleans music ushered in the 20th century with the wail of a joyful noise: collective improvisation, syncopated rhythms, eclectic stylings, and an infectious joie de vivre that was exhilarating. Indeed, thanks to New Orleans musicians such as King Oliver, Jellyroll Morton, and above all, Louis Armstrong, the 1920s became known as the "jazz age." Just like early jazz was an amalgamation of the music of its era, The Dirty Dozen Brass Band's musical revolution was actually a reintroduction of the basic eclecticism that made jazz the most dynamic music of the 20th century. Founded in April of 1977, the formation of the Dirty Dozen created a musical revolution in New Orleans


About Crusaders

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Musician

Crusaders

Active since:

The Crusaders were a prominent jazz fusion group that originally formed in Houston, Texas, in 1960. They initially went by the name "The Jazz Crusaders" and were known for their hard bop and soul jazz style. The original members of the group included Wilton Felder (saxophone), Wayne Henderson (trombone), Joe Sample (piano), Stix Hooper (drums), and Hubert Laws (flute).

In the late 1960s, the band began to shift their musical style towards jazz fusion and soul jazz, and they dropped the "Jazz" from their name, becoming simply "The Crusaders." This change reflected their move towards a more electric and groove-oriented sound.


About Columbus Jazz Orchestra

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Columbus Jazz Orchestra

The Columbus Jazz Orchestra (CJO) was formed as a vehicle to create performance opportunities for jazz musicians in a big band setting. Over thirty years later, the CJO is considered one of the world's finest jazz orchestras and a model for success, presenting big band jazz and world-renowned guest artists to thousands each year. The flagship performing ensemble of the Jazz Arts Group, the Columbus Jazz Orchestra consists of musicians who are highly regarded as performers and educators across the country and around the globe. Under the leadership of Artistic Director Byron Stripling, the CJO presents nearly 50 subscription concerts each season in Columbus, Ohio. By incorporating contemporary arrangements into its repertoire and commissioning new arrangements and masterworks for jazz orchestra, the CJO promotes the future of big band jazz and cultivates the dynamic, adventurous spirit that has kept audiences coming back again and again. The CJO has toured Europe on two occasions, and has collaborated with the Columbus Symphony Orchestra, BalletMet Columbus, ProMusica Chamber Orchestra, Opera Columbus and the Dayton Contemporary Dance Company, and has twice been invited to perform at the annual convention of the International Association for Jazz Education. The CJO is led by world-renowned band leader and trumpet virtuoso Byron Stripling, former lead trumpet for the Count Basie Orchestra


About Club d'Elf

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Musician

Club d'Elf

Active since:

Club d'Elf has been helping audiences lose track of time for almost twenty seven years with its mesmerizing synthesis of Moroccan traditional music and electronic, dubbed-out funk. Circling about bassist/composer Mike Rivard, each Club d'Elf performance features a different line-up, drawn from a constellation of some of the most creative improvisers from the jazz, DJ, rock & world music scenes of Boston, NYC and beyond. Named Jazz Act of 2023 in the Boston Music Awards, the bands music draws from a startlingly wide spectrum of styles that go beyond a single category, including  hip hop, electronica, avant garde, prog-rock and dub


About Clayton Brothers

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Musician

Clayton Brothers

The Clayton Brothers Quartet was founded in 1977, and while their paths would sometimes diverge, the brothers continued to share a common musical vision that would draw them back together. Reed player Jeff Clayton began his career as both a touring and studio musician. He recorded important albums with, among others, Stevie Wonder, Gladys Knight, Kenny Rodgers, Michael Jackson, Patti LaBelle, Earth, Wind & Fire, and a solo on Madonna's recording "Back in Business"...


About Chocolate Dandies

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Musician

Chocolate Dandies

The Chocolate Dandies - orchestra/ensemble It was a sort of rag tag outfit at first. But, in the 30's, leaders such as Don Redman and Benny Carter drilled them to a professional standard. And having, Teddy Wilson and Chu Berry in the band didn't hurt either. The Chocolate Dandies were simply a smaller version of the McKinney Cotton Pickers band. While in the studio for the first time in July 1928, the McKinney's Coton Pickers recorded 25 songs. When a few members took a break, nine other songs were recorded. It was later decided that those nine songs would be released under the name of Chocolate Dandies, named after the 1924 Broadway show co-written by Eubie Blake and Noble Sissle. In October 1928 the same small group recorded four more songs


About Chicago Underground Duo

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Musician

Chicago Underground Duo

The Chicago Underground Duo was once asked to describe their music. This is what they said: (The Duo is) "an organic mixture of African, Electronic, Coloristic, Jazz influenced life supporting systematic, non-systematic feeling from two humans trying ever to expand outward and inward for the people and ourselves." Here is the bio from their first release, "Twelve Degrees of Freedom." January 15, 1997 was a cold and snowy night in Chicago. At the Lunar Cabaret that evening, two Chicago Underground Orchestra members were beginning to hone their skills as a duo during what they would later describe as a magical evening


About Buena Vista Social Club

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Musician

Buena Vista Social Club

Ry Cooder Ry Cooder launched a successful solo recording career in the early 1970s, with a string of well-received albums featuring his unique blues-flavored slide guitar. Over the years he has delved into such diverse influences as Gospel, Hawaiian slack-key, and Tex-Mex. As a session guitarist, Cooder has worked with The Rolling Stones, Neil Young, Randy Newman, Van Morrison, and Johnny Cash. Cooder composed his first score for The Long Riders in 1980, followed by films like Southern Comfort, The Border, Streets of Fire, Crossroads, and the widely lauded Paris, Texas. In 1992, Cooder worked with Walter Hill on the gritty urban drama Trespass before re-teaming with Hill in 1993 for Geronimo: An American Legend and again in 1996 for Last Man Standing, starring Bruce Willis


About Karl Berger

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Musician

Karl Berger

Born:

Karl Berger is a six time winner of the Downbeat Critics Poll as a jazz soloist, recipient of numerous Composition Awards ( commissions by the National Endowment for the Arts, the New York State Council on the Arts, the Rockefeller Foundation, European Radio and Television: WDR, NDR, SWF, Radio France, Rai Italy. SWF-Prize 1994 ). Professor of Composition, Artist-in-Residence at universities, schools and festivals worldwide; PhD in Music Esthetics.

Karl Berger became noted for his innovative arrangements for recordings by Jeff Buckley ("Grace"), Natalie Merchant ("Ophelia"), Better Than Ezra, The Cardigans, Jonatha Brooke, Buckethead, Bootsie Collins, The Swans, Sly + Robbie, Angelique Kidjo a.o.; and for his collaborations with producers Bill Laswell, Alan Douglas ("Operazone"), Peter Collins, Andy Wallace, Craig Street, Alain Mallet, Malcolm Burn, Bob Marlett a.m.o. in Woodstock, NY. New York City, Los Angeles, Tokyo, London, Paris, Rome.


About Sonny Terry and Brownie McGhee

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Sonny Terry and Brownie McGhee

Sonny Terry and Brownie McGhee were the most beloved and influential duo in blues history. Saunders “Sonny” Terrell (1911-1986) was born in Greensboro, North Carolina, Walter Brown”Brownie” McGhee (1915-1996) in Knoxville, Tennessee. Terry was blind, and McGhee walked with a pronounced limp. They met in 1939 while busking in Durham, North Carolina. Terry was playing harmonica for singer-guitarist Blind Boy Fuller, while singer-guitarist McGhee was performing with harmonica player Jordan Webb. They hooked up again in 1941, following Fuller’s death, and made their first record together three years later. They played for tips on New York City streets for a time and appeared at many left-wing rallies and benefits with Woody Guthrie, Leadbelly, Pete Seeger, and other folksingers


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