Results for "Arthur Blythe"
About Arthur Blythe
Instrument: Saxophone, alto
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Arthur Blythe
Born:
A singularly distinctive and uniquely distinguishable stylist, Arthur Blythe is considered one of the greatest alto saxophonist's of his generation. Blythe's beautiful, passionate and expressive sound validates his reputation as one of the most significant jazz musicians of our times. Blythe's work is notable for its exploration of harmony, group counterpoint, and unusual instrumentation. These features, coupled with his rapid, wide vibrato, his swinging style, and his interest in the standard jazz repertory, have won him praise from a wide audience. Arthur Blythe was born 1940 in Los Angeles and grew up in San Diego where his parents moved 1944
An AAJ Interview with Ben Allison
by AAJ Staff
This interview, conducted by Allen Huotari, was first published at All About Jazz in September 1999. As history has taught us, it's not enough to be gifted with talent, one must live up to the burden that “potential" brings. Paradoxically and ironically, the blessing of having one's abilities recognized in public forum is the ...
Donny McCaslin, Arthur Blythe & Arturo Sandoval
by Joe Dimino
We open the 776th Episode of Neon Jazz with a living legend and jazz advocate Arturo Sandoval and music off his latest album Rhythm and Soul. From there, we profile the Hanover Jazz Big Band Orchestra out of Germany after their first visit to Kansas City. We also put a few Halloween treats in the mix ...
Michael Blake: Combobulate
by Chris May
The instrumentation alone promises something out of the ordinary. Saxophone, two tubas, trumpet, trombone, drums. Then there are the musicians, luminaries of downtown New York jazz. Michael Blake, Bob Stewart, Marcus Rojas, Steven Bernstein, Clark Gayton, Allan Mednard. And within seconds of the needle descending on track one, side one, Combobulate starts delivering on the promise. ...
Lisa Hoppe, Santiago Leibson, Artur Malecki & Angelica Sanchez
by Maurice Hogue
Some exciting new releases dot the playlist of this episode of One Man's Jazz. Bassist Lisa Hoppe's back with another release by her Third Reality Trio, and I'm very happy to play music from pianist Santiago Leibson's latest. He returned home to Buenos Aires to make this Aparecerse . There's much buzz in Poland about young ...
Jazz Musician of the Day: Arthur Blythe
All About Jazz is celebrating Arthur Blythe's birthday today! A singularly distinctive and uniquely distinguishable stylist, Arthur Blythe is considered one of the greatest alto saxophonist's of his generation. Blythe's beautiful, passionate and expressive sound validates his reputation as one of the most significant jazz musicians of our times. Blythe's work is notable for its exploration ...
Jazz Musician of the Day: Arthur Blythe
All About Jazz is celebrating Arthur Blythe's birthday today! A singularly distinctive and uniquely distinguishable stylist, Arthur Blythe is considered one of the greatest alto saxophonist's of his generation. Blythe's beautiful, passionate and expressive sound validates his reputation as one of the most significant jazz musicians of our times. Blythe's work is notable for its exploration ...
Roberto Miranda's Home Music Ensemble: Live at the Bing Theater; Los Angeles, 1985
by Karl Ackermann
Roberto Miranda has appeared on almost one-hundred albums but has been lightly recorded as a leader, and inexplicably struggled to generate interest among labels. Dark Tree Records has released some great Horace Tapscott performances from the '70s and '80s. The label resurrected a Miranda-led session on Live at the Bing Theater; Los Angeles, 1985. Recorded at ...
Saxophone Colossi: An Alternative Top Ten Banging Albums
by Chris May
Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into ...
Guitar Gods & Goddesses: An Alternative Top Ten Albums
by Chris May
Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...
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